{"id":32817,"date":"2017-10-20T12:00:08","date_gmt":"2017-10-20T10:00:08","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32817"},"modified":"2017-12-31T12:38:35","modified_gmt":"2017-12-31T11:38:35","slug":"365-razones-para-amar-el-jazz-una-portada-bye-bye-blackbird-j-292","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-bye-bye-blackbird-j-292\/","title":{"rendered":"365 razones para amar el jazz: una portada. Bye Bye Blackbird (Keith Jarrett Trio) [293]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-32818 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una portada. <strong>Keith Jarrett Trio<\/strong>\u00a0<em>Bye Bye Blackbird<\/em>\u00a0(ECM, 1993)<\/p>\n<p>Seleccionado por\u00a0<strong>Juan Antonio Serrano<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una portada. Keith Jarrett Trio\u00a0Bye Bye Blackbird\u00a0(ECM, 1993) Seleccionado por\u00a0Juan Antonio Serrano<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-bye-bye-blackbird-j-292\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32818,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17844,18155,20689,15517,1038],"tags":[1663,12547,10540],"class_list":["entry","author-pachi","post-32817","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juan-antonio-serrano-cervantes","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-ecm","tag-juan-antonio-serrano-cervantes","tag-keith-jarrett-trio"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32073,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-de-god-bless-the-child-por-keith-jarrett-trio-244\/","url_meta":{"origin":32817,"position":0},"title":"365 razones para amar el jazz: una versi\u00f3n de \u00abGod Bless The Child\u00bb por Keith Jarrett Trio [244]","author":"Tomajazz","date":"1 septiembre, 2017","format":false,"excerpt":"Una versi\u00f3n de: \"God Bless The Child\" (Arthur Herzog Jr., Billie Holiday) por Keith Jarrett Trio (Keith Jarrett, Gary Peacock, Jack DeJohnette), publicada en Standards Vol. 1 (ECM, 1983) Seleccionado por\u00a0Pachi Tapiz","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Keith-Jarrett_Standards-Vol-1_ECM_1983.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31210,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-bye-bye-blackbird-henderson-dixon-183\/","url_meta":{"origin":32817,"position":1},"title":"365 razones para amar el jazz: un tema. Bye bye Blackbird (Henderson, Dixon) [183]","author":"Tomajazz","date":"2 julio, 2017","format":false,"excerpt":"Un tema. \"Bye bye Blackbird\" (M\u00fasica: Ray Henderson. Letra: Mort Dixon. A\u00f1o 1926) Seleccionado por\u00a0Luis Escalante Ozalla \"Bye bye Blackbird\". Miles Davis: \u2018Round About Midnight (1957) Miles Davis, Red Garland, Paul Chambers, Philly Joe Jones, John Coltrane. Grabaci\u00f3n: 5 de junio de 1956. Album:","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Henderson-Dixon_Bye-Bye-Blackbird-200x254.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":33652,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-concierto-y-un-disco-genial-the-koln-concert-keith-jarrett-330\/","url_meta":{"origin":32817,"position":2},"title":"365 razones para amar el jazz: un concierto y un disco genial: The Koln Concert (Keith Jarrett) [331]","author":"Tomajazz","date":"27 noviembre, 2017","format":false,"excerpt":"Un concierto y un disco genial: The Koln Concert (Keith Jarrett. ECM, 1975) Seleccionado por\u00a0Kuto, autor de la secci\u00f3n mensual -con la que inauguramos todos y cada uno de los meses en Tomajazz desde hace a\u00f1os-, \"Notas de humor by Kuto\".","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":31190,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-pat-metheny-bright-size-life-180\/","url_meta":{"origin":32817,"position":3},"title":"365 razones para amar el jazz: un disco. Pat Metheny: Bright Size Life [180]","author":"Tomajazz","date":"29 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Pat Metheny:\u00a0Bright Size Life\u00a0(ECM, 1976) Seleccionado por Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Pat-Metheny_Bright-Size-Life.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":101371,"url":"https:\/\/tomajazz.com\/web\/wolfgang-muthspiel-tokyo-ecm-2025\/","url_meta":{"origin":32817,"position":4},"title":"Wolfgang Muthspiel: Tokyo (ECM; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 noviembre, 2025","format":false,"excerpt":"Tokyo (ECM; 2025) es la nueva grabaci\u00f3n de Wolfgang Muthspiel. Carlos Lara repaso la grabaci\u00f3n. Con Wolfgang Muthspiel, Scott Colley, Brian Blade","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Wolfgang Muthspiel: Tokyo (ECM; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Tokyo (ECM; 2025) es la nueva grabaci\u00f3n de Wolfgang Muthspiel. Carlos Lara repaso la grabaci\u00f3n. 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Con Dave Holland, Sam Rivers, Anthony Braxton, Barry Altschul.","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Dave-Holland-Quartet_Conference-Of-The-Birds_ECM_1973-200x201.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32817"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32817\/revisions"}],"predecessor-version":[{"id":34329,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32817\/revisions\/34329"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/32818"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}