{"id":32330,"date":"2017-09-22T11:11:37","date_gmt":"2017-09-22T09:11:37","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32330"},"modified":"2017-09-21T22:58:44","modified_gmt":"2017-09-21T20:58:44","slug":"quatour-machaut-guillaume-de-chassy-avec-le-chour-archipiel-y-philippe-mouratoglou-trio-festival-les-nits-deus-eus-francia-2017-09-0316-concierto","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/quatour-machaut-guillaume-de-chassy-avec-le-chour-archipiel-y-philippe-mouratoglou-trio-festival-les-nits-deus-eus-francia-2017-09-0316-concierto\/","title":{"rendered":"Quatour Machaut, Guillaume de Chassy avec Le Chour \u00ab\u00a0Archipiel\u00a0\u00bb y Philippe Mouratoglou Trio (Festival Les Nits d\u2019Eus, Eus \u2013Francia-. 2017-09-03\/16) [Concierto]"},"content":{"rendered":"<p><strong>Festival Les Nits d\u2019Eus<\/strong><\/p>\n<ul>\n<li>Fecha: Domingo, 03 de setiembre de 2017<\/li>\n<li>Lugar: \u00c9glise Saint-Vincent-d\u2019En-Haut<\/li>\n<li>Grupo:<br \/>\n<strong>Quatour Machaut<\/strong><br \/>\nQuentin Biardeau, saxo tenor, composiciones, arreglos y direcci\u00f3n art\u00edstica<br \/>\nSimon Couratier, saxo bar\u00edtono y arreglos<br \/>\nFrancis Lacointe, saxo alto, saxo bar\u00edtono y arreglos<br \/>\nGabriel Lemaine, saxo alto, saxo bar\u00edtono y arreglos<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>Fecha: Domingo, 10 de setiembre de 2017<\/li>\n<li>Lugar: Maison du Temps Libre<\/li>\n<li>Grupo:<br \/>\n<strong>Guillaume de Chassy avec Le Chour \u00ab\u00a0Archipiel\u00a0\u00bb<\/strong><br \/>\nGuillaume de Chassy, piano, composiciones y arreglos<br \/>\nJo\u00ebl Suhubiette, direcci\u00f3n<br \/>\nPierre Dayraud, percusi\u00f3n<br \/>\nLe Choir \u201cArchipiel\u201d, l\u2019atelier vocal des \u00c9l\u00e9ments<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>Fecha: S\u00e1bado, 16 de setiembre de 2017<\/li>\n<li>Lugar: \u00c9glise Saint-Vincent-d\u2019En-Bas<\/li>\n<li>Grupo:<br \/>\n<strong>Philippe Mourtoglou Trio<\/strong><br \/>\nPhilippe Mourtoglou, guitarras ac\u00fasticas<br \/>\nBruno Chevillon, contrabajo<br \/>\nRam\u00f3n L\u00f3pez, bater\u00eda y tabla<\/li>\n<\/ul>\n<p>Comentario:<\/p>\n<p style=\"text-align: left;\">Tres han sido las actuaciones a las que hemos asistido en la \u00faltima edici\u00f3n del festival \u201cLes nits d\u2019Eus\u201d, en la peque\u00f1a poblaci\u00f3n del sudoeste franc\u00e9s, bien cercana a la frontera con Catalunya. Una poblaci\u00f3n que no llega al medio millar de habitantes, donde la bailarina Ursula Vian-K\u00faber, viuda del polifac\u00e9tico Boris Vian, dej\u00f3 impronta remarcable, desde la Fundaci\u00f3n que lleva el nombre de su marido hasta el festival citado.<\/p>\n<p style=\"text-align: left;\">Tres actuaciones disfrutadas en tres espacios diferentes, en la iglesia de \u201cSaint-Vincent-d\u2019En-Haut\u201d \u2013construida en las ruinas del castillo, en la parte alta de la poblaci\u00f3n-, en la \u201cMaison du Temps Libre \u2013de planta rectangular con una magn\u00edfica panor\u00e1mica del \u201cMont Canig\u00f3\u201d- y en la iglesia rom\u00e1nica, de doble planta, de \u201cSaint-Vincent-d\u2019En-Bas\u201d -situada en la parte baja, a un kil\u00f3metro de la poblaci\u00f3n-.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32331\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/01_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-401x600.jpg\" alt=\"\" width=\"401\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/01_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17.jpg 401w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/01_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/01_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-37x55.jpg 37w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/><\/p>\n<p style=\"text-align: left;\">Tres actuaciones m\u00e1s o menos colindantes con el jazz \u2013en su concepci\u00f3n m\u00e1s amplia-, distintas pero sumamente interesantes: Quatuor Machaut, Guillaume de Chassy avec le Choeur Archipiel y Philippe Mouratoglou trio.<\/p>\n<p style=\"text-align: center;\">&lt;<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32332\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/02_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/02_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/02_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/02_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/02_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/02_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">El domingo 3 de setiembre el \u201cQuatuor Machaut\u201d present\u00f3 su lectura personal de temas del compositor, poeta y cl\u00e9rigo Guillaume de Machaut (1300-1377). Arreglos espec\u00edficos y composiciones originales para cuarteto de saxofones.<\/p>\n<p style=\"text-align: left;\">Un cuarteto at\u00edpico, con s\u00f3lo tres de los siete saxos de la familia de Adolph Sax, el alto, el tenor y el bar\u00edtono. Los conjugaron en distintas combinaciones, dos altos, un tenor y un bar\u00edtono, tres bar\u00edtonos y un tenor, o dos bar\u00edtonos, un tenor y un alto.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32333\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/03_LsNtsds-600x401.jpg\" alt=\"\" width=\"600\" height=\"401\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/03_LsNtsds.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/03_LsNtsds-200x134.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/03_LsNtsds-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/03_LsNtsds-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/03_LsNtsds-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Seg\u00fan la composici\u00f3n variaban su disposici\u00f3n en la Iglesia, ya fueran los cuatro saxofonistas delante del altar, en la parte media del pasillo, o distribuidos por separado en distintos espacios, en el altillo de la entrada, entre las columnas laterales, en la sacrist\u00eda con las puertas cerradas para amortiguar el sonido o desplaz\u00e1ndose por la iglesia. Un elemento clave de su proyecto consiste la de jugar con las reverberaciones propias de cada espacio, que no siempre son eclesi\u00e1sticos, obteniendo en ocasiones sonoridades bien pr\u00f3ximas a la de un \u00f3rgano.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32334\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/04_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/04_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/04_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/04_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/04_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/04_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Un compendio entre m\u00fasica antigua, contempor\u00e1nea e improvisaci\u00f3n perfectamente aunado, de los que te sorprenden desde el primer momento, envolvente, sugerente y atmosf\u00e9rico. Un trabajo plasmado en su \u00fanico disco hasta la fecha, titulado con el escueto nombre del cuarteto, grabado y publicado en el 2015 en Ayler Records.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32335\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/05_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-401x600.jpg\" alt=\"\" width=\"401\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/05_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17.jpg 401w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/05_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/05_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17-37x55.jpg 37w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Un segundo, sorprendente y, tambi\u00e9n, plenamente convincente acercamiento al mundo de Machaut, realizado por m\u00fasicos europeos a caballo entre el jazz y la improvisaci\u00f3n. El primero fue a cargo del trombonista Samuel Blaser y su Consort in Motion, <em>A mirror to Machaut<\/em> (grabado en el 2013 y publicado por Songlines Recording). Dos discos y dos directos plenamente recomendables.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32336\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/06_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/06_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/06_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/06_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/06_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/06_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">El domingo siguiente el pianista y compositor Guillaume de Chassy con el coro \u201cArchipiel\u201d \u2013Ensemble vocal Les \u00c9l\u00e9ments- bajo la direcci\u00f3n de Jo\u00ebl Suhubiette y la percusi\u00f3n de Pierre Dayraud, nos sorprendieron muy gratamente con la Cantanta Jazz \u201cLunes\u201d (Lunas).<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32337\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/07_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/07_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/07_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/07_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/07_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/07_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Un coro formado por 33 voces, 18 femeninas y 15 masculinas.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32338\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/08_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-399x600.jpg\" alt=\"\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/08_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/08_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/08_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Un trabajo que hab\u00edan grabado en el 2001 y que se public\u00f3 tres a\u00f1os m\u00e1s tarde el \u00c9ditions Hortus.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32339\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/09_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/09_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/09_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/09_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/09_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/09_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Un proyecto que entreteje como si de un solo elemento se tratara, el jazz, la m\u00fasica cl\u00e1sica \u2013una adaptaci\u00f3n de Serge Prokofiev y un homenaje a Claude Debussy- y las m\u00fasicas del mundo, entre ellas el flamenco \u2013seguiriya y buler\u00edas-, la m\u00fasica hind\u00fa o el entorno pr\u00f3ximo a \u201clas voces b\u00falgaras\u201d.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32340\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/10_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/10_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/10_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/10_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/10_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/10_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Un tratamiento coral a modo de orquesta, creando sugerentes y sutiles atmosferas o, por el contrario, proyectando fulgurantes cambios r\u00edtmicos, tan cortantes como precisos, tanto en un caso como en otro con improvisaciones al piano de Chaussy, con un concepto pian\u00edstico de amplia querencia por la frase bien elaborada y clara, jugando con el silencio como elemento musical.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32341\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/11_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/11_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/11_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/11_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/11_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/11_LsNtsds-\u00a9Joan-Cort\u00e8s_10set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">El tercer y \u00faltimo concierto, estuvo envuelto por una tarde\/noche lluviosa y fr\u00eda, pr\u00e1cticamente de invierno, con tonalidades de azul plomizo y con la parte superior del Mont Canig\u00f3 nevada. Se realiz\u00f3 en la peque\u00f1a iglesia rom\u00e1nica situada en el cementerio, a las afueras de la poblaci\u00f3n.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32342\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/12_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/12_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/12_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/12_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/12_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/12_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">A pesar de lo gris de la ambientaci\u00f3n previa, la actuaci\u00f3n devino c\u00e1lida, elegante y de amplio colorido, manteni\u00e9ndonos en una peculiar sensaci\u00f3n de atemporalidad y atm\u00f3sfera familiar, entre un p\u00fablico cuatriling\u00fce.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32343\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/13_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/13_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/13_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/13_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/13_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/13_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Philippe Mouratoglou, con sus tres guitarras ac\u00fasticas, estren\u00f3 \u201cR\u00eaves d\u2019Oiseaux\u201d \u2013suite pour trio-. Un tr\u00edo formado con Bruno Chevillon al contrabajo y Ram\u00f3n L\u00f3pez a la bater\u00eda y percusi\u00f3n.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32344\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/14_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-399x600.jpg\" alt=\"\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/14_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/14_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/14_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Una formaci\u00f3n de altos vuelos, como dejaron de manifiesto el solo\/tema de Chevillon, con maza y p\u00faa, o el de Ram\u00f3n a la bater\u00eda. Una bater\u00eda donde la tabla hind\u00fa se ha convertido en un elemento m\u00e1s, perfectamente integrado en su <em>set<\/em> bater\u00edstico. As\u00ed como la nitidez cristalina del toque de Philippe, donde el menos resulta m\u00e1s y el silencio musical es fehacientemente formalizado.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32345\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/15_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/15_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/15_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/15_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/15_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/15_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Una propuesta a caballo entre un folk, que podr\u00edamos calificar de imaginario, el jazz y la improvisaci\u00f3n. Entre partitura elaborada y composici\u00f3n inmediata.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32346\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/16_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-399x600.jpg\" alt=\"\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/16_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/16_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/16_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Temas de car\u00e1cter pausado, con alg\u00fan que otro destello puntual, a modo de contrapunto. Buena parte de los temas los podr\u00edamos calificar de canciones sin texto.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32347\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/17_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/17_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/17_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/17_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/17_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/17_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Los m\u00fasicos estuvieron dispuestos sobre una alfombra de colores vistosos y el p\u00fablico estuvo sentado en los bancos de espaldas al altar.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32348\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/18_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/18_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/18_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/18_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/18_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/18_LsNtsds-\u00a9Joan-Cort\u00e8s_16set17-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\">Mientras tanto esperaremos la grabaci\u00f3n del proyecto, deseando en buena medida que se edite en el sello \u201cVision Fugitive\u201d, del que Mouratoglou junto al clarinetista Jean-Marc Foltz son dos de sus m\u00e1ximos responsables. Un sello que mima especialmente cada proyecto con acabados bien pr\u00f3ximos al disco-libro. Por el momento nos contentaremos con la escucha del \u00faltimo trabajo de ambos, <em>Legend of the Fall<\/em> (2017), en el que tambi\u00e9n colabora Ram\u00f3n L\u00f3pez.<\/p>\n<p style=\"text-align: right;\">Tomajazz. Texto y fotograf\u00edas: \u00a9 <strong>Joan Cort\u00e8s<\/strong>, 2017<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Festival Les Nits d\u2019Eus Fecha: Domingo, 03 de setiembre de 2017 Lugar: \u00c9glise Saint-Vincent-d\u2019En-Haut Grupo: Quatour Machaut Quentin Biardeau, saxo tenor, composiciones, arreglos y direcci\u00f3n art\u00edstica Simon Couratier, saxo bar\u00edtono y arreglos Francis Lacointe, saxo alto, saxo bar\u00edtono y arreglos Gabriel Lemaine, saxo alto, saxo bar\u00edtono y arreglos &nbsp; Fecha:<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/quatour-machaut-guillaume-de-chassy-avec-le-chour-archipiel-y-philippe-mouratoglou-trio-festival-les-nits-deus-eus-francia-2017-09-0316-concierto\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32332,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,15517,1038],"tags":[5128,12836,15314,20161,20152,20153,20154,13,15312,12415,15295,15313,1041,20155,15710,20157,20158,20160,20159,20156,20149,20150,284,20151,16099,77,16100],"class_list":["entry","author-pachi","post-32330","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-conciertos","category-textos","category-contenidos","tag-bruno-chevillon","tag-concierto","tag-concierto-de-jazz","tag-festival-les-nits-deus","tag-francis-lacointe","tag-gabriel-lemaine","tag-guillaume-de-chassy","tag-jazz","tag-jazz-en-directo","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-en-vivo","tag-joan-cortes","tag-joel-suhubiette","tag-la-actualidad-del-jazz-en-espana","tag-le-choir-archipiel","tag-latelier-vocal-des-elements","tag-philippe-mourtoglou","tag-philippe-mourtoglou-trio","tag-pierre-dayraud","tag-quatour-machaut","tag-quentin-biardeau","tag-ramon-lopez","tag-simon-couratier","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/02_LsNtsds-\u00a9Joan-Cort\u00e8s_03set17.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":46385,"url":"https:\/\/tomajazz.com\/web\/instantzz-blue-sahara-festival-les-nits-deus-maison-du-temps-libre-eus-2019-09-07-galeria-fotografica\/","url_meta":{"origin":32330,"position":0},"title":"INSTANTZZ: Blue Sahara (Festival Les Nits d\u2019Eus, Maison du Temps Libre, Eus. 2019-09-07) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"15 octubre, 2019","format":false,"excerpt":"Por\u00a0Joan Cort\u00e8s. Fecha: S\u00e1bado, 07 de setiembre de 2019 Lugar: Maison du Temps Libre (Eus) Grupo: Blue Sahara Philippe Mouratoglou, guitarras ac\u00fasticas y composiciones Bruno Chevillon, contrabajo Ram\u00f3n L\u00f3pez, bater\u00eda y percusi\u00f3n Tomajazz: \u00a9\u00a0Joan Cort\u00e8s, 2019","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"INSTANTZZ: Blue Sahara (Festival Les Nits d\u2019Eus, Maison du Temps Libre, Eus. 2019-09-07) [Galer\u00eda fotogr\u00e1fica]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/11_Bl-Shr-%C2%A9Joan-Cort%C3%A8s_07set19_Msn-d-Tmps-Lbr_LNds.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/11_Bl-Shr-%C2%A9Joan-Cort%C3%A8s_07set19_Msn-d-Tmps-Lbr_LNds.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/11_Bl-Shr-%C2%A9Joan-Cort%C3%A8s_07set19_Msn-d-Tmps-Lbr_LNds.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":15865,"url":"https:\/\/tomajazz.com\/web\/festival-les-nits-deus-2014-mouratoglou-tovstukha-oliva-foltz-conflent-francia-2014-09-20\/","url_meta":{"origin":32330,"position":1},"title":"Festival Les Nits D\u2019eus 2014 (Mouratoglou \u2013 Tovstukha \/ Oliva \u2013 Foltz. Conflent, Francia. 2014-09-20)","author":"Tomajazz","date":"15 diciembre, 2014","format":false,"excerpt":"Festival Les Nits D\u2019eus 2014 Fecha: S\u00e1bado, 20 de setiembre de 2014 Lugar: Maison du temps libre, Eus (Conflent \/ Francia) Componentes: Primera parte Philippe Mouratoglou, guitarra Svetlana Tovstukha, violoncheloSegunda parte Stephan Oliva, piano Jean-Marc Foltz, clarinete y clarinete bajo \u00a0 Comentario: El pasado 14 de setiembre se clausur\u00f3 el\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/10_NdE-u00A9Joan-Cortu00E8s_20set14_EF.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/10_NdE-u00A9Joan-Cortu00E8s_20set14_EF.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/10_NdE-u00A9Joan-Cortu00E8s_20set14_EF.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":103450,"url":"https:\/\/tomajazz.com\/web\/richard-galliano-alternatilla-2025\/","url_meta":{"origin":32330,"position":2},"title":"Richard Galliano \u00abNew Viaggio Trio\u00bb (9\u00ba Alternatilla Jazz Festival 2025. Conservatori Superior de M\u00fasica de les Illes Balears. Palma. 2025-12-07) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"16 enero, 2026","format":false,"excerpt":"Richard Galliano \"New Viaggio Trio\" actu\u00f3 en el 9\u00ba Alternatilla Jazz Festival, en CSM de les Illes Balears en Palma, el 7 de diciembre de 2025. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. Actuaron Richard Galliano, Adrien Moignard, Philippe Aerts","rel":"","context":"En \u00ab9\u00ba Alternatilla Jazz Festival 2025\u00bb","block_context":{"text":"9\u00ba Alternatilla Jazz Festival 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/9o-alternatilla-jazz-festival-2025\/"},"img":{"alt_text":"Richard Galliano \"New Viaggio Trio\" (9\u00ba Alternatilla Jazz Festival 2025. Conservatori Superior de M\u00fasica de les Illes Balears. Palma. 2025-12-07) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Richard Galliano \"New Viaggio Trio\" actu\u00f3 en el 9\u00ba Alternatilla Jazz Festival, en CSM de les Illes Balears en Palma, el 7 de diciembre de 2025. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. 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