{"id":32382,"date":"2017-09-25T12:00:15","date_gmt":"2017-09-25T10:00:15","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32382"},"modified":"2017-12-29T21:33:37","modified_gmt":"2017-12-29T20:33:37","slug":"365-razones-para-amar-el-jazz-una-cita-de-art-blakey-268","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-cita-de-art-blakey-268\/","title":{"rendered":"365 razones para amar el jazz: una cita de Art Blakey [268]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32407 size-large\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Art_Blakey08-600x405.jpg\" alt=\"\" width=\"600\" height=\"405\" title=\"\"><\/p>\n<p>Una cita:<\/p>\n<blockquote><p>El Jazz te limpia la suciedad de cada d\u00eda<\/p><\/blockquote>\n<p>Seleccionado por <strong>Marcos Pin<\/strong>: \u00abCoincido con la opini\u00f3n de <strong>Art Blakey\u00bb<\/strong><\/p>\n<p>Fotograf\u00eda de Art Blakey por <strong>Roland Godefroy<\/strong> via <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Art_Blakey08.JPG\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una cita: El Jazz te limpia la suciedad de cada d\u00eda Seleccionado por Marcos Pin: \u00abCoincido con la opini\u00f3n de Art Blakey\u00bb Fotograf\u00eda de Art Blakey por Roland Godefroy via Wikimedia Commons<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-cita-de-art-blakey-268\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1004743,"featured_media":32407,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20190,18155,20689,15517,1038],"tags":[1416,4773,374,20191],"class_list":["entry","author-marcos-pin","post-32382","post","type-post","status-publish","format-standard","has-post-thumbnail","category-_marcos-pin","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-art-blakey","tag-cita","tag-marcos-pin","tag-roland-godefroy"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Art_Blakey08-e1506284075262.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29037,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-art-blakey-like-someone-in-love-reid-miles-40\/","url_meta":{"origin":32382,"position":0},"title":"365 razones para amar el jazz: una portada. Art Blakey: Like Someone In Love (Reid Miles) [40]","author":"Tomajazz","date":"9 febrero, 2017","format":false,"excerpt":"Una portada de Reid Miles. Art Blakey And The Jazz Messengers:\u00a0Like Someone In Love\u00a0(Blue Note, 1967) Seleccionado por\u00a0Kuto. Una foto borrosa y movida con \u00a02 rostros humanos \u00a0formando una mancha negra y borrosa sobre un fondo claro. \u00a0En la tipograf\u00eda del t\u00edtulo vemos \u00a0un poco de color. Tan sencilla como\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31304,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-like-someone-in-love-art-blakey-and-the-jazz-messengers-190-a-new-perspective-17\/","url_meta":{"origin":32382,"position":1},"title":"365 razones para amar el jazz: una portada. Like Someone In Love (Art Blakey And The Jazz Messengers) [190] [A New Perspective 17]","author":"Tomajazz","date":"9 julio, 2017","format":false,"excerpt":"Una portada. Like Someone In Love\u00a0(Art Blakey And The Jazz Messengers. Blue Note, 1960). Fotograf\u00eda de\u00a0Francis Wolff. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo s\u00e9ptima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28871,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-recopilatorio-el-blues-en-el-jazz-moderno-26\/","url_meta":{"origin":32382,"position":2},"title":"365 razones para amar el jazz: un recopilatorio. El blues en el jazz moderno [26]","author":"Tomajazz","date":"26 enero, 2017","format":false,"excerpt":"Un recopilatorio. El blues en el jazz moderno\u00a0(Atlantic - Hispavox -edici\u00f3n espa\u00f1ola-). Una fant\u00e1stica introducci\u00f3n al jazz m\u00e1s avanzado de los a\u00f1os 50. Con temas de Dizzy Gillespie, Art Blakey & Jazz Messengers con Thelonious Monk, Lennie Tristano, Charles Mingus, Milt Jackson, Ray Charles, Jimmy Giuffre 3 y The Modern\u2026","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Varios-autores_El-blues-en-el-jazz-moderno-200x209.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31645,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-mitico-bird-fats-live-at-birdland-1950-209\/","url_meta":{"origin":32382,"position":3},"title":"365 razones para amar el jazz: un disco m\u00edtico. Bird &#038; Fats: Live At Birdland 1950 [209]","author":"Tomajazz","date":"28 julio, 2017","format":false,"excerpt":"Un disco mitico: Bird & Fats: Live At Birdland 1950, con Charlie Parker y Fats Navarro; Bud Powell, Curley Russell y Art Blakey Seleccionado por\u00a0Kuto","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charlie-Parker-Quintet_Bird-Fats-Live-At-Birdland-1950.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charlie-Parker-Quintet_Bird-Fats-Live-At-Birdland-1950.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charlie-Parker-Quintet_Bird-Fats-Live-At-Birdland-1950.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charlie-Parker-Quintet_Bird-Fats-Live-At-Birdland-1950.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30626,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-soul-station-hank-mobley-140-a-new-perspective-10\/","url_meta":{"origin":32382,"position":4},"title":"365 razones para amar el jazz: una portada. Soul Station (Hank Mobley) [140] [A New Perspective 10]","author":"Tomajazz","date":"20 mayo, 2017","format":false,"excerpt":"Una portada. Soul Station (Hank Mobley. Blue Note, 1960). Fotograf\u00eda de Francis Wolff, dise\u00f1o de Reid Miles. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Hank Mobley, Wynton Kelly,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30897,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-volume-2-sonny-rollins-161-a-new-perspective-13\/","url_meta":{"origin":32382,"position":5},"title":"365 razones para amar el jazz: una portada. Volume 2 (Sonny Rollins) [161] [A New Perspective 13]","author":"Tomajazz","date":"10 junio, 2017","format":false,"excerpt":"Una portada. Volume 2\u00a0(Sonny Rollins. Blue Note, 1957). Fotograf\u00eda de Francis Wolff. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo tercera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Sonny Rollins, Horace Silver, Thelonious Monk, Jay Jay\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Sonny-Rollins_Vol-2_Blue-Note-200x196.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1004743"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32382"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32382\/revisions"}],"predecessor-version":[{"id":32408,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32382\/revisions\/32408"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/32407"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}