{"id":32805,"date":"2017-10-19T12:00:04","date_gmt":"2017-10-19T10:00:04","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32805"},"modified":"2017-12-31T12:38:26","modified_gmt":"2017-12-31T11:38:26","slug":"365-razones-para-amar-el-jazz-un-club-de-jazz-cafe-society-greenwich-village-new-york-291","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-cafe-society-greenwich-village-new-york-291\/","title":{"rendered":"365 razones para amar el jazz: un club de jazz: Caf\u00e9 Society. Greenwich Village. New York [292]"},"content":{"rendered":"

\"\"<\/p>\n

Un club de jazz: Caf\u00e9 Society<\/strong>. Greenwich Village. New York.<\/p>\n

Seleccionado por\u00a0Luis Escalante Ozalla<\/strong><\/p>\n

Vocalista sin identificar. 1947.\u00a0Fot\u00f3grafo: Gjon Mili.<\/p>\n

En este club Billie Holiday cant\u00f3 por primera vez la canci\u00f3n \u201cStrange Fruit\u201d en 1939.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un club de jazz: Caf\u00e9 Society. Greenwich Village. New York. Seleccionado por\u00a0Luis Escalante Ozalla Vocalista sin identificar. 1947.\u00a0Fot\u00f3grafo: Gjon Mili. En este club Billie Holiday cant\u00f3 por primera vez la canci\u00f3n \u201cStrange Fruit\u201d en 1939.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32806,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[20315,12905],"class_list":["entry","author-pachi","post-32805","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-cafe-society","tag-luis-escalante"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/image001.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33432,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-blue-note-324\/","url_meta":{"origin":32805,"position":0},"title":"365 razones para amar el jazz: Un club de jazz: Blue Note [325]","author":"Tomajazz","date":"21 noviembre, 2017","format":false,"excerpt":"Un club de jazz: Blue Note. Greenwich Village. New York. Seleccionado por Luis Escalante Ozalla Fotograf\u00eda de Ron Carter en Blue Note, Greenwich Village, New York. Fotograf\u00eda \u00a9 Zhang You.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Ron-Carter-%40-Blue-Note-by-Astro-Zhang-Yu.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Ron-Carter-%40-Blue-Note-by-Astro-Zhang-Yu.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Ron-Carter-%40-Blue-Note-by-Astro-Zhang-Yu.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Ron-Carter-%40-Blue-Note-by-Astro-Zhang-Yu.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Ron-Carter-%40-Blue-Note-by-Astro-Zhang-Yu.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Ron-Carter-%40-Blue-Note-by-Astro-Zhang-Yu.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":32327,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-village-vanguard-264\/","url_meta":{"origin":32805,"position":1},"title":"365 razones para amar el jazz: un club de jazz. Village Vanguard [264]","author":"Tomajazz","date":"21 septiembre, 2017","format":false,"excerpt":"Un club de jazz.\u00a0 Village Vanguard. Greenwich Village. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda del blog\u00a0https:\/\/jazzyoutoo.wordpress.com de Jos\u00e9 Melo","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":33846,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-the-five-spot-cafe-343\/","url_meta":{"origin":32805,"position":2},"title":"365 razones para amar el jazz: un club de jazz. The Five Spot Caf\u00e9 [343]","author":"Tomajazz","date":"9 diciembre, 2017","format":false,"excerpt":"Un club de jazz: The Five Spot Caf\u00e9. Bowery. New York. Seleccionado por Luis Escalante Ozalla Sobre el escenario (izd-der): John Coltrane, Shadow Wilson, Thelonious Monk, Ahmed Abdul Malik. 1957. Fot\u00f3grafo: \u00a9 Don Schlitten","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":34771,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-club-de-jazz-the-open-door-377\/","url_meta":{"origin":32805,"position":3},"title":"Razones para el jazz: un club de jazz. 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Fot\u00f3grafo: Bob Parent.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/The-Open-Door_photo.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/The-Open-Door_photo.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/The-Open-Door_photo.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/The-Open-Door_photo.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31713,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-onyx-club-221\/","url_meta":{"origin":32805,"position":4},"title":"365 razones para amar el jazz: un club de jazz: Onyx Club [221]","author":"Tomajazz","date":"9 agosto, 2017","format":false,"excerpt":"Un club de jazz: Onyx Club. 52nd. Street. New York. Seleccionado por Luis Escalante Ozalla Sobre el escenario: Maxine Sullivan y Buster Bailey. Posiblemente Frank Newton (tp), John Kirby (b). 1938.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31983,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-night-club-cotton-club-240\/","url_meta":{"origin":32805,"position":5},"title":"365 razones para amar el jazz: un Night Club: Cotton Club [240]","author":"Tomajazz","date":"28 agosto, 2017","format":false,"excerpt":"Un Night Club: Cotton Club. Harlem. New York. Seleccionado por\u00a0Luis Escalante Ozalla En el escenario: Duke Ellington Orchestra y las bailarinas del Cotton Club.\u00a0Fotograma de la pel\u00edcula Black and Tan (1929) en el Cotton Club.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/image001.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32805"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32805\/revisions"}],"predecessor-version":[{"id":34328,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32805\/revisions\/34328"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/32806"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}