{"id":31744,"date":"2017-08-12T12:00:35","date_gmt":"2017-08-12T10:00:35","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=31744"},"modified":"2017-12-29T21:36:46","modified_gmt":"2017-12-29T20:36:46","slug":"365-razones-para-amar-el-jazz-una-portada-blue-train-john-coltrane-224-a-new-perspective-22","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-blue-train-john-coltrane-224-a-new-perspective-22\/","title":{"rendered":"365 razones para amar el jazz: una portada. Out Of The Cool (The Gil Evans Orchestra) [224] [A New Perspective 22]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31745 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/gil-evans_out-of-the-cool_Impulse_1961-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/gil-evans_out-of-the-cool_Impulse_1961-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/gil-evans_out-of-the-cool_Impulse_1961-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/gil-evans_out-of-the-cool_Impulse_1961-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/gil-evans_out-of-the-cool_Impulse_1961-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/gil-evans_out-of-the-cool_Impulse_1961.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una portada.<em>\u00a0Out Of The Cool <\/em>(<strong>Gil Evans Orchestra<\/strong>, Impulse!,\u00a01961). Fotograf\u00eda de\u00a0<strong>Arnold Newman<\/strong><\/p>\n<p>Seleccionado por\u00a0<strong>Jos\u00e9 Luis Luna Rocafort<\/strong>. Vig\u00e9sima segunda entrega de la serie\u00a0<a href=\"http:\/\/www.tomajazz.com\/web\/?cat=18586\" target=\"_blank\" rel=\"noopener noreferrer\"><em>A New Perspective<\/em><\/a>: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una portada.\u00a0Out Of The Cool (Gil Evans Orchestra, Impulse!,\u00a01961). Fotograf\u00eda de\u00a0Arnold Newman Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Vig\u00e9sima segunda entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-blue-train-john-coltrane-224-a-new-perspective-22\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31745,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17846,18155,18586,20689,15517,1038],"tags":[18715,18716,18165,19550,19952,18719,8967,19951,1840,13,12415,15295,18720,18717,10088,15710,18718,16099,77,16100],"class_list":["entry","author-pachi","post-31744","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jose-luis-luna-rocafort","category-365-razones-para-amar-el-jazz","category-a-new-perspective","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-a-new-perspective","tag-arnold-newman","tag-cien-anos-de-grabaciones-de-jazz","tag-gil-evans","tag-gil-evans-orchestra","tag-impulse","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jose-luis-luna-rocafort","tag-la-actualidad-del-jazz-en-espana","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/gil-evans_out-of-the-cool_Impulse_1961.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31845,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-lady-in-satin-billie-holiday-232-a-new-perspective-23\/","url_meta":{"origin":31744,"position":0},"title":"365 razones para amar el jazz: una portada. Lady In Satin (Billie Holiday) [232] [A New Perspective 23]","author":"Tomajazz","date":"20 agosto, 2017","format":false,"excerpt":"Una portada.\u00a0Lady In Satin\u00a0(Billie Holiday, Columbia,\u00a01958). Fotograf\u00eda de\u00a0Arnold Newman Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Vig\u00e9sima tercera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Billie-Holiday_Lady-In-Satin_Columbia_1958.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32970,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-the-incredible-kai-winding-trombones-302-a-new-perspective-31\/","url_meta":{"origin":31744,"position":1},"title":"365 razones para amar el jazz: una portada. The Incredible Kai Winding Trombones [303] [A New Perspective 31]","author":"Tomajazz","date":"30 octubre, 2017","format":false,"excerpt":"Una portada:\u00a0The Incredible Kai Winding Trombones\u00a0(Kai Winding. Impulse!, 1961). Fotograf\u00eda de\u00a0Arnold Newman Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Trig\u00e9sima primera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Kai-Winding_The-Incredible-Kai-Winding-Trombones_Impulse.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Kai-Winding_The-Incredible-Kai-Winding-Trombones_Impulse.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Kai-Winding_The-Incredible-Kai-Winding-Trombones_Impulse.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30960,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-chet-chet-baker-164-a-new-perspective-14\/","url_meta":{"origin":31744,"position":2},"title":"365 razones para amar el jazz: una portada. Chet (Chet Baker) [164] [A New Perspective 14]","author":"Tomajazz","date":"13 junio, 2017","format":false,"excerpt":"Una portada. Chet\u00a0(Chet Baker. Riverside, 1959). Fotograf\u00eda de Melvin Sokolsky. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo cuarta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Chet Baker, Pepper Adams, Herbie Mann, Kenny Burrell, Bill Evans,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Chet-Baker_Chet_Riverside.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31964,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-dexter-blows-hot-and-cool-dexter-gordon-239-a-new-perspective-24\/","url_meta":{"origin":31744,"position":3},"title":"365 razones para amar el jazz: una portada. Dexter Blows Hot And Cool (Dexter Gordon) [239] [A New Perspective 24]","author":"Tomajazz","date":"27 agosto, 2017","format":false,"excerpt":"Una portada.\u00a0Dexter Blows Hot And Cool\u00a0(Dexter Gordon, Dooto,\u00a01955). Fotograf\u00eda de\u00a0Howard Morehead Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Vig\u00e9sima cuarta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30131,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-cool-struttin-sonny-clark-105-a-new-perspective-05\/","url_meta":{"origin":31744,"position":4},"title":"365 razones para amar el jazz: una portada. Cool Struttin&#8217; (Sonny Clark) [105] [A New Perspective 05]","author":"Tomajazz","date":"15 abril, 2017","format":false,"excerpt":"Una portada. Cool Struttin' (Sonny Clark. Blue Note, 1958). Fotograf\u00eda de Francis Wolff. Dise\u00f1o de Reid Miles. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Quinta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Sonny Clark, Jackie McLean,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Sonny-Clark_Cool_Struttin_Blue-Note-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30772,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-not-so-dukish-johnny-hodges-146-a-new-perspective-12\/","url_meta":{"origin":31744,"position":5},"title":"365 razones para amar el jazz: una portada. Not So Dukish (Johnny Hodges) [155] [A New Perspective 12]","author":"Tomajazz","date":"4 junio, 2017","format":false,"excerpt":"Una portada. Not So Dukish\u00a0(Johnny Hodges And His Orchestra. Verve, 1958). Fotograf\u00eda de Herman Leonard. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Und\u00e9cima\u00a0entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Johnny Hodges, Roy Eldridge, Ray Nance, Lawrence\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Johnny-Hodges-And-His-Orchestra_Not-So-Dukish.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Johnny-Hodges-And-His-Orchestra_Not-So-Dukish.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Johnny-Hodges-And-His-Orchestra_Not-So-Dukish.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31744"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31744\/revisions"}],"predecessor-version":[{"id":31754,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31744\/revisions\/31754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31745"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}