{"id":31983,"date":"2017-08-28T12:00:50","date_gmt":"2017-08-28T10:00:50","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=31983"},"modified":"2017-12-29T21:36:38","modified_gmt":"2017-12-29T20:36:38","slug":"365-razones-para-amar-el-jazz-un-night-club-cotton-club-240","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-night-club-cotton-club-240\/","title":{"rendered":"365 razones para amar el jazz: un Night Club: Cotton Club [240]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31984\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001-200x107.jpg\" alt=\"\" width=\"400\" height=\"213\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001-200x107.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001-103x55.jpg 103w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001.jpg 550w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>Un Night Club: <strong>Cotton Club<\/strong>. Harlem. New York.<\/p>\n<p>Seleccionado por\u00a0<strong>Luis Escalante Ozalla<\/strong><\/p>\n<p>En el escenario: <strong>Duke Ellington Orchestra<\/strong> y las bailarinas del Cotton Club.\u00a0Fotograma de la pel\u00edcula <em>Black and Tan<\/em> (1929) en el Cotton Club.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un Night Club: Cotton Club. Harlem. New York. Seleccionado por\u00a0Luis Escalante Ozalla En el escenario: Duke Ellington Orchestra y las bailarinas del Cotton Club.\u00a0Fotograma de la pel\u00edcula Black and Tan (1929) en el Cotton Club.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-night-club-cotton-club-240\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31984,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,15908,19561,13,12415,15295,18720,18717,15710,12816,18718,16099,77,16100],"class_list":["entry","author-pachi","post-31983","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-cotton-club","tag-duke-ellington-orchestra","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-luis-escalante-ozalla","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30863,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-prelude-to-a-kiss-duke-ellington-159\/","url_meta":{"origin":31983,"position":0},"title":"365 razones para amar el jazz: un tema. Prelude to a Kiss (Duke Ellington) [159]","author":"Tomajazz","date":"8 junio, 2017","format":false,"excerpt":"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Un tema. \"Prelude to a Kiss\" (Duke Ellington, 1939) Seleccionado por\u00a0Luis Escalante Ozalla \u00a0 Duke Ellington Orchestra. Duke Ellington, Jimmy Woode, Sam Woodyard, Cat Anderson, Shorty Baker, Willie Cook, Clark Terry, Ray Nance, Quentin Jackson, Britt Woodman, John Sanders, Johnny Hodges, Rick Henderson, Jimmy\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Duke_Ellington_Indigos_CD-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31713,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-onyx-club-221\/","url_meta":{"origin":31983,"position":1},"title":"365 razones para amar el jazz: un club de jazz: Onyx Club [221]","author":"Tomajazz","date":"9 agosto, 2017","format":false,"excerpt":"Un club de jazz: Onyx Club. 52nd. Street. New York. Seleccionado por Luis Escalante Ozalla Sobre el escenario: Maxine Sullivan y Buster Bailey. Posiblemente Frank Newton (tp), John Kirby (b). 1938.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32327,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-village-vanguard-264\/","url_meta":{"origin":31983,"position":2},"title":"365 razones para amar el jazz: un club de jazz. Village Vanguard [264]","author":"Tomajazz","date":"21 septiembre, 2017","format":false,"excerpt":"Un club de jazz.\u00a0 Village Vanguard. Greenwich Village. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda del blog\u00a0https:\/\/jazzyoutoo.wordpress.com de Jos\u00e9 Melo","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24181,"url":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-ii-cotton-club-y-harlem-la-odisea-de-la-musica-afroamericana-050-podcast\/","url_meta":{"origin":31983,"position":3},"title":"Lugares m\u00edticos en la historia del jazz (II): Cotton Club y Harlem. La Odisea de la M\u00fasica Afroamericana (050) [Podcast]","author":"Tomajazz","date":"16 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 50 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a la historia del Cotton Club, uno de los locales m\u00edticos en la historia del jazz. En este local se interpretaron revistas de las que surgieron algunos cl\u00e1sicos del jazz, que suenan en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":32208,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-birdland-broadway-new-york-255\/","url_meta":{"origin":31983,"position":4},"title":"365 razones para amar el jazz: un club de jazz: Birdland. Broadway. New York [255]","author":"Tomajazz","date":"12 septiembre, 2017","format":false,"excerpt":"Un club de jazz: Birdland. Broadway. New York Seleccionado por\u00a0Luis Escalante Ozalla","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/image001.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/image001.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/image001.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24052,"url":"https:\/\/tomajazz.com\/web\/los-locales-miticos-savoy-ballroom-cotton-club-la-odisea-de-la-musica-afroamericana-049-podcast\/","url_meta":{"origin":31983,"position":5},"title":"Lugares m\u00edticos en la historia del jazz (I): Savoy Ballroom &#8211; Cotton Club. La Odisea de la M\u00fasica Afroamericana (049) [Podcast]","author":"Tomajazz","date":"9 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 49 de La Odisea de la M\u00fasica Afroamericana realiza un recorrido por un local m\u00edtico en la historia del jazz. El neoyorkino Savoy Ballroom abri\u00f3 sus puertas en el a\u00f1o 1926 en pleno Harlem. Fue testigo de la actuaci\u00f3n de grandes bandas como las de Chick Webb\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=31983"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31983\/revisions"}],"predecessor-version":[{"id":31986,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/31983\/revisions\/31986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31984"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=31983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=31983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=31983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}