{"id":32563,"date":"2017-10-03T11:11:11","date_gmt":"2017-10-03T09:11:11","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32563"},"modified":"2017-10-02T18:36:03","modified_gmt":"2017-10-02T16:36:03","slug":"tord-gustavsen-quartet-y-youn-sun-nah-22eme-festival-jazz-a-sete-theatre-de-la-mer-sete-francia-2017-07-17-y-ii-festival","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tord-gustavsen-quartet-y-youn-sun-nah-22eme-festival-jazz-a-sete-theatre-de-la-mer-sete-francia-2017-07-17-y-ii-festival\/","title":{"rendered":"Tord Gustavsen Quartet y Youn Sun Nah (22\u00e8me Festival Jazz \u00e0 S\u00e8te, Th\u00e8\u00e2tre de la Mer, S\u00e8te -Francia-. 2017-07-17) \u2013y II\u2013 [Festival]"},"content":{"rendered":"<ul>\n<li>Fecha: Lunes, 17 de julio de 2017<\/li>\n<li>Lugar: Th\u00e8\u00e2tre de la Mer (S\u00e8te \u2013Francia-)<\/li>\n<li>Componentes:<br \/>\n<strong>Tord Gustavsen Quartet<\/strong><br \/>\nTord Gustavsen, piano y efectos<br \/>\nTore Brunborg, saxo teno<br \/>\nSigurd\u00a0 Hole, contrabajo<br \/>\nJarle Vespestad, bater\u00eda<br \/>\n<strong>Youn Sun Nah<\/strong><br \/>\nYoun Sun Nah, voz y kalimba<br \/>\nJamie Saft, piano, \u00f3rgano Hammond y Fender Rhodes<br \/>\nBrad Jones, contrabajo<br \/>\nClyfton Hyde, guitarras<br \/>\nDan Rieser, bater\u00eda<\/li>\n<\/ul>\n<p>Nuestra segunda jornada en el Th\u00e9\u00e2tre de La Mer de S\u00e8te cont\u00f3 con dos proyectos diferenciados, nada contradictorios y perfectamente complementarios.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32564\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/01_20JzzSt-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/01_20JzzSt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/01_20JzzSt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/01_20JzzSt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/01_20JzzSt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/01_20JzzSt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Por un lado, con un concepto jazz\u00edstico de claro marchamo escandinavo y por el otro con fehacientes estructuras y desarrollos estadounidenses con una cantante coreana cantando en ingl\u00e9s.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32565\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/02_20JzzSt-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/02_20JzzSt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/02_20JzzSt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/02_20JzzSt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/02_20JzzSt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/02_20JzzSt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">El pianista Tord Gustavsen desarroll\u00f3 una propuesta atmosf\u00e9rica, \u00a0de tendencias mel\u00f3dicas\u00a0 intimistas, buc\u00f3licas y nebulosas, con puntuales destellos a modo de contrapunto y realce.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32566\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/03_20JzzSt-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/03_20JzzSt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/03_20JzzSt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/03_20JzzSt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/03_20JzzSt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/03_20JzzSt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Gustavson reforz\u00f3 su tr\u00edo, s\u00f3lido y compacto, con el saxofonista tenor Tore Brunborg que compuso, en sus partes solistas, un tapiz entre el jazz y la m\u00fasica folkl\u00f3rica, relativamente pr\u00f3ximas al mundo sonoro desarrollado por Jan Garbarek (en su dilatada obra, especialmente para el sello muniqu\u00e9s ECM, en el cual tambi\u00e9n graba Gustavson, donde la mano de Manfred Eicher no suele pasar desapercibida).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32567\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/04_20JzzSt-399x600.jpg\" alt=\"\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/04_20JzzSt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/04_20JzzSt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/04_20JzzSt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/>Foto-04_TGQ<\/p>\n<p style=\"text-align: justify;\">Una propuesta perfectamente encajable en paisajes nebulosos, sinuosamente cambiantes, espacios con pocas y sutiles variaciones.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32568\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/05_20JzzSt-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/05_20JzzSt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/05_20JzzSt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/05_20JzzSt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/05_20JzzSt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/05_20JzzSt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">A medida que fue avanzando el concierto fue disminuyendo nuestro inter\u00e9s, como consecuencia de la repetici\u00f3n de la f\u00f3rmula, poco cambiante y previsible.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32569\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/06_20JzzSt-399x600.jpg\" alt=\"\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/06_20JzzSt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/06_20JzzSt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/06_20JzzSt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Espectativas muy altas hab\u00edamos generado con el anuncio de la actuaci\u00f3n de la cantante coreana, Youn Sun Nah, despu\u00e9s de su retiro prolongado por maternidad. Expectativas que fueron menguando tras la escucha de <a href=\"https:\/\/tomajazz.com\/web\/?p=30987\">su \u00faltimo trabajo discogr\u00e1fico <em>She Moves On<\/em><\/a>, grabado con su nueva formaci\u00f3n, m\u00fasicos de renombre de la escena estadounidense, Jamie Saft, Brad Jones, Dan Rieser y Marc Ribot \u2013en cuatro de los once t\u00edtulos-. M\u00fasicos que a excepci\u00f3n de Ribot estuvieron presentes en el Th\u00e8\u00e2tre de la Mer.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32570\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/07_20JzzSt-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/07_20JzzSt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/07_20JzzSt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/07_20JzzSt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/07_20JzzSt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/07_20JzzSt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Un disco que a gusto del que suscribe se queda unos pelda\u00f1os por debajo de sus tres producciones anteriores (<em>Lento<\/em> -2013-, <em>Same Girl<\/em> -2010-\u00a0 y <em>Voyage<\/em> -2008-), tambi\u00e9n para el sello muniqu\u00e9s ACT. Tres trabajos que contaron con el denominador com\u00fan del guitarrista <a href=\"https:\/\/tomajazz.com\/web\/?p=14357\" target=\"_blank\" rel=\"noopener\">Ulf Wakenius<\/a>, el contrabajista y chelista Lars Danielson y el percusionista Xavier Desandre-Navarre, y en los dos \u00faltimos con el acordeonista <a href=\"https:\/\/tomajazz.com\/web\/?p=14145\" target=\"_blank\" rel=\"noopener\">Vincent Peirani<\/a>, con los cuales hab\u00eda conseguido crear una atm\u00f3sfera bien personal y reconocible.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32571\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/08_20JzzSt-399x600.jpg\" alt=\"\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/08_20JzzSt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/08_20JzzSt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/08_20JzzSt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">El reciente trabajo, interesante, encontramos que queda englobado en un contexto m\u00e1s gen\u00e9rico y posiblemente para un p\u00fablico m\u00e1s amplio, al devenir m\u00e1s evidente y previsible.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32572\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/09_20JzzSt-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/09_20JzzSt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/09_20JzzSt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/09_20JzzSt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/09_20JzzSt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/09_20JzzSt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">El temario desarrollado en S\u00e8te fue pr\u00e1cticamente el mismo de su \u00faltimo disco. Entre ellos destacar\u00edamos, \u201cTraveller\u201d una exquisita composici\u00f3n de la cantante; la remarcable versi\u00f3n, de aires psicod\u00e9licos, de la tradicional \u201cA sailor\u2019s Life\u201d con los arreglos de la legendaria formaci\u00f3n, de folk-rock, Fairport Convention (con la cantante Sandy Denny); la tambi\u00e9n tradicional \u201cBlack is the color of my true love\u2019s hair\u201d con una introducci\u00f3n a la kalimba de Youn para posteriormente conjugar su voz con el contrabajo de <a href=\"https:\/\/tomajazz.com\/web\/?p=14145\" target=\"_blank\" rel=\"noopener\">Brad Jones<\/a> (que nos hab\u00eda sorprendido gratamente con el tr\u00edo de Aru\u00e1n Ortiz, el pasado mes de noviembre en el Jamboree barcelon\u00e9s); as\u00ed como \u201cToo late\u201d del propio Saft, interpretada al \u00f3rgano, para terminar, en el bis, con la composici\u00f3n de Joni Mitchell \u201cThe Dawntreader\u201d.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32573\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/10_20JzzSt-399x600.jpg\" alt=\"\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/10_20JzzSt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/10_20JzzSt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/10_20JzzSt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Destacar, tambi\u00e9n, las versiones de dos temas, ambos pertenecientes a su trabajo del 2008. El \u201cJockey full of bourbon\u201d, de Tom Waits, que en algunos de sus pasajes le dio un tono nasal, y el dueto con el baterista Dan Reiser, en una rese\u00f1able interpretaci\u00f3n de \u201cFrevo\u201d de Egberto Gismonti.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32574\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/11_20JzzSt-600x399.jpg\" alt=\"\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/11_20JzzSt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/11_20JzzSt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/11_20JzzSt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/11_20JzzSt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/11_20JzzSt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Youn Sun Nah atesora una voz exquisita, con un dominio de la misma francamente impresionante, a pesar de que en su \u00faltimo trabajo su amplitud quede algo m\u00e1s limitada. Cuanto m\u00e1s desnudos y m\u00ednimos son los arreglos de los temas mucho m\u00e1s interesantes nos devienen, al permitirnos disfrutar m\u00e1s apliamnete de su voz, llena de matices y sutilezas.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32575\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/12_20JzzSt-399x600.jpg\" alt=\"\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/12_20JzzSt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/12_20JzzSt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/12_20JzzSt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Cuanto menor son las evidencias r\u00edtmicas mejor resulta entrar en sus ondulaciones y modulaciones vocales.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32576\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/13_20JzzSt-399x600.jpg\" alt=\"\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/13_20JzzSt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/13_20JzzSt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/13_20JzzSt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: right;\"><strong>Tomajazz<\/strong>: texto y fotograf\u00edas\u00a0\u00a9\u00a0<strong>Joan Cort\u00e8s<\/strong>,<strong>\u00a0<\/strong>2017<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fecha: Lunes, 17 de julio de 2017 Lugar: Th\u00e8\u00e2tre de la Mer (S\u00e8te \u2013Francia-) Componentes: Tord Gustavsen Quartet Tord Gustavsen, piano y efectos Tore Brunborg, saxo teno Sigurd\u00a0 Hole, contrabajo Jarle Vespestad, bater\u00eda Youn Sun Nah Youn Sun Nah, voz y kalimba Jamie Saft, piano, \u00f3rgano Hammond y Fender Rhodes<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tord-gustavsen-quartet-y-youn-sun-nah-22eme-festival-jazz-a-sete-theatre-de-la-mer-sete-francia-2017-07-17-y-ii-festival\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32568,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,15517,1038],"tags":[5239,20232,19669,7995,8290,1041,20231,20107,8287,8286,8288,6285],"class_list":["entry","author-pachi","post-32563","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-conciertos","category-textos","category-contenidos","tag-brad-jones","tag-clyfton-hyde","tag-dan-rieser","tag-jamie-saft","tag-jarle-vespestad","tag-joan-cortes","tag-sigurd-hole","tag-theatre-de-la-mer-sete-francia","tag-tord-gustavsen","tag-tord-gustavsen-quartet","tag-tore-brunborg","tag-youn-sun-nah"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/05_20JzzSt.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10162,"url":"https:\/\/tomajazz.com\/web\/tord-gustavsen-quartet-extended-circle-ecm-2014\/","url_meta":{"origin":32563,"position":0},"title":"Tord Gustavsen Quartet: Extended Circle (ECM, 2014)","author":"Tomajazz","date":"3 febrero, 2014","format":false,"excerpt":"Hace ya algunos a\u00f1os, quien esto suscribe publicaba un extenso art\u00edculo, m\u00e1s bien un dossier hecho de entrevistas y an\u00e1lisis, en la revista amiga Cuadernos de Jazz titulado \u201cJoven Piano europeo\u201d en el que aparec\u00eda, entre otros cuatro m\u00fasicos, Tord Gustavesen. La verdad es que no me cost\u00f3 demasiado dar\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Gonzalo\u00bb","block_context":{"text":"*_Jes\u00fas Gonzalo","link":"https:\/\/tomajazz.com\/web\/category\/jesus-gonzalo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Tord-Gustavsen_Extended-Circle.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30987,"url":"https:\/\/tomajazz.com\/web\/malditos-jazztardos-youn-sun-nah-y-un-tema-de-lou-reed-024-podcast\/","url_meta":{"origin":32563,"position":1},"title":"Malditos Jazztardos\u2026 Youn Sun Nah y un tema de Lou Reed (024) [Podcast]","author":"Tomajazz","date":"16 junio, 2017","format":false,"excerpt":"En su \u00faltima grabaci\u00f3n,\u00a0She Moves On\u00a0(ACT, 2017), la cantante coreana Youn Sun Nah\u00a0recrea \u201cTeach the Gifted Children\u201d, tema de Lou Reed que aparec\u00eda en\u00a0Growing Up In Public.\u00a0En la entrega 24 de\u00a0Malditos Jazztardos escuchamos a la cantante acompa\u00f1ada por Marc Ribot, Jamie Saft, Brad Jones y\u00a0Dan Rieser. \u00a9 Pachi Tapiz, 2017\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Youn-Sun-Nah_She-Moves-On_ACT_2017-e1497476362864.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Youn-Sun-Nah_She-Moves-On_ACT_2017-e1497476362864.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Youn-Sun-Nah_She-Moves-On_ACT_2017-e1497476362864.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":25179,"url":"https:\/\/tomajazz.com\/web\/hdo-137-cantantes-gregory-porter-simin-tander-con-tord-gustavsen-y-kurt-elling-con-branford-marsalis-quartet-3x3-02-podcast\/","url_meta":{"origin":32563,"position":2},"title":"HDO 137. Cantantes: Gregory Porter, Simin Tander (con Tord Gustavsen) y Kurt Elling (con Branford Marsalis Quartet). 3X3 (02) [Podcast]","author":"Tomajazz","date":"28 junio, 2016","format":false,"excerpt":"En\u00a0HDO\u00a0tres propuestas con cantantes: Gregory Porter con\u00a0Take Me To The Alley (Blue Note, 2016);\u00a0Simin Tander\u00a0junto a\u00a0Tord Gustavsen\u00a0(y\u00a0Jarle Vespestad) en\u00a0What Was Said\u00a0(ECM, 2016);\u00a0Kurt Elling junto al\u00a0Branford Marsalis Quartet\u00a0en\u00a0Upward Spiral\u00a0(Okeh, 2016). \u00a9 Pachi Tapiz, 2016 HDO\u00a0(Hablando de o\u00eddas) es un\u00a0podcast\u00a0editado, presentado, producido, \u00a0y que est\u00e1 a punto de cumplir un a\u00f1o de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/03_Gregory-Porter_Take-Me-To-The-Alley_Blue-Note_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/03_Gregory-Porter_Take-Me-To-The-Alley_Blue-Note_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/03_Gregory-Porter_Take-Me-To-The-Alley_Blue-Note_2016.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":39162,"url":"https:\/\/tomajazz.com\/web\/instantzz-youn-sun-nah-carrieres-de-junas-junas-occitanie-france-2018-07-19-galeria-fotografica\/","url_meta":{"origin":32563,"position":3},"title":"INSTANTZZ: Youn Sun Nah (25\u00e8me Festival Jazz \u00e0 Junas, Carri\u00e8res de Junas, Junas \u2013Occitanie- \/ France. 2018-07-19) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"11 octubre, 2018","format":false,"excerpt":"Por\u00a0Joan Cort\u00e8s. Fecha: Jueves, 19 de julio de 2018 Lugar: Carri\u00e8res de Junas ( Junas \u2013Occitanie- \/ France ) Grupo: Youn Sun Nah Youn Sun Nah, voz Frank, Woeste, piano, fender rhodes y teclados Tomek Miernowski, guitarras Brad Christopher Jones, contrabajo Dan Rieser, bater\u00eda Tomajazz:\u00a0\u00a9\u00a0Joan Cort\u00e8s, 2018","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/05_Yn-Sn-Nh-%C2%A9Joan-Cort%C3%A8s_19jul18_Crrrs_25JazzJns_Jns.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/05_Yn-Sn-Nh-%C2%A9Joan-Cort%C3%A8s_19jul18_Crrrs_25JazzJns_Jns.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/05_Yn-Sn-Nh-%C2%A9Joan-Cort%C3%A8s_19jul18_Crrrs_25JazzJns_Jns.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":98663,"url":"https:\/\/tomajazz.com\/web\/tord-gustavsen-lac-2025\/","url_meta":{"origin":32563,"position":4},"title":"Tord Gustavsen -solo- (A Rite of Summer, LAC\/ Casa Virupa, Can Bordoi, 13-julio-2025, Llinars del Vall\u00e8s -Barcelona-) [II] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"4 septiembre, 2025","format":false,"excerpt":"Tord Gustavsen en solitario actu\u00f3 en A Rite of Summer 2025 en LAC, en Llinars del Vall\u00e8s -Barcelona- el 13 de julio de 2025, Joan Cort\u00e8s lo retrata en INSTANTZZ","rel":"","context":"En \u00abA Rite of Summer 2025\u00bb","block_context":{"text":"A Rite of Summer 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/a-rite-of-summer-2025\/"},"img":{"alt_text":"Tord Gustavsen -solo- (A Rite of Summer, LAC\/ Casa Virupa, Can Bordoi, 13-julio-2025, Llinars del Vall\u00e8s -Barcelona-) [II] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Tord Gustavsen  en solitario actu\u00f3 en A Rite of Summer 2025 en LAC, en Llinars del Vall\u00e8s -Barcelona- el 13 de julio de 2025, Joan Cort\u00e8s lo retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/destacado-02-Trd-Gstvsn-Photo-By-Joan-Cortes-13jul25-Rt-f-Smmr-Cn-Brd-Llnsr.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/destacado-02-Trd-Gstvsn-Photo-By-Joan-Cortes-13jul25-Rt-f-Smmr-Cn-Brd-Llnsr.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/destacado-02-Trd-Gstvsn-Photo-By-Joan-Cortes-13jul25-Rt-f-Smmr-Cn-Brd-Llnsr.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":68570,"url":"https:\/\/tomajazz.com\/web\/youn-sun-nah-la-nau-2022-instantzz\/","url_meta":{"origin":32563,"position":5},"title":"Youn Sun Nah \u201cWaking World\u201d (La Nau, 2022-10-17. Barcelona) Por Joan Cort\u00e8s [INSTANTZZ]","author":"Tomajazz","date":"24 noviembre, 2022","format":false,"excerpt":"Joan Cort\u00e8s repasa en INSTANTZZ la actuaci\u00f3n de la cantante Youn Sun Nah en La Nau (Barcelona).","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"Joan Cort\u00e8s repasa en INSTANTZZ la actuaci\u00f3n de la cantante Youn Sun Nah en La Nau (Barcelona).","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/007_Yn-Sn-Nh-Joan-Cortes_17nvm22_LN_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/007_Yn-Sn-Nh-Joan-Cortes_17nvm22_LN_Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/007_Yn-Sn-Nh-Joan-Cortes_17nvm22_LN_Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32563"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32563\/revisions"}],"predecessor-version":[{"id":32579,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32563\/revisions\/32579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/32568"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}