{"id":32502,"date":"2017-09-30T12:00:17","date_gmt":"2017-09-30T10:00:17","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32502"},"modified":"2017-12-29T21:33:36","modified_gmt":"2017-12-29T20:33:36","slug":"365-razones-para-amar-el-jazz-una-grabacion-the-dark-tree-horace-tapscott-273","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-dark-tree-horace-tapscott-273\/","title":{"rendered":"365 razones para amar el jazz: una grabaci\u00f3n. The Dark Tree (Horace Tapscott) [273]"},"content":{"rendered":"<p><center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32506 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1-200x175.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32503 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_1-200x197.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_1-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_1-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_1-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32504 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_2-200x199.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_2-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_2-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_2-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_2-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_3_2.jpg 220w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32505 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_2-200x175.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_2-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_2-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/center><br \/>\nUna grabaci\u00f3n.\u00a0<strong>Horace Tapscott<\/strong>:\u00a0<em>The Dark Tree\u00a0<\/em>(hatOlogy. Grabado en 1989)<\/p>\n<p>Seleccionado por\u00a0<strong>Pachi Tapiz<\/strong><\/p>\n<p>Con <strong>John Carter, Horace Tapscott, Cecil McBee, Andrew Cyrille<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una grabaci\u00f3n.\u00a0Horace Tapscott:\u00a0The Dark Tree\u00a0(hatOlogy. Grabado en 1989) Seleccionado por\u00a0Pachi Tapiz Con John Carter, Horace Tapscott, Cecil McBee, Andrew Cyrille<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-dark-tree-horace-tapscott-273\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32506,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,18155,20689,15517,1038],"tags":[645,7948,1788,20220,19460,7787,31],"class_list":["entry","author-pachi","post-32502","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-andrew-cyrille","tag-cecil-mcbee","tag-hatology","tag-he-dark-tree","tag-horace-tapscott","tag-john-carter","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":57146,"url":"https:\/\/tomajazz.com\/web\/jazzx5276-horace-tapscott-the-dark-tree-the-dark-tre-hatology-1991-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":32502,"position":0},"title":"JazzX5#276. Horace Tapscott: \u00abThe Dark Tree\u00bb [The Dark Tree (hatOlogy, 1991)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"18 septiembre, 2021","format":false,"excerpt":"Horace Tapscott y \"The Dark Tree\" de la grabaci\u00f3n The Dark Tree (hatOlogy; ed. originalmente 1991), suena en el podcast de Pachi Tapiz, JazzX5. El cuarteto que grab\u00f3 el tema estuvo formado por el propio Tapscott, John Carter, Cecil McBee y Andrew Cyrille.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1869,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-dark-tree-horace-tapscott-1989\/","url_meta":{"origin":32502,"position":1},"title":"Tomajazz recomienda&#8230; un tema: \u00abThe Dark Tree\u00bb (Horace Tapscott, 1989)","author":"Adolphus van Tenzing","date":"18 enero, 2010","format":false,"excerpt":"El pianista Horace Tapscott (1934 - 1999) centr\u00f3 una parte muy importante de su carrera en la ense\u00f1anza, tuvo su centro de actividad en California, grab\u00f3 poco y en sellos pocos conocidos, y tuvo una importante actividad como defensor de los derechos civiles. Una de las consecuencias de todo ello\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":54509,"url":"https:\/\/tomajazz.com\/web\/horace-tapscott-with-the-pan-afrikan-peoples-arkestra-ancestral-echoes-the-covina-sessions-1976-dark-tree-roots-series-2021-grabacion-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":32502,"position":2},"title":"Horace Tapscott with the Pan Afrikan Peoples Arkestra: Ancestral Echoes. The Covina Sessions, 1976 (Dark Tree. Roots Series. 2021) [Grabaci\u00f3n de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"30 abril, 2021","format":false,"excerpt":"Pachi Tapiz repasa \"Ancestral Echoes. The Covina Sessions, 1976\" (Dark Tree. Roots Series. 2021) del pianista, compositor y director de orquesta Horace Tapscott,.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Horace-Tapscott-with-the-Pan-Afrikan-Peoples-Arkestra_Ancestral-Echoes-The-Covina-Sessions-1976.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":43648,"url":"https:\/\/tomajazz.com\/web\/hdo-510-tres-gigantes-del-piano-bill-evans-paul-bley-y-horace-tapscott-podcast\/","url_meta":{"origin":32502,"position":3},"title":"HDO 510. Tres gigantes del piano: Bill Evans, Paul Bley y Horace Tapscott [Podcast]","author":"Tomajazz","date":"4 junio, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En HDO 510 suenan tres grabaciones publicadas en 2019 de tres gigantes del piano: Bill Evans (doble CD grabado en directo en Ronnie Scott en 1969), Paul Bley (acompa\u00f1ado de Gary Peacock y Paul Motian en un concierto de 1999, publicado por ECM), y Horace Tapscott (con The\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":96267,"url":"https:\/\/tomajazz.com\/web\/las-recomendaciones-en-tomajazz-ciencia-de-datos-i\/","url_meta":{"origin":32502,"position":4},"title":"Explorando las cadenas de recomendaciones en Tomajazz: un paseo entre miles de enlaces. Una aproximaci\u00f3n por medio de la Ciencia de Datos. Por Pachi Tapiz [Off-Topic AKA Un poquito de Ciencia de Datos]","author":"Tomajazz","date":"8 junio, 2025","format":false,"excerpt":"\u00bfHasta d\u00f3nde llegar\u00e1 un lector curioso si se deja llevar por los enlaces recomendados en Tomajazz? Un an\u00e1lisis de las cadenas de recomendaciones en Tomajazz revela recorridos de lectura que van desde apenas 4 entradas hasta m\u00e1s de 7000 art\u00edculos. Desc\u00fabrelo en un estudio informal con sabor a ciencia de\u2026","rel":"","context":"En \u00abArt\u00edculos...\u00bb","block_context":{"text":"Art\u00edculos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/articulos\/"},"img":{"alt_text":"Explorando las cadenas de recomendaciones en Tomajazz: un paseo entre miles de enlaces. Una aproximaci\u00f3n por medio de la Ciencia de Datos. Por Pachi Tapiz [Off-Topic AKA Un poquito de Ciencia de Datos] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Histograma-Longitud-recomendaciones-Tomajazz.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Histograma-Longitud-recomendaciones-Tomajazz.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Histograma-Longitud-recomendaciones-Tomajazz.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/06\/Histograma-Longitud-recomendaciones-Tomajazz.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30474,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-songs-of-the-unsung-the-musical-and-social-journey-of-horace-tapscott-125\/","url_meta":{"origin":32502,"position":5},"title":"365 razones para amar el jazz: un libro. Songs of the Unsung: The Musical and Social Journey of Horace Tapscott [125]","author":"Tomajazz","date":"5 mayo, 2017","format":false,"excerpt":"Un libro.\u00a0Songs of the Unsung: The Musical and Social Journey of Horace Tapscott (Horace Tapscott y Steve Isoardi. Duke University Press, 2001) Seleccionado por Diego S\u00e1nchez Cascado","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Songs-of-the-Unsung-The-Musical-and-Social-Journey-of-Horace-Tapscott_Horace-Tapscott-Steve-Isoardi_Duke-University-Press_2001-200x288.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32502"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32502\/revisions"}],"predecessor-version":[{"id":32509,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32502\/revisions\/32509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/32506"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}