{"id":32700,"date":"2017-10-09T12:00:41","date_gmt":"2017-10-09T10:00:41","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32700"},"modified":"2017-12-29T21:33:33","modified_gmt":"2017-12-29T20:33:33","slug":"365-razones-para-amar-el-jazz-una-grabacion-lheure-bleue-franz-koglmann-282","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-lheure-bleue-franz-koglmann-282\/","title":{"rendered":"365 razones para amar el jazz: una grabaci\u00f3n. L’Heure Bleue (Franz Koglmann) [282]"},"content":{"rendered":"

\"\"Una grabaci\u00f3n.\u00a0Franz Koglmann<\/strong>:\u00a0L’Heure Bleue\u00a0<\/em>(HatOlogy, 1991)<\/p>\n

Seleccionado por Quinito L. Mourelle<\/strong><\/p>\n

Con Franz Koglmann, Tony Coe, Klaus Koch, Burkhard Stangl, Misha Mengelberg<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Una grabaci\u00f3n.\u00a0Franz Koglmann:\u00a0L’Heure Bleue\u00a0(HatOlogy, 1991) Seleccionado por Quinito L. Mourelle Con Franz Koglmann, Tony Coe, Klaus Koch, Burkhard Stangl, Misha Mengelberg  Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32701,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17893,18155,20689,15517,1038],"tags":[9338,14712,1788,20277,8421,19,20276],"class_list":["entry","author-pachi","post-32700","post","type-post","status-publish","format-standard","has-post-thumbnail","category-quinito-lopez-mourelle","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-burkhard-stangl","tag-franz-koglmann","tag-hatology","tag-klaus-koch","tag-misha-mengelberg","tag-quinito-l-mourelle","tag-tony-coe"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Franz-Koglmann_LHeure-Bleue.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2854,"url":"https:\/\/tomajazz.com\/web\/franz-koglmann-lo-lee-ta-music-on-nabokov-2009\/","url_meta":{"origin":32700,"position":0},"title":"Franz Koglmann: Lo-lee-ta. Music on Nabokov (2009)","author":"Tomajazz","date":"30 junio, 2010","format":false,"excerpt":"El austriaco Franz Koglmann (1947) es una de las figuras a reivindicar del jazz europeo. Sin tener un gran reconocimiento a nivel popular, el haber grabado un pu\u00f1ado de obras m\u00e1s que notables entre los a\u00f1os 1986 y 1996 en el sello suizo HatOlogy, y ser el director art\u00edstico del\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2436,"url":"https:\/\/tomajazz.com\/web\/top-ten-18-sin-ana-beatriz-quinito-lopez-mourelle-2011\/","url_meta":{"origin":32700,"position":1},"title":"Top Ten #18: Sin Ana Beatriz (Quinito L\u00f3pez Mourelle, 2011)","author":"Tomajazz","date":"12 enero, 2012","format":false,"excerpt":"Listado de grabaciones que Quinito L\u00f3pez Mourelle utiliz\u00f3 para la composici\u00f3n, escritura y correcci\u00f3n de Sin \u00a0Ana Beatriz (Ensenada de \u00c9zaro Ediciones, 2011): Franz Koglmann: L\u2019Heure Bleue (Hatology)Nino Rota: Complete Music for Violin\/Viola and Piano (ARTS) (Marco Fornaciari, Gabriela Baldocci)Orquestra de C\u00e1mara Galega: Orquestra de C\u00e1mara Galega (Boanerges)Kenny Wheeler: Other\u2026","rel":"","context":"En \u00ab*_Quinito L\u00f3pez Mourelle\u00bb","block_context":{"text":"*_Quinito L\u00f3pez Mourelle","link":"https:\/\/tomajazz.com\/web\/category\/quinito-lopez-mourelle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-GMGEIeBV9Jg\/Tw29THEV-TI\/AAAAAAAAD8E\/M0bZXuN2dMw\/s320\/sin%2Bana%2Bbeatriz.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":33366,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-album-opium-bill-dixon-franz-koglmann-steve-lacy-321\/","url_meta":{"origin":32700,"position":2},"title":"365 razones para amar el jazz: un \u00e1lbum. Opium (Bill Dixon, Franz Koglmann, Steve Lacy) [322]","author":"Tomajazz","date":"18 noviembre, 2017","format":false,"excerpt":"Un \u00e1lbum: Bill Dixon, Franz Koglmann, Steve Lacy: Opium (2001, Between The Lines Records [BTL 011] Si el jazz europeo tiene pilares sobre los que cimentarse, sostenerse y erguirse, uno de ellos, sin duda, es este \u00e1lbum: Opium. Editado en formato CD, recoge los dos primeros \u00e1lbumes en vinilo firmados\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Bill-Dixon-Franz-Koglmann-Steve-Lacy-Opium-2001.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2858,"url":"https:\/\/tomajazz.com\/web\/top-ten-segundo-intento\/","url_meta":{"origin":32700,"position":3},"title":"Top Ten: segundo intento","author":"Tomajazz","date":"23 junio, 2010","format":false,"excerpt":"En esta ocasi\u00f3n versiones de temas de hoy, de ayer y de siempre. \"Well You Needn't\". Martial Solal - Eric Le Lann. Portrait In Black And White (Nocturne, 2006) \"Thelonious\". Billy Bang - Dennis Charles. Bangception. Willisau 1982 (HatOlogy, 1988) [ED]\u00a0 \"Round Midnight\". 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