{"id":32996,"date":"2017-11-01T12:00:35","date_gmt":"2017-11-01T11:00:35","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=32996"},"modified":"2017-12-31T12:40:30","modified_gmt":"2017-12-31T11:40:30","slug":"365-razones-para-amar-el-jazz-un-tema-one-note-samba-antonio-carlos-jobim-newton-mendoca-304","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-one-note-samba-antonio-carlos-jobim-newton-mendoca-304\/","title":{"rendered":"365 razones para amar el jazz: un tema. One Note Samba (Antonio Carlos Jobim, Newton Mendo\u00e7a) [305]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31233 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962-200x199.jpg\" alt=\"\" width=\"200\" height=\"199\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema: \u00abOne note samba\u00bb (m\u00fasica: <strong>Antonio Carlos Jobim<\/strong>; letra: <strong>Newton Mendo\u00e7a<\/strong>)<\/p>\n<p>Seleccionado por\u00a0<strong>Luis Escalante Ozalla<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/0-vlX8uRLMQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Stan Getz &#8211; Charlie Byrd<\/strong>: <em>Jazz Samba<\/em> (1962)<strong><br \/>\n<\/strong>Stan Getz, Charlie Byrd, Gene Byrd, Keter Betts, Buddy Deppenschmidt,, Bill Reichenbach.<br \/>\nGrabaci\u00f3n: 13 de febrero de 1962<\/p>\n<p><em>Jazz Samba<\/em> y otras grabaciones de <strong>Stan Getz<\/strong> <a href=\"https:\/\/tomajazz.com\/web\/?p=31232\" target=\"_blank\" rel=\"noopener\">sonaban en el podcast HDO<\/a> en el especial dedicado al saxofonista.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema: \u00abOne note samba\u00bb (m\u00fasica: Antonio Carlos Jobim; letra: Newton Mendo\u00e7a) Seleccionado por\u00a0Luis Escalante Ozalla Stan Getz &#8211; Charlie Byrd: Jazz Samba (1962) Stan Getz, Charlie Byrd, Gene Byrd, Keter Betts, Buddy Deppenschmidt,, Bill Reichenbach. Grabaci\u00f3n: 13 de febrero de 1962 Jazz Samba y otras grabaciones de Stan Getz<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-one-note-samba-antonio-carlos-jobim-newton-mendoca-304\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31233,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[8416,1116,20380,19753,20378,20379,12816,20377,4785],"class_list":["entry","author-pachi","post-32996","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-antonio-carlos-jobim","tag-bill-reichenbach","tag-buddy-deppenschmidt","tag-charlie-byrd","tag-gene-byrd","tag-keter-betts","tag-luis-escalante-ozalla","tag-newton-mendoca","tag-stan-getz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31232,"url":"https:\/\/tomajazz.com\/web\/hdo-283-stan-getz-ix-the-bossa-nova-years-i-podcast\/","url_meta":{"origin":32996,"position":0},"title":"HDO 283. Stan Getz (IX): The Bossa Nova Years (I) [Podcast]","author":"Tomajazz","date":"1 julio, 2017","format":false,"excerpt":"La entrega 283 de HDO es la primera de las dos dedicada a las grabaciones de Stan Getz centradas en la samba y la bossa nova. Jazz Samba (1962) de Stan Getz - Charlie Byrd puso en primera l\u00ednea la m\u00fasica brasile\u00f1a, dando el banderazo de salida a una popularidad\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz-Charlie-Byrd_Jazz-Samba_Verve_1962.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":47366,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-xv-stan-getz-ii-la-odisea-de-la-musica-afroamericana-215-podcast\/","url_meta":{"origin":32996,"position":1},"title":"Cool Jazz (XV): Stan Getz (II). La Odisea de la M\u00fasica Afroamericana (215) [Podcast]","author":"Tomajazz","date":"25 noviembre, 2019","format":false,"excerpt":"El cap\u00edtulo 215 de La Odisea de la M\u00fasica Afroamericana de\u00a0Luis Escalante Ozalla contin\u00faa recorriendo la senda del Cool Jazz. El programa sigue recorriendo la historia del gran saxofonista Stan Getz. Recala\u00a0en su encuentro con la m\u00fasica brasile\u00f1a, la bossa nova, que le supuso un gran \u00e9xito y una vuelta\u2026","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Getz-Gilberto_Verve_1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":47766,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-xvi-stan-getz-iii-la-odisea-de-la-musica-afroamericana-216-podcast\/","url_meta":{"origin":32996,"position":2},"title":"Cool Jazz (XVI): Stan Getz (III). La Odisea de la M\u00fasica Afroamericana (216) [Podcast]","author":"Tomajazz","date":"13 diciembre, 2019","format":false,"excerpt":"En el cap\u00edtulo 216 de la Odisea de La M\u00fasica Afroamericana de Luis Escalante, contin\u00faa el repaso por el Cool Jazz, y en particular por la carrera de Stan Getz.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Stan-Getz-Luis-Bonfa_Jazz-Samba-Encore.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31239,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-getz-gilberto-184\/","url_meta":{"origin":32996,"position":3},"title":"365 razones para amar el jazz: un disco. Getz \/ Gilberto [184]","author":"Tomajazz","date":"3 julio, 2017","format":false,"excerpt":"Un disco.\u00a0Stan Getz and Jo\u00e3o Gilberto featuring Ant\u00f4nio Carlos Jobim: Getz \/ Gilberto (Verve, 1964) Seleccionado por\u00a0Pachi Tapiz Con\u00a0Stan Getz, Jo\u00e3o Gilberto,Ant\u00f4nio Carlos Jobim,Sebasti\u00e3o Neto,Milton Banana, Astrud Gilberto Nota: esta obra maestra se puede escuchar al completo en la entrega correspondiente del especial de HDO dedicado a Stan Getz aqu\u00ed...","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Getz-Gilberto_Verve_1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31340,"url":"https:\/\/tomajazz.com\/web\/hdo-286-stan-getz-x-getz-gilberto-the-bossa-nova-years-ii-podcast\/","url_meta":{"origin":32996,"position":4},"title":"HDO 286. Stan Getz (X): Getz \/ Gilberto. The Bossa Nova Years (II) [Podcast]","author":"Tomajazz","date":"8 julio, 2017","format":false,"excerpt":"La d\u00e9cima entrega del especial dedicado al saxofonista Stan Getz sigue profundizando en sus incursiones en la bossa nova y la samba. Este recorrido llega a una obra maestra en la que se conjugaron como en pocas ocasiones el \u00e9xito art\u00edstico y comercial, de t\u00edtulo Getz\/Gilberto (Verve, 1962), en la\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Getz-Gilberto_Verve_1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":43753,"url":"https:\/\/tomajazz.com\/web\/los-musicos-del-bebop-iii-gene-ammons-duke-pearson-la-odisea-de-la-musica-afroamericana-195-podcast\/","url_meta":{"origin":32996,"position":5},"title":"Los m\u00fasicos del BeBop (III): Gene Ammons, Duke Jordan. La Odisea de la M\u00fasica Afroamericana (195) [Podcast]","author":"Tomajazz","date":"10 junio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 195 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Gene-Ammons_Boss-Tenor.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=32996"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32996\/revisions"}],"predecessor-version":[{"id":34341,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/32996\/revisions\/34341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31233"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=32996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=32996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=32996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}