{"id":32891,"date":"2017-10-25T12:00:45","date_gmt":"2017-10-25T10:00:45","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32891"},"modified":"2017-12-31T12:39:25","modified_gmt":"2017-12-31T11:39:25","slug":"365-razones-para-amar-el-jazz-una-grabacion-magico-haden-garbarek-gismonti-297","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-magico-haden-garbarek-gismonti-297\/","title":{"rendered":"365 razones para amar el jazz: una grabaci\u00f3n. Magico (Haden &#8211; Garbarek &#8211; Gismonti) [298]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-32892 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Charlie-Haden-Jan-Garbarek-Egberto-Gismonti_Magico_ECM-200x198.jpg\" alt=\"\" width=\"200\" height=\"198\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Charlie-Haden-Jan-Garbarek-Egberto-Gismonti_Magico_ECM-200x198.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Charlie-Haden-Jan-Garbarek-Egberto-Gismonti_Magico_ECM-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Charlie-Haden-Jan-Garbarek-Egberto-Gismonti_Magico_ECM-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Charlie-Haden-Jan-Garbarek-Egberto-Gismonti_Magico_ECM-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Charlie-Haden-Jan-Garbarek-Egberto-Gismonti_Magico_ECM.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una grabaci\u00f3n.\u00a0<strong>Charlie Haden, Jan Garbarek, Egberto Gismonti<\/strong>: <em>Magico<\/em> (ECM, 1980)<\/p>\n<p>Seleccionado por\u00a0<strong>Enrique Farelo<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una grabaci\u00f3n.\u00a0Charlie Haden, Jan Garbarek, Egberto Gismonti: Magico (ECM, 1980) Seleccionado por\u00a0Enrique Farelo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-magico-haden-garbarek-gismonti-297\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":32892,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,18155,20689,15517,1038],"tags":[1557,1663,1664,304,20336,54],"class_list":["entry","author-pachi","post-32891","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-charlie-haden","tag-ecm","tag-egberto-gismonti","tag-enrique-farelo","tag-haden-garbarek-gismonti","tag-jan-garbarek"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Charlie-Haden-Jan-Garbarek-Egberto-Gismonti_Magico_ECM.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":378,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-folk-songs-charlie-haden-jan-garbarek-egberto-gismonti-1979\/","url_meta":{"origin":32891,"position":0},"title":"Tomajazz recomienda\u2026 un CD: Folk Songs (Charlie Haden, Jan Garbarek &#038; Egberto Gismonti, 1979)","author":"Adolphus van Tenzing","date":"25 enero, 2010","format":false,"excerpt":"Hay momentos en que las etiquetas sobran. 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Jan Garbarek Group: Photo With Blue Sky, White Cloud, Wires, Windows And A Red Roof  (ECM, 1979) [9]","author":"Tomajazz","date":"9 enero, 2017","format":false,"excerpt":"Un disco.\u00a0Jan Garbarek Group:\u00a0Photo With Blue Sky, White Cloud, Wires, Windows And A Red Roof \u00a0(ECM, 1979) Seleccionado por Enrique Farelo. Con\u00a0\u00a0Eberhard Weber, Jon Christensen, Bill Connors, John Taylor, Jan Garbarek.","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jan-Garbarek-Group_Photo-With-Blue-Sky-White-Cloud-Wires-Windows-And-A-Red-Roof_ECM_1979.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jan-Garbarek-Group_Photo-With-Blue-Sky-White-Cloud-Wires-Windows-And-A-Red-Roof_ECM_1979.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jan-Garbarek-Group_Photo-With-Blue-Sky-White-Cloud-Wires-Windows-And-A-Red-Roof_ECM_1979.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29974,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-solstice-ralph-towner-1975-92\/","url_meta":{"origin":32891,"position":2},"title":"365 razones para amar el jazz: un disco. 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Deer Wan (Kenny Wheeler) [138]","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Kenny-Wheeler_Deer-Wan_ECM.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Kenny-Wheeler_Deer-Wan_ECM.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Kenny-Wheeler_Deer-Wan_ECM.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":12976,"url":"https:\/\/tomajazz.com\/web\/charlie-haden-el-resto-es-silencio\/","url_meta":{"origin":32891,"position":4},"title":"Charlie Haden: El resto es silencio","author":"Arturo Mora","date":"13 julio, 2014","format":false,"excerpt":"Se ve\u00eda a s\u00ed mismo como un m\u00fasico de folk. 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Teatro San Pol, Madrid. 2024-11-21) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"27 noviembre, 2024","format":false,"excerpt":"Egberto Gismonti actu\u00f3 en Summum Concert Series de Madrid, el 21 de noviembre de 2024. Enrique Farelo lo retrata en INSTANTZZ. Junto a Egberto Gismonti actu\u00f3 Daniel Murray","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Egberto Gismonti (Summum Concert Series. Teatro San Pol, Madrid. 2024-11-21) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Egberto Gismonti actu\u00f3 en Summum Concert Series de Madrid, el 21 de noviembre de 2024. Enrique Farelo lo retrata en INSTANTZZ. Junto a Egberto Gismonti actu\u00f3 Daniel Murray","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/Destacada-Egberto-Gismonti.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/Destacada-Egberto-Gismonti.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/Destacada-Egberto-Gismonti.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/Destacada-Egberto-Gismonti.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32891"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32891\/revisions"}],"predecessor-version":[{"id":34334,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32891\/revisions\/34334"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/32892"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}