{"id":31964,"date":"2017-08-27T12:00:30","date_gmt":"2017-08-27T10:00:30","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=31964"},"modified":"2017-12-29T21:36:39","modified_gmt":"2017-12-29T20:36:39","slug":"365-razones-para-amar-el-jazz-una-portada-dexter-blows-hot-and-cool-dexter-gordon-239-a-new-perspective-24","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-dexter-blows-hot-and-cool-dexter-gordon-239-a-new-perspective-24\/","title":{"rendered":"365 razones para amar el jazz: una portada. Dexter Blows Hot And Cool (Dexter Gordon) [239] [A New Perspective 24]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31965 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg 800w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una portada.<em>\u00a0Dexter Blows Hot And Cool\u00a0<\/em>(<strong>Dexter Gordon<\/strong>, Dooto,\u00a01955). Fotograf\u00eda de\u00a0<strong>Howard Morehead<\/strong><\/p>\n<p>Seleccionado por\u00a0<strong>Jos\u00e9 Luis Luna Rocafort<\/strong>. Vig\u00e9sima cuarta entrega de la serie\u00a0<a href=\"https:\/\/tomajazz.com\/web\/?cat=18586\" target=\"_blank\" rel=\"noopener noreferrer\"><em>A New Perspective<\/em><\/a>: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una portada.\u00a0Dexter Blows Hot And Cool\u00a0(Dexter Gordon, Dooto,\u00a01955). Fotograf\u00eda de\u00a0Howard Morehead Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Vig\u00e9sima cuarta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-dexter-blows-hot-and-cool-dexter-gordon-239-a-new-perspective-24\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31965,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17846,18155,18586,20689,15517,1038],"tags":[18715,18716,18165,19550,18719,7021,20018,20017,13,12415,15295,18720,18717,10088,15710,18718,16099,77,16100],"class_list":["entry","author-pachi","post-31964","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jose-luis-luna-rocafort","category-365-razones-para-amar-el-jazz","category-a-new-perspective","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-a-new-perspective","tag-cien-anos-de-grabaciones-de-jazz","tag-dexter-gordon","tag-dooto","tag-howard-morehead","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jose-luis-luna-rocafort","tag-la-actualidad-del-jazz-en-espana","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dexter-Gordon_Dexter-Blows-Hot-And-Cool.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31744,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-blue-train-john-coltrane-224-a-new-perspective-22\/","url_meta":{"origin":31964,"position":0},"title":"365 razones para amar el jazz: una portada. Out Of The Cool (The Gil Evans Orchestra) [224] [A New Perspective 22]","author":"Tomajazz","date":"12 agosto, 2017","format":false,"excerpt":"Una portada.\u00a0Out Of The Cool (Gil Evans Orchestra, Impulse!,\u00a01961). Fotograf\u00eda de\u00a0Arnold Newman Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. 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Cool Struttin&#8217; (Sonny Clark) [105] [A New Perspective 05]","author":"Tomajazz","date":"15 abril, 2017","format":false,"excerpt":"Una portada. Cool Struttin' (Sonny Clark. Blue Note, 1958). Fotograf\u00eda de Francis Wolff. Dise\u00f1o de Reid Miles. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Quinta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Sonny Clark, Jackie McLean,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Sonny-Clark_Cool_Struttin_Blue-Note-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31505,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-porgy-and-bess-oscar-peterson-joe-pass-199-a-new-perspective-19\/","url_meta":{"origin":31964,"position":2},"title":"365 razones para amar el jazz: una portada. Porgy and Bess (Oscar Peterson &#8211; Joe Pass) [199] [A New Perspective 19]","author":"Tomajazz","date":"18 julio, 2017","format":false,"excerpt":"Una portada. Porgy And Bess\u00a0(Oscar Peterson & Joe Pass. Pablo, 1976). Fotograf\u00eda de\u00a0Phil Stern. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo novena entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Peterson-Pass_Porgy-And-Bess_Pablo.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29931,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-at-basin-street-clifford-brown-and-max-roach-89-a-new-perspective-04\/","url_meta":{"origin":31964,"position":3},"title":"365 razones para amar el jazz: una portada. At Basin Street (Clifford Brown and Max Roach) [89] [A New Perspective 04]","author":"Tomajazz","date":"30 marzo, 2017","format":false,"excerpt":"Una portada.\u00a0At Basin Street\u00a0(Clifford Brown and Max Roach. EmArcy, 1956). Fotograf\u00eda de Chuck Stewart Seleccionado por Jos\u00e9 Luis Luna Rocafort. Cuarta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Clifford Brown, Max Roach, Richie Powell, Sonny\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-and-Max-Roach_At-Basin-Street_EmArcy_1959-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28697,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-a-new-perspective-donald-byrd-1963-14-a-new-perspective-01\/","url_meta":{"origin":31964,"position":4},"title":"365 razones para amar el jazz: una portada. A New Perspective (Donald Byrd, 1963) [14] [A New Perspective 01]","author":"Tomajazz","date":"14 enero, 2017","format":false,"excerpt":"Una portada.\u00a0A New Perspective\u00a0(Donald Byrd.\u00a0Blue Note, 1963).\u00a0Fotograf\u00eda y dise\u00f1o de portada:\u00a0Reid Miles. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Primera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Donald Byrd, Lex Humphries, Herbie Hancock, Hank Mobley, Donald Best,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Donald-Byrd_A-New-Perspective_Blue-Note_1963_LP.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31429,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-new-grass-albert-ayler-195-a-new-perspective-18\/","url_meta":{"origin":31964,"position":5},"title":"365 razones para amar el jazz: una portada. New Grass (Albert Ayler) [195] [A New Perspective 18]","author":"Tomajazz","date":"14 julio, 2017","format":false,"excerpt":"Una portada. New Grass\u00a0(Albert Ayler. Impulse!, 1968). Fotograf\u00eda de Elliott Landy. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo octava entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Albert-Ayler_New-Grass_Impulse_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31964"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31964\/revisions"}],"predecessor-version":[{"id":31966,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31964\/revisions\/31966"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31965"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}