{"id":33005,"date":"2017-11-01T15:41:34","date_gmt":"2017-11-01T14:41:34","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33005"},"modified":"2025-01-15T18:21:13","modified_gmt":"2025-01-15T17:21:13","slug":"muhal-richard-abrams-in-memoriam","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/muhal-richard-abrams-in-memoriam\/","title":{"rendered":"Muhal Richard Abrams In Memoriam"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33006\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Muhal_Richard_Abrams_06N4854-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Muhal_Richard_Abrams_06N4854-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Muhal_Richard_Abrams_06N4854-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Muhal_Richard_Abrams_06N4854-768x512.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Muhal_Richard_Abrams_06N4854-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Muhal_Richard_Abrams_06N4854-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Muhal_Richard_Abrams_06N4854-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Muhal_Richard_Abrams_06N4854.jpg 800w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<blockquote><p>I was determined to teach myself because that way I could go directly at what I wanted<\/p><\/blockquote>\n<p><strong>Muhal Richard Abrams<\/strong> 1930 &#8211; 2017<\/p>\n<p>Cita inclu\u00edda en\u00a0<em>A Power Stronger Than Itself. The AACM and American Experimental Music<\/em> de George E. Lewis (The University Of Chicago Press).<\/p>\n<p>Fotograf\u00eda de <strong>Muhal Richard Abrams<\/strong> en Moers Festival 2009 por <strong>Nomo michael hoefner<\/strong> <a href=\"http:\/\/www.zwo5.de\" target=\"_blank\" rel=\"noopener\">http:\/\/www.zwo5.de<\/a> (Own work) [CC BY-SA 3.0 (<a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/3.0\" target=\"_blank\" rel=\"noopener\">https:\/\/creativecommons.org\/licenses\/by-sa\/3.0<\/a>)], via Wikimedia Commons<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was determined to teach myself because that way I could go directly at what I wanted Muhal Richard Abrams 1930 &#8211; 2017 Cita inclu\u00edda en\u00a0A Power Stronger Than Itself. The AACM and American Experimental Music de George E. Lewis (The University Of Chicago Press). Fotograf\u00eda de Muhal Richard Abrams<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/muhal-richard-abrams-in-memoriam\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33006,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,78,15504,31927,9,15517,1038],"tags":[20383,5758,15476],"class_list":["entry","author-pachi","post-33005","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-afondo","category-articulos-afondo","category-in-memoriam","category-perfiles","category-textos","category-contenidos","tag-george-e-lewis","tag-muhal-richard-abrams","tag-nomo-michael-hoefner"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Muhal_Richard_Abrams_06N4854.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33070,"url":"https:\/\/tomajazz.com\/web\/hdo-340-una-hora-con-muhal-richard-abrams-podcast\/","url_meta":{"origin":33005,"position":0},"title":"HDO 340. Una hora con&#8230; Muhal Richard Abrams [Podcast]","author":"Tomajazz","date":"4 noviembre, 2017","format":false,"excerpt":"En\u00a0HDO 340\u00a0un homenaje sonoro al recientemente fallecido\u00a0Muhal Richard Abrams, escuchando su m\u00fasica... o m\u00e1s bien sus composiciones interpretadas por\u00a0The Muhal Richard Abrams Orchestra:\u00a0Blu Blu Blu\u00a0(Black Saint, 1991), una de las grabaciones esenciales de los a\u00f1os 90; y\u00a0The Hearinga Suite\u00a0(Black Saint, 1989). 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Mvmt I: The Ancient Power Awakens\u201d (Nicole Mitchell, 2002)","author":"Adolphus van Tenzing","date":"5 enero, 2011","format":false,"excerpt":"M\u00e1s all\u00e1 de los nombres m\u00e1s conocidos de la AACM de Chicago (Anthony Braxton, Muhal Richard Abrams, Roscoe Mitchell, George Lewis o Art Ensemble Of Chicago), existe una generaci\u00f3n posterior de m\u00fasicos con una carrera m\u00e1s que interesante. La flautista y compositora Nicole Mitchell es uno de ellos. Vicepresidenta de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cAfrika Rising Trilogy. 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