{"id":32458,"date":"2017-09-28T12:00:44","date_gmt":"2017-09-28T10:00:44","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32458"},"modified":"2017-12-29T21:33:36","modified_gmt":"2017-12-29T20:33:36","slug":"365-razones-para-amar-el-jazz-una-escena-de-pelicula-271","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-escena-de-pelicula-271\/","title":{"rendered":"365 razones para amar el jazz: una escena de pel\u00edcula [271]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-32459 size-medium alignleft\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Collateral-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" title=\"\">Una escena de\u00a0<em>Collateral\u00a0<\/em>(2004).<\/p>\n<p>Vincent (Tom Cruise), un peligroso asesino y su reh\u00e9n Max\u00a0(Jamie Foxx) entran a un club de jazz para deleitarse con la buena m\u00fasica. Es un aparente\u00a0par\u00e9ntesis que este amante del jazz hace en su <em>tour<\/em> sangriento. En el escenario, el trompetista, y a\u00a0la postre due\u00f1o del garito, Daniel Baker (Barry Shabaka Henley) y su grupo, tocan con fruici\u00f3n un\u00a0pasaje del enorme \u00e1lbum <em>Bitches Brew<\/em> del no menos enorme Miles Davis, que finalmente ser\u00e1\u00a0protagonista indirecto de la escena. La noche pasa y el club cierra sus puertas. Daniel Baker se\u00a0sienta con los supuestos clientes y comienza una conversaci\u00f3n entre amantes del jazz que no tiene\u00a0desperdicio. El viejo trompetista rememora el d\u00eda que conoci\u00f3 a Miles. Recuerda el d\u00eda exacto: 22\u00a0de julio del 64. Miles lleg\u00f3 de una grabaci\u00f3n y entr\u00f3 en el garito. La charla continua y suelta la\u00a0bomba. Daniel Baker, el viejo trompetista gerente de un club de jazz toc\u00f3 como veinte minutos con\u00a0Miles y tan s\u00f3lo cruz\u00f3 una carrasposa y sonora palabra con \u00e9l: \u00abCool\u00bb. Los tres sujetos sueltan\u00a0exclamaciones de satisfacci\u00f3n que se tornan en caras largas cuando nuestro asesino le menciona los\u00a0nombres de varios c\u00e1rteles de la droga con los que Baker tiene problemas. Ahora todo se entiende.\u00a0Lejos de ser un par\u00e9ntesis, Vincent ha ido al club por cuestiones de \u00abtrabajo\u00bb, y Baker es su\u00a0objetivo. As\u00ed comienza un juego un tanto macabro. Daniel Baker deber\u00e1 acertar una pregunta sobre\u00a0jazz que Vincent le formular\u00e1. F\u00e1cil, y m\u00e1s cuando la pregunta versa sobre Miles Davis, un\u00a0personaje del que Baker se jacta de conocerlo todo. \u00ab\u00bfD\u00f3nde aprendi\u00f3 m\u00fasica Miles?\u00bb. Daniel\u00a0Baker relaja el rictus y comienza a desglosar la vida de Davis: profesi\u00f3n del padre, lugar de\u00a0nacimiento&#8230; Finalmente sentencia: \u00abEstudi\u00f3 en la Juliard.\u00bb. Rapidamente, Vincent, con un\u00a0movimieto certero y casi mec\u00e1nico, le descerraja tres tiros con una pistola silenciada, y gracilmente\u00a0le sostiene la cabeza deposit\u00e1ndola sobre la mesa, apagando as\u00ed cualquier ruido que pudiera alertar a\u00a0los pocos trabajadores que quedan en el club. Vincent desvela la respuesta. La verdadera escuela\u00a0de Miles no fue la Juliard, sino Charlie Parker, saxofonista que escuch\u00f3 durante toda su estancia en\u00a0la Juliard, que fue corta, y hombre por el que abandonar\u00eda los estudios, gracias a dios.<\/p>\n<p>Seleccionado y explicado por\u00a0<strong>Juanma Castro Medina<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una escena de\u00a0Collateral\u00a0(2004). Vincent (Tom Cruise), un peligroso asesino y su reh\u00e9n Max\u00a0(Jamie Foxx) entran a un club de jazz para deleitarse con la buena m\u00fasica. Es un aparente\u00a0par\u00e9ntesis que este amante del jazz hace en su tour sangriento. En el escenario, el trompetista, y a\u00a0la postre due\u00f1o del garito,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-escena-de-pelicula-271\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32459,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17859,18155,78,15504,9,20689,15517,1038],"tags":[20206,20205,7636,2004,20204],"class_list":["entry","author-pachi","post-32458","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juanma-castro-medina","category-365-razones-para-amar-el-jazz","category-afondo","category-articulos-afondo","category-perfiles","category-razones-para-el-jazz","category-textos","category-contenidos","tag-collateral","tag-jamie-foxx","tag-juanma-castro-medina","tag-miles-davis","tag-tom-cruise"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Collateral-e1506541420748.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33671,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-foto-miles-y-wynton-en-vancouver-332\/","url_meta":{"origin":32458,"position":0},"title":"365 razones para amar el jazz: una foto. Miles y Wynton en Vancouver [333]","author":"Tomajazz","date":"29 noviembre, 2017","format":false,"excerpt":"Una foto.\u00a0Miles Davis\u00a0y\u00a0Wynton Marsalis en Vancouver, 1986. Seleccionado por\u00a0Juanma Castro Medina Fotograf\u00eda (convenientemente marcada):\u00a0\u00a9\u00a0Chris Cameron. Tomada de aqu\u00ed, aunque tambi\u00e9n se podr\u00eda haber puesto sin marcar cogi\u00e9ndola desde aqu\u00ed.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31187,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-autumn-leaves-don-byas-179\/","url_meta":{"origin":32458,"position":1},"title":"365 razones para amar el jazz: un disco. Autumn Leaves (Don Byas) [179]","author":"Tomajazz","date":"28 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Don Byas:\u00a0Autumn Leaves. Recorded Live At Ronnie Scott\u00b4s Club\u00a0(Jazz House Records. 1965) Seleccionado por Juanma Castro Medina","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Don-Byas_Autumn-Leaves.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32294,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-rudy-van-gelder-262\/","url_meta":{"origin":32458,"position":2},"title":"365 razones para amar el jazz: Rudy Van Gelder [262]","author":"Tomajazz","date":"19 septiembre, 2017","format":false,"excerpt":"Rudy Van Gelder.\u00a0Pues no se me ocurre otro tipo que haya hecho m\u00e1s por el jazz, apartando a los m\u00fasicos, que \u00e9ste.\u00a0Una raz\u00f3n m\u00e1s para amar el jazz. Seleccionado por\u00a0Juanma Castro Medina","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Rudy-Van-Gelder_RogerDawsonSeptet-e1505587772243-200x294.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28727,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cartel-skopje-jazz-festival-1995-17\/","url_meta":{"origin":32458,"position":3},"title":"365 razones para amar el jazz: un cartel. Skopje Jazz Festival. 1995 [17]","author":"Tomajazz","date":"17 enero, 2017","format":false,"excerpt":"Un cartel: Skopje Jazz Festival 1995 Seleccionado por Juanma Castro Medina. \u00a0","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Skopje-Jazz-Festival-1995.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28877,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cartel-london-jazz-festival-2011-28\/","url_meta":{"origin":32458,"position":4},"title":"365 razones para amar el jazz: un cartel. London Jazz Festival. 2011 [28]","author":"Tomajazz","date":"28 enero, 2017","format":false,"excerpt":"Un cartel: London Jazz Festival 2011 Seleccionado por Juanma Castro Medina.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/London-Jazz-Festival-2011.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29151,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-festival-de-jazz-europeo-de-esmirna-2016-49\/","url_meta":{"origin":32458,"position":5},"title":"365 razones para amar el jazz: Festival de Jazz Europeo de Esmirna (2016) [49]","author":"Tomajazz","date":"18 febrero, 2017","format":false,"excerpt":"Un cartel. Izmir Avrupa Caz Festivali. 2016. (Festival de Jazz Europeo de Esmirna) Seleccionado por Juanma Castro Medina.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Izmir-Avrupa-Caz-Festivali.-2016..jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Izmir-Avrupa-Caz-Festivali.-2016..jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Izmir-Avrupa-Caz-Festivali.-2016..jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Izmir-Avrupa-Caz-Festivali.-2016..jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32458"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32458\/revisions"}],"predecessor-version":[{"id":32460,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32458\/revisions\/32460"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/32459"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}