{"id":3178,"date":"2007-12-21T01:29:00","date_gmt":"2007-12-21T00:29:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=3178"},"modified":"2022-08-25T19:52:59","modified_gmt":"2022-08-25T17:52:59","slug":"sobre-anthony-braxton","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/sobre-anthony-braxton\/","title":{"rendered":"Sobre Anthony Braxton"},"content":{"rendered":"<div>\u201cEl Sr. <strong>Braxton<\/strong> es un artista brillante y muy trabajador. Su impacto supera cualquier descripci\u00f3n posible. Su sentido de la estructura y de la expresividad individual es su legado para todo aqu\u00e9l que busque el sentido m\u00e1s elevado del arte. Ha causado un impacto imborrable tanto en la comunidad art\u00edstica de Chicago como en la del resto del mundo. Es un verdadero tesoro de la humanidad\u201d<br \/>\n<strong>Kahil El\u2019Zabar<\/strong><br \/>\n<strong>(de <\/strong><a href=\"http:\/\/www.tomajazz.com\/perfiles\/braxton_2007_articulo.htm\">Veinte a\u00f1os no es nada: una febril mirada sobre las dos \u00faltimas d\u00e9cadas de la m\u00fasica de Anthony Braxton<\/a>)<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cEl Sr. Braxton es un artista brillante y muy trabajador. Su impacto supera cualquier descripci\u00f3n posible. Su sentido de la estructura y de la expresividad individual es su legado para todo aqu\u00e9l que busque el sentido m\u00e1s elevado del arte. Ha causado un impacto imborrable tanto en la comunidad art\u00edstica<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/sobre-anthony-braxton\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-3178","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":103232,"url":"https:\/\/tomajazz.com\/web\/steve-lehman-the-music-of-anthony-braxton-2025\/","url_meta":{"origin":3178,"position":0},"title":"Steve Lehman Trio + Mark Turner: The Music of Anthony Braxton (Pi Recordings: 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 enero, 2026","format":false,"excerpt":"The Music of Anthony Braxton (Pi Recordings: 2025) es lo nuevo de Steve Lehman Trio + Mark Turner. Carlos Lara repasa la grabaci\u00f3n. Con Steve Lehman, Mark Turner, Matt Brewer, Damion Reid","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Steve Lehman Trio + Mark Turner: The Music of Anthony Braxton (Pi Recordings: 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - The Music of Anthony Braxton (Pi Recordings: 2025) es lo nuevo de Steve Lehman Trio + Mark Turner. Carlos Lara repasa la grabaci\u00f3n. Con Steve Lehman, Mark Turner, Matt Brewer, Damion Reid","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Steve-Lehman-Trio-Mark-Turner-The-Music-of-Anthony-Braxton-Pi-Recordings-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Steve-Lehman-Trio-Mark-Turner-The-Music-of-Anthony-Braxton-Pi-Recordings-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Steve-Lehman-Trio-Mark-Turner-The-Music-of-Anthony-Braxton-Pi-Recordings-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Steve-Lehman-Trio-Mark-Turner-The-Music-of-Anthony-Braxton-Pi-Recordings-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":52027,"url":"https:\/\/tomajazz.com\/web\/thumbscrew-the-anthony-braxton-project-cuneiform-records-grabacion-de-jazz\/","url_meta":{"origin":3178,"position":1},"title":"Thumbscrew: The Anthony Braxton Project (Cuneiform Records) [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 septiembre, 2020","format":false,"excerpt":"Por\u00a0Pachi Tapiz. El tr\u00edo Thumbscrew (Mary Halvorson en guitarra, Tomas Fujiwara en bater\u00eda y vibr\u00e1fono, y Michael Formanek en contrabajo), publica su quinta grabaci\u00f3n, titulada The Anthony Braxton Project. Una obra que est\u00e1 centrada en la interpretaci\u00f3n de once composiciones no grabadas de Anthony Braxton. Los tres integrantes del grupo\u2026","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Thumbscrew-The-Anthony-Braxton-Project-Cuneiform-Records.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Thumbscrew-The-Anthony-Braxton-Project-Cuneiform-Records.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Thumbscrew-The-Anthony-Braxton-Project-Cuneiform-Records.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Thumbscrew-The-Anthony-Braxton-Project-Cuneiform-Records.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Thumbscrew-The-Anthony-Braxton-Project-Cuneiform-Records.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2601,"url":"https:\/\/tomajazz.com\/web\/top-ten-numero-trece-en-el-aniversario-de-anthony-braxton-una-seleccion-aleatoria-4-de-junio-de-2011\/","url_meta":{"origin":3178,"position":2},"title":"Top ten n\u00famero trece: en el aniversario de Anthony Braxton una selecci\u00f3n aleatoria (4 de junio de 2011)","author":"Tomajazz","date":"8 junio, 2011","format":false,"excerpt":"Selecci\u00f3n aleatoria de m\u00fasica compuesta o interpretada por Anthony Braxton que son\u00f3 en mi iTunes el 4 de junio de 2011, fecha del 66 cumplea\u00f1os del m\u00fasico, compositor y profesor: \"Donna Lee\". Anthony Braxton. Donna Lee \"Composition\u00a0No. 357\". The Anthony Braxton 12+1 tet: Anthony Braxton, Taylor Ho Bynum, Andrew Raffo\u2026","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-JZEGeu_MFJ8\/Te6AmFc8Q2I\/AAAAAAAAC3w\/QetahgI9AdA\/s200\/ANTHONY_BRAXTON_7539.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1898,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-40b-de-anthony-braxton\/","url_meta":{"origin":3178,"position":3},"title":"Tomajazz Recomienda\u2026 un tema: \u00ab40B\u00bb de Anthony Braxton","author":"Adolphus van Tenzing","date":"24 septiembre, 2010","format":false,"excerpt":"Anthony Braxton tiene pinta de profesor universitario chiflado. Es tan raro que sus composiciones pueden confundirse con ecuaciones o con circuitos integrados. Lejos de ser algo abstracto y fr\u00edo, \u201c40B\u201d, dedicada al bopper Lou Donaldson nada menos, es un motivo m\u00e1s para rehuir los prejuicios. Composici\u00f3n \"40B\" Anthony Braxton Quartet\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Anthony Braxton \"40B\"","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/09\/40b.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10474,"url":"https:\/\/tomajazz.com\/web\/tomajazz-entrevista-a-anthony-braxton-i\/","url_meta":{"origin":3178,"position":4},"title":"Tomajazz entrevista a Anthony Braxton (I) [Entrevista de jazz]","author":"Sergio Cabanillas","date":"1 diciembre, 2007","format":false,"excerpt":"Tras un intenso concierto ofrecido el 26 de octubre de 2007 en \"el Johnny\", Anthony Braxton tuvo la amabilidad de mantener una charla con Fernando Ortiz de Urbina, Diego S\u00e1nchez Cascado y Pachi Tapiz a primera (primer\u00edsima)... He aqu\u00ed el resultado. Entrevista con Anthony Braxton (primera parte)","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"De derecha a izquierda: Anthony Braxton, Fernando Ortiz de Urbina, Pachi Tapiz, Diego S\u00e1nchez Cascado, Arturo Mora y Lalo Lofoco \u00a9 Sergio Cabanillas, 2007 ","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/ENTREVISTA_7608.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10528,"url":"https:\/\/tomajazz.com\/web\/veinte-anos-no-es-nada-una-febril-mirada-sobre-las-dos-ultimas-decadas-de-la-musica-de-anthony-braxton-por-diego-ortega-alonso-y-pachi-tapiz\/","url_meta":{"origin":3178,"position":5},"title":"Veinte a\u00f1os no es nada: una febril mirada sobre las dos \u00faltimas d\u00e9cadas de la m\u00fasica de Anthony Braxton. Por Diego S\u00e1nchez Cascado y Pachi Tapiz","author":"Tomajazz","date":"1 diciembre, 2007","format":false,"excerpt":"\u00a9 2007 Diego Ortega Alonso \u201cEl Sr.\u00a0Braxton\u00a0es un artista brillante y muy trabajador. Su impacto supera cualquier descripci\u00f3n posible. Su sentido de la estructura y\u00a0de la\u00a0expresividad individual es\u00a0su legado\u00a0para\u00a0todo aqu\u00e9l que busque\u00a0el\u00a0sentido m\u00e1s elevado del arte. Ha\u00a0causado un impacto\u00a0imborrable tanto en la comunidad art\u00edstica de Chicago como en la del\u2026","rel":"","context":"En \u00ab*_Diego Ortega Alonso\u00bb","block_context":{"text":"*_Diego Ortega Alonso","link":"https:\/\/tomajazz.com\/web\/category\/diego-ortega-alonso\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/braxton_ilustracion.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=3178"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3178\/revisions"}],"predecessor-version":[{"id":65934,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/3178\/revisions\/65934"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=3178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=3178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=3178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}