{"id":31948,"date":"2017-08-24T12:00:25","date_gmt":"2017-08-24T10:00:25","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=31948"},"modified":"2017-12-29T21:36:40","modified_gmt":"2017-12-29T20:36:40","slug":"365-razones-para-amar-el-jazz-un-tema-send-in-the-clowns-236","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-send-in-the-clowns-236\/","title":{"rendered":"365 razones para amar el jazz: un tema. Send in the Clowns [236]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31949 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Sarah-Vaughan-and-the-Count-Basie-Orchestra_Send-In-The-Clowns-200x201.jpeg\" alt=\"\" width=\"200\" height=\"201\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Sarah-Vaughan-and-the-Count-Basie-Orchestra_Send-In-The-Clowns-200x201.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Sarah-Vaughan-and-the-Count-Basie-Orchestra_Send-In-The-Clowns-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Sarah-Vaughan-and-the-Count-Basie-Orchestra_Send-In-The-Clowns-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Sarah-Vaughan-and-the-Count-Basie-Orchestra_Send-In-The-Clowns.jpeg 299w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Sarah-Vaughan-and-the-Count-Basie-Orchestra_Send-In-The-Clowns-50x50.jpeg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema. \u00abSend In The Clowns\u00bb (<strong>Stephen Sondheim<\/strong>)<\/p>\n<p>Seleccionado por\u00a0<strong>Luis Escalante Ozalla<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/dJEblhMKgWw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Sarah Vaughan &amp; The Count Basie Orchestra<\/strong>:\u00a0<em>Send in the Clowns<\/em> (1981)<\/p>\n<p>George Gaffney, Andy Simpkins, Harold Jones, Freddie Green, Sonny Cohn, Frank Szabo, Willie Cook, Bob Summers, Dale Carley, Michell \u201cBooty\u201d Wood, Bill Hughes, Dennis Wilson, Grover Mitchell, Bobby Plater, Danny Turner, Kenny Hing, Johnny Williams.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema. \u00abSend In The Clowns\u00bb (Stephen Sondheim) Seleccionado por\u00a0Luis Escalante Ozalla Sarah Vaughan &amp; The Count Basie Orchestra:\u00a0Send in the Clowns (1981) George Gaffney, Andy Simpkins, Harold Jones, Freddie Green, Sonny Cohn, Frank Szabo, Willie Cook, Bob Summers, Dale Carley, Michell \u201cBooty\u201d Wood, Bill Hughes, Dennis Wilson, Grover Mitchell,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-send-in-the-clowns-236\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31949,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,13,12415,15295,18720,18717,15710,12816,18718,5955,20016,20014,20015,16099,77,16100],"class_list":["entry","author-pachi","post-31948","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-luis-escalante-ozalla","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-sarah-vaughan","tag-sarah-vaughan-the-count-basie-orchestra","tag-stephen-sondheim","tag-the-count-basie-orchestra","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Sarah-Vaughan-and-the-Count-Basie-Orchestra_Send-In-The-Clowns.jpeg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":38747,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-y-iii-la-odisea-de-la-musica-afroamericana-160-podcast\/","url_meta":{"origin":31948,"position":0},"title":"Thelonious Monk (y III). La Odisea de la M\u00fasica Afroamericana (160) [Podcast]","author":"Tomajazz","date":"17 septiembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Con el cap\u00edtulo 160 de\u00a0La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/tmmonksdream.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28441,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-april-in-paris-1932-6\/","url_meta":{"origin":31948,"position":1},"title":"365 razones para amar el jazz: un tema. \u00abApril in Paris\u00bb (1932) [6]","author":"Tomajazz","date":"6 enero, 2017","format":false,"excerpt":"Un tema. \"April in Paris\" (1932) \u00a0M\u00fasica: Vernon Duke. Letra: E.Y. Harburg Seleccionado por Luis Escalante Ozalla Count Basie Orchestra. April in Paris (1956) Count Basie, Reunald Jones, Thad Jones, Joe Newman, Wendell Culley, Benny Powell, Henry Coker, Matthew Gee, Marshal Royal, Bill Graham, Frank Wess, Frank Foster, Charlie Fowlkes,\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29157,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-setembro-brazilian-wedding-song-51\/","url_meta":{"origin":31948,"position":2},"title":"365 razones para amar el jazz: un tema. Setembro (Brazilian Wedding Song) [51]","author":"Tomajazz","date":"20 febrero, 2017","format":false,"excerpt":"Un tema. \"Setembro (Brazilian Wedding Song)\" (1980) M\u00fasica: Ivan Lins & Gilson Peranzetta Seleccionado por\u00a0Luis Escalante Ozalla. Quincy Jones:\u00a0Back On The Block\u00a0(Qwest Records - Warner Bros. Records, 1989). Sarah Vaughan, Take 6, Quincy Jones Band. Personal: Herbie Hancock, George Duke, Greg Phillinganes, Ian Prince, David Paich, Bruce Swedien, Paulinho Da\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Quincy-Jones_Back-On-The-Block_QWest-Records_1989.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Quincy-Jones_Back-On-The-Block_QWest-Records_1989.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Quincy-Jones_Back-On-The-Block_QWest-Records_1989.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30304,"url":"https:\/\/tomajazz.com\/web\/jimmy-mchugh-i-jerome-kern-ii-los-compositores-del-tin-pan-alley-iii-la-odisea-de-la-musica-afroamericana-095-podcast\/","url_meta":{"origin":31948,"position":3},"title":"Jimmy McHugh (I) &#8211; Jerome Kern (II) &#8211; Los compositores del Tin Pan Alley (III). La Odisea de la M\u00fasica Afroamericana (095) [Podcast]","author":"Tomajazz","date":"24 abril, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Tercera entrega dedicada a la m\u00fasica y los compositores del Tin\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/JimmyMcHugh.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":22450,"url":"https:\/\/tomajazz.com\/web\/los-gigantes-del-swing-iv-count-basie-la-odisea-de-la-musica-afroamericana-039-podcast\/","url_meta":{"origin":31948,"position":4},"title":"Los gigantes del Swing (IV): Count Basie y las\/los vocalistas. La Odisea de la M\u00fasica Afroamericana (039) [Podcast]","author":"Tomajazz","date":"29 febrero, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Count Basie es el protagonista central de la entrega n\u00famero 39\u00a0de La Odisea de la M\u00fasica Afroamericana, tras aparecen en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":38955,"url":"https:\/\/tomajazz.com\/web\/sarah-vaughan-ii-la-odisea-de-la-musica-afroamericana-162-podcast\/","url_meta":{"origin":31948,"position":5},"title":"Sarah Vaughan (II). La Odisea de la M\u00fasica Afroamericana (162) [Podcast]","author":"Tomajazz","date":"1 octubre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 162 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Sarah_Vaughan_1955-510x600.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31948"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31948\/revisions"}],"predecessor-version":[{"id":31950,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31948\/revisions\/31950"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31949"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}