{"id":31883,"date":"2017-08-22T11:05:41","date_gmt":"2017-08-22T09:05:41","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=31883"},"modified":"2017-08-22T13:05:51","modified_gmt":"2017-08-22T11:05:51","slug":"hdo-299-anthony-braxton-standards-i-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-299-anthony-braxton-standards-i-podcast\/","title":{"rendered":"HDO 299. Anthony Braxton Standards I [Podcast] [ABS IV]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31884 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Charlie-Parker-Project-1993_HatOlogy_2CD-200x180.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Charlie-Parker-Project-1993_HatOlogy_2CD-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Charlie-Parker-Project-1993_HatOlogy_2CD-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31886 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Six-Monks-Compositions-1987_Black-Saint-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Six-Monks-Compositions-1987_Black-Saint-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Six-Monks-Compositions-1987_Black-Saint-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Six-Monks-Compositions-1987_Black-Saint-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Six-Monks-Compositions-1987_Black-Saint-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Six-Monks-Compositions-1987_Black-Saint.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31887 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Eight-3-Tristano-Compositions-1989_HatOlogy-200x218.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Eight-3-Tristano-Compositions-1989_HatOlogy-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Eight-3-Tristano-Compositions-1989_HatOlogy-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31888 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Nine-Compositions-Hill-2000_CIMP-200x203.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Nine-Compositions-Hill-2000_CIMP-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Nine-Compositions-Hill-2000_CIMP-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Nine-Compositions-Hill-2000_CIMP-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?p=10474\" target=\"_blank\" rel=\"noopener\">La tradici\u00f3n es un elemento esencial en la carrera de <strong>Anthony Braxton<\/strong><\/a>, y por ese motivo la discograf\u00eda del saxofonista se encuentra jalonada de proyectos centrados en algunas de las figuras esenciales de la historia del jazz, o en la recreaci\u00f3n de <em>standards<\/em>. En HDO 299 escuchamos algunas de esas grabaciones centradas en figuras del jazz como el\u00a0<em>Anthony Braxton&#8217;s Charlie Parker Project 1993\u00a0<\/em>(HatOlogy),\u00a0<em>Nine Compositions (<\/em><em>Hill) 2000\u00a0<\/em>(CIMP),\u00a0<em>Six Monk&#8217;s Compositions (1987)\u00a0<\/em>(Black Saint), o\u00a0<em>Eight (+3) Tristano Compositions 1989. For Warne Marsh\u00a0<\/em>(HatOlogy), que recreaban el legado de figuras de la talla de <strong>Charlie Parker<\/strong>, <strong>Andrew<\/strong> <strong>Hill<\/strong>, <strong>Thelonious<\/strong> <strong>Monk<\/strong> o <strong>Lennie<\/strong> <strong>Tristano<\/strong>.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 Pachi Tapiz, 2017<\/p>\n<p>HDO es un podcast editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_20444362\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_20444362_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La tradici\u00f3n es un elemento esencial en la carrera de Anthony Braxton, y por ese motivo la discograf\u00eda del saxofonista se encuentra jalonada de proyectos centrados en algunas de las figuras esenciales de la historia del jazz, o en la recreaci\u00f3n de standards. En HDO 299 escuchamos algunas de esas<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-299-anthony-braxton-standards-i-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31885,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,19953,13298,17151,12814,15518,1038],"tags":[20003,20004,8420,63,19954,13370,1478,7079,8406,19961,13300,1788,13299,15712,15713,15714,13,12415,15295,15278,960,15710,8426,31,12818,15310,15709,15711,2015,16099,77,16100],"class_list":["entry","author-pachi","post-31883","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-especial-anthony-braxton","category-hablando-de-oidas-hdo","category-t03-2016-17","category-podcast","category-sonidos","category-contenidos","tag-abs-anthony-braxton-special","tag-abs-especial-anthony-braxton","tag-andrew-hill","tag-anthony-braxton","tag-anthony-braxton-especial","tag-audioblog","tag-black-saint","tag-charlie-parker","tag-cimp","tag-especial-anthony-braxton","tag-hablando-de-oidas","tag-hatology","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jose-francisco-tapiz","tag-la-actualidad-del-jazz-en-espana","tag-lennie-tristano","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-monk-thelonious","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Charlie-Parker-Project-1993_HatOlogy_2CD_alt.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31770,"url":"https:\/\/tomajazz.com\/web\/hdo-297-anthony-braxton-quartet-1985-ii-podcast\/","url_meta":{"origin":31883,"position":0},"title":"HDO 297 \u2013 Anthony Braxton Quartet 1985 II [Podcast] [ABS II]","author":"Tomajazz","date":"14 agosto, 2017","format":false,"excerpt":"HDO 297\u00a0es el segundo programa dedicado a las grabaciones del\u00a0Anthony Braxton Quartet\u00a0(Anthony Braxton,\u00a0Marilyn Crispell,\u00a0Mark Dresser,\u00a0Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. Suena el primer pase al completo del concierto del\u00a0Anthony Braxton\u00a0Quartet (Birmingham) 1985\u00a0(Leo Records, CD LR 202\/203). Un cuarteto excepcional.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Birmingham-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Birmingham-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Birmingham-1985_Leo-Records_-1990_2CD.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31748,"url":"https:\/\/tomajazz.com\/web\/hdo-296-anthony-braxton-quartet-1985-i-podcast\/","url_meta":{"origin":31883,"position":1},"title":"HDO 296 &#8211; Anthony Braxton Quartet 1985 I [Podcast] [ABS I]","author":"Tomajazz","date":"13 agosto, 2017","format":false,"excerpt":"HDO 296\u00a0es el primero de los tres programas dedicados a las grabaciones del Anthony Braxton Quartet (Anthony Braxton, Marilyn Crispell, Mark Dresser, Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. En la primera entrega el primer pase al completo del concierto\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-London-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31896,"url":"https:\/\/tomajazz.com\/web\/hdo-301-anthony-braxton-standards-quartet-iii-podcast-abs-vi\/","url_meta":{"origin":31883,"position":2},"title":"HDO 301. Anthony Braxton Standards (Quartet) III [Podcast] [ABS VI]","author":"Tomajazz","date":"24 agosto, 2017","format":false,"excerpt":"HDO 301\u00a0contin\u00faa centrado en la m\u00fasica de Anthony Braxton, y en concreto en su aproximaci\u00f3n a los standards que aparec\u00eda en los tres CD cu\u00e1druples publicados por Leo Records y titulados\u00a023 Standards Quartet 2003\u00a0(2004),\u00a020 Standards Quartet 2000 (2005), y\u00a019 Standards Quartet 2003. En ellos Braxton junto a\u00a0Kevin O'Neil, Kevin Norton\u00a0y\u00a0Andy\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_23-Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31782,"url":"https:\/\/tomajazz.com\/web\/hdo-298-anthony-braxton-quartet-1985-iii-podcast\/","url_meta":{"origin":31883,"position":3},"title":"HDO 298. Anthony Braxton Quartet 1985 III [Podcast] [ABS III]","author":"Tomajazz","date":"15 agosto, 2017","format":false,"excerpt":"HDO 298\u00a0es el tercero y \u00faltimo programa dedicado a las grabaciones del\u00a0Anthony Braxton Quartet\u00a0(Anthony Braxton,\u00a0Marilyn Crispell,\u00a0Mark Dresser,\u00a0Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. Suena el primer pase al completo del concierto del\u00a0Anthony Braxton\u00a0Quartet (Coventry) 1985\u00a0(Leo Records, CD LR 204\/205). Un\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":31919,"url":"https:\/\/tomajazz.com\/web\/hdo-302-anthony-braxton-grandes-formaciones-y-mas-podcast-abs-vii\/","url_meta":{"origin":31883,"position":4},"title":"HDO 302. Anthony Braxton Grandes formaciones&#8230; y m\u00e1s [Podcast] [ABS VII]","author":"Tomajazz","date":"25 agosto, 2017","format":false,"excerpt":"Con la entrega 302 de\u00a0finaliza el peque\u00f1o especial veraniego dedicado a\u00a0Anthony Braxton. Tras los tres programas dedicados a su cuarteto por antonomasia (que se pueden escuchar aqu\u00ed, aqu\u00ed y aqu\u00ed), y los tres programas dedicados a su revisi\u00f3n de standards y repertorios de cl\u00e1sicos del jazz (que pueden escucharse aqu\u00ed,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton-Creative-Orchestra-Music-1976.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton-Creative-Orchestra-Music-1976.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton-Creative-Orchestra-Music-1976.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31891,"url":"https:\/\/tomajazz.com\/web\/hdo-300-anthony-braxton-standards-quartet-ii-podcast-abs-v\/","url_meta":{"origin":31883,"position":5},"title":"HDO 300. Anthony Braxton Standards (Quartet) II [Podcast] [ABS V]","author":"Tomajazz","date":"23 agosto, 2017","format":false,"excerpt":"En la carrera de\u00a0Anthony Braxton aparecen, adem\u00e1s de proyectos centrados en figuras concretas del jazz (tal y como escuch\u00e1bamos en la entrega anterior de HDO), otros cuyo fin es la recreaci\u00f3n de standards. De entre las varias grabaciones dedicadas a este fin, son especialmente recomendables los tres CD cu\u00e1druples publicados\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31883"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31883\/revisions"}],"predecessor-version":[{"id":31909,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31883\/revisions\/31909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31885"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}