{"id":32083,"date":"2017-09-04T12:00:51","date_gmt":"2017-09-04T10:00:51","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32083"},"modified":"2017-12-29T21:36:34","modified_gmt":"2017-12-29T20:36:34","slug":"365-razones-para-amar-el-jazz-un-tema-on-the-sunny-side-of-the-street-247","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-on-the-sunny-side-of-the-street-247\/","title":{"rendered":"365 razones para amar el jazz: un tema. On the Sunny Side of the Street [247]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-32084 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up-768x766.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg 1600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema: \u00abOn the Sunny Side of the Street\u00bb (1930). M\u00fasica: <strong>Jimmy McHugh<\/strong> Letra: <strong>Dorothy Fields<\/strong><\/p>\n<p>Seleccionado por <strong>Luis Escalante Ozalla<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/G4H9k-d9fBk?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Sonny Stitt: <em>Sonny Side Up<\/em> (1957)<br \/>\n<strong>Sonny Stitt, Sonny Rollins, Dizzy Gillespie, Ray Bryant, Tommy Bryant, Charlie Persip<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema: \u00abOn the Sunny Side of the Street\u00bb (1930). M\u00fasica: Jimmy McHugh Letra: Dorothy Fields Seleccionado por Luis Escalante Ozalla Sonny Stitt: Sonny Side Up (1957) Sonny Stitt, Sonny Rollins, Dizzy Gillespie, Ray Bryant, Tommy Bryant, Charlie Persip<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-on-the-sunny-side-of-the-street-247\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32084,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[18715,18716,18165,1558,18719,1639,10397,13,12415,15295,18720,18717,10396,15710,12816,18718,2119,2225,2227,16099,77,16100,2291],"class_list":["entry","author-pachi","post-32083","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-charlie-persip","tag-cien-anos-de-grabaciones-de-jazz","tag-dizzy-gillespie","tag-dorothy-fields","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-jimmy-mchugh","tag-la-actualidad-del-jazz-en-espana","tag-luis-escalante-ozalla","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-ray-bryant","tag-sonny-rollins","tag-sonny-stitt","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tommy-bryant"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Sonny-Stitt_Sonny-Side-Up.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2074,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-sonny-side-up-dizzy-gillespie-1957\/","url_meta":{"origin":32083,"position":0},"title":"Tomajazz recomienda&#8230; un CD: Sonny Side Up (Dizzy Gillespie, 1957)","author":"Adolphus van Tenzing","date":"12 noviembre, 2012","format":false,"excerpt":"El mero hecho de reunir en una sesi\u00f3n de grabaci\u00f3n a Dizzy Gillespie con Sonny Stitt \u2013otro abanderado del be-bop\u2013 y Sonny Rollins \u2013saxofonista de moda en la \u00e9poca\u2013 ya es suficiente para hacer de Sonny Side Up un disco imprescindible. En esta ocasi\u00f3n lo que nos llama la atenci\u00f3n\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny Side Up","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":37173,"url":"https:\/\/tomajazz.com\/web\/el-jazz-moderno-ii-introduccion-la-odisea-de-la-musica-afroamericana-150-podcast\/","url_meta":{"origin":32083,"position":1},"title":"El jazz moderno (II): introducci\u00f3n. La Odisea de la M\u00fasica Afroamericana (150) [Podcast]","author":"Tomajazz","date":"11 junio, 2018","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Ir a descargar Tras el repaso a los estilos predominantes en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Thelonious-Monk-Stamp.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30405,"url":"https:\/\/tomajazz.com\/web\/george-gershwin-i-jimmy-mchugh-ii-los-compositores-del-tin-pan-alley-iv-la-odisea-de-la-musica-afroamericana-096-podcast\/","url_meta":{"origin":32083,"position":2},"title":"George Gershwin (I) &#8211; Jimmy McHugh (II) \u2013 Los compositores del Tin Pan Alley (IV). La Odisea de la M\u00fasica Afroamericana (096) [Podcast]","author":"Tomajazz","date":"1 mayo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Cuarta entrega dedicada a la m\u00fasica y los compositores del Tin\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/GershwinStandingFacingLeftBain-452x600.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":43668,"url":"https:\/\/tomajazz.com\/web\/los-musicos-del-bebop-ii-sonny-stitt-al-haig-la-odisea-de-la-musica-afroamericana-194-podcast\/","url_meta":{"origin":32083,"position":3},"title":"Los m\u00fasicos del BeBop (II): Sonny Stitt, Al Haig\u2026. La Odisea de la M\u00fasica Afroamericana (194) [Podcast]","author":"Tomajazz","date":"3 junio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 194 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Sonny-Stitt-Now.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Sonny-Stitt-Now.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Sonny-Stitt-Now.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":103207,"url":"https:\/\/tomajazz.com\/web\/al-foster-live-at-smoke-2025\/","url_meta":{"origin":32083,"position":4},"title":"Al Foster: Live at Smoke (Smoke Sessions Records, 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"7 enero, 2026","format":false,"excerpt":"Live at Smoke (Smoke Sessions Records, 2025) es una grabaci\u00f3n en directo de Al Foster, registrada unos meses antes de su fallecimiento. Carlos Lara la repasa. Con Al Foster, Chris Potter, Brad Mehldau, Joe Martin","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Al Foster: Live at Smoke (Smoke Sessions Records, 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Live at Smoke (Smoke Sessions Records, 2025) es una grabaci\u00f3n en directo de Al Foster, registrada unos meses antes de su fallecimiento. Carlos Lara la repasa. Con Al Foster, Chris Potter, Brad Mehldau, Joe Martin","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Al-Foster-Live-at-Smoke-Smoke-Sessions-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Al-Foster-Live-at-Smoke-Smoke-Sessions-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Al-Foster-Live-at-Smoke-Smoke-Sessions-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Al-Foster-Live-at-Smoke-Smoke-Sessions-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":40421,"url":"https:\/\/tomajazz.com\/web\/dizzy-gillespie-iv-la-odisea-de-la-musica-afroamericana-172-podcast\/","url_meta":{"origin":32083,"position":5},"title":"Dizzy Gillespie (IV). La Odisea de la M\u00fasica Afroamericana (172) [Podcast]","author":"Tomajazz","date":"10 diciembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 172 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32083"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32083\/revisions"}],"predecessor-version":[{"id":32085,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32083\/revisions\/32085"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/32084"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}