{"id":32208,"date":"2017-09-12T12:00:25","date_gmt":"2017-09-12T10:00:25","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32208"},"modified":"2017-12-29T21:36:30","modified_gmt":"2017-12-29T20:36:30","slug":"365-razones-para-amar-el-jazz-un-club-de-jazz-birdland-broadway-new-york-255","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-birdland-broadway-new-york-255\/","title":{"rendered":"365 razones para amar el jazz: un club de jazz: Birdland. Broadway. New York [255]"},"content":{"rendered":"<p>Un club de jazz: <strong>Birdland<\/strong>. Broadway. New York<\/p>\n<p><center><figure id=\"attachment_32209\" aria-describedby=\"caption-attachment-32209\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-32209\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/image001-600x350.jpg\" alt=\"\" width=\"600\" height=\"350\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/image001.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/image001-200x117.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/image001-94x55.jpg 94w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-32209\" class=\"wp-caption-text\">En el escenario (izq-der): Max Kaminsky, Lester Young, George Wettling, Hot Lips Page, Charlie Parker, Lennie Tristano. 1949.<\/figcaption><\/figure><\/center><\/p>\n<p>Seleccionado por\u00a0<strong>Luis Escalante Ozalla<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un club de jazz: Birdland. Broadway. New York Seleccionado por\u00a0Luis Escalante Ozalla<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-birdland-broadway-new-york-255\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32209,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[18715,18716,18165,6930,7079,18719,20106,13309,13,12415,15295,18720,18717,15710,8426,9095,12816,20105,18718,16099,77,16100],"class_list":["entry","author-pachi","post-32208","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-birdland","tag-charlie-parker","tag-cien-anos-de-grabaciones-de-jazz","tag-george-wettling","tag-hot-lips-page","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-la-actualidad-del-jazz-en-espana","tag-lennie-tristano","tag-lester-young","tag-luis-escalante-ozalla","tag-max-kaminsky","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/image001.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28730,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-getting-some-fun-out-life-18\/","url_meta":{"origin":32208,"position":0},"title":"365 razones para amar el jazz: un tema. \u201cGetting some fun out of life\u201d [18]","author":"Tomajazz","date":"18 enero, 2017","format":false,"excerpt":"Un tema: \"Getting some fun out of life\". M\u00fasica y letra: Edgar Leslie & Johnny Burke Seleccionado por Luis Escalante Ozalla. Billie Holiday: The Quintessential \u2013 Vol. 5\u00a0(1989) Billie Holiday, Claude Thornhill, Walter Page, Jo Jones, Freddie Green, Buck Clayton, Lester Young, Buster Bailey Grabaci\u00f3n: 13 de Septiembre de 1937.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Billie-Holiday_The-Quintesential_Columbia-Jazz_1989.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31645,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-mitico-bird-fats-live-at-birdland-1950-209\/","url_meta":{"origin":32208,"position":1},"title":"365 razones para amar el jazz: un disco m\u00edtico. Bird &#038; Fats: Live At Birdland 1950 [209]","author":"Tomajazz","date":"28 julio, 2017","format":false,"excerpt":"Un disco mitico: Bird & Fats: Live At Birdland 1950, con Charlie Parker y Fats Navarro; Bud Powell, Curley Russell y Art Blakey Seleccionado por\u00a0Kuto","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charlie-Parker-Quintet_Bird-Fats-Live-At-Birdland-1950.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charlie-Parker-Quintet_Bird-Fats-Live-At-Birdland-1950.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charlie-Parker-Quintet_Bird-Fats-Live-At-Birdland-1950.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charlie-Parker-Quintet_Bird-Fats-Live-At-Birdland-1950.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32327,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-village-vanguard-264\/","url_meta":{"origin":32208,"position":2},"title":"365 razones para amar el jazz: un club de jazz. Village Vanguard [264]","author":"Tomajazz","date":"21 septiembre, 2017","format":false,"excerpt":"Un club de jazz.\u00a0 Village Vanguard. Greenwich Village. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda del blog\u00a0https:\/\/jazzyoutoo.wordpress.com de Jos\u00e9 Melo","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31722,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-turkish-mambo-lennie-tristano-223\/","url_meta":{"origin":32208,"position":3},"title":"365 razones para amar el jazz: un tema. Turkish Mambo (Lennie Tristano) [223]","author":"Tomajazz","date":"11 agosto, 2017","format":false,"excerpt":"Un tema. \"Turkish Mambo\" (Lennie Tristano) Seleccionado por\u00a0Jack Torrance","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Lennie-Tristano_Turkish-Mambo.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Lennie-Tristano_Turkish-Mambo.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Lennie-Tristano_Turkish-Mambo.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31713,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-onyx-club-221\/","url_meta":{"origin":32208,"position":4},"title":"365 razones para amar el jazz: un club de jazz: Onyx Club [221]","author":"Tomajazz","date":"9 agosto, 2017","format":false,"excerpt":"Un club de jazz: Onyx Club. 52nd. Street. New York. Seleccionado por Luis Escalante Ozalla Sobre el escenario: Maxine Sullivan y Buster Bailey. Posiblemente Frank Newton (tp), John Kirby (b). 1938.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31983,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-night-club-cotton-club-240\/","url_meta":{"origin":32208,"position":5},"title":"365 razones para amar el jazz: un Night Club: Cotton Club [240]","author":"Tomajazz","date":"28 agosto, 2017","format":false,"excerpt":"Un Night Club: Cotton Club. Harlem. New York. Seleccionado por\u00a0Luis Escalante Ozalla En el escenario: Duke Ellington Orchestra y las bailarinas del Cotton Club.\u00a0Fotograma de la pel\u00edcula Black and Tan (1929) en el Cotton Club.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32208"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32208\/revisions"}],"predecessor-version":[{"id":32211,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32208\/revisions\/32211"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/32209"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}