{"id":33045,"date":"2017-11-02T11:00:13","date_gmt":"2017-11-02T10:00:13","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33045"},"modified":"2017-11-01T23:26:56","modified_gmt":"2017-11-01T22:26:56","slug":"hdo-337-improvisando-aqui-y-alla-leandre-minton-freenetics-noble-silver-gallardo-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-337-improvisando-aqui-y-alla-leandre-minton-freenetics-noble-silver-gallardo-podcast\/","title":{"rendered":"HDO 337. Improvisando aqu\u00ed y all\u00e1&#8230; L\u00e9andre &#8211; Minton, Freenetics, Noble &#8211; Silver, Gallardo&#8230; [Podcast]"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33046 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Freenetics_Underground-PM_Discordian_2017-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\"> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33047 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Jesus-Gallardo_Imatges_Liquen-Records_2017-200x206.png\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Jesus-Gallardo_Imatges_Liquen-Records_2017-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Jesus-Gallardo_Imatges_Liquen-Records_2017-50x50.png 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33048 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/J\u00f6elle-L\u00e9andre-Phil-Minton_L\u00e9andre-Minton_FOU-Records_2017-200x170.jpeg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/J\u00f6elle-L\u00e9andre-Phil-Minton_L\u00e9andre-Minton_FOU-Records_2017-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/J\u00f6elle-L\u00e9andre-Phil-Minton_L\u00e9andre-Minton_FOU-Records_2017-50x50.jpeg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33049 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Steve-Noble-Yoni-Silver_Home_Aural-Terrains_2017-200x204.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Steve-Noble-Yoni-Silver_Home_Aural-Terrains_2017-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Steve-Noble-Yoni-Silver_Home_Aural-Terrains_2017-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Steve-Noble-Yoni-Silver_Home_Aural-Terrains_2017-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33050 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Stoffner-Lovens-Mahall_Mein-Freund-der-Baum_Wide-Ear-Records_2017-200x195.png\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Stoffner-Lovens-Mahall_Mein-Freund-der-Baum_Wide-Ear-Records_2017-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Stoffner-Lovens-Mahall_Mein-Freund-der-Baum_Wide-Ear-Records_2017-56x55.png 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Stoffner-Lovens-Mahall_Mein-Freund-der-Baum_Wide-Ear-Records_2017-50x50.png 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/strong><\/p>\n<p>La entrega 337 de <strong>HDO<\/strong> est\u00e1 centrada en propuestas cuyo factor com\u00fan es transitar por terrenos de la improvisaci\u00f3n. Suenan\u00a0<em>L\u00e9andre &#8211; Minton\u00a0<\/em>(<strong>Jo\u00eblle L\u00e9andre &#8211; Phil Minton<\/strong>; FOU Records, 2017);\u00a0<em>Underground PM\u00a0<\/em>(<strong>Freenetics<\/strong>: <strong>Ferr\u00e1n Besalduch, Joan Antoni Pich, Pep Mula<\/strong>; Discordian Records, 2017);\u00a0<em>Home\u00a0<\/em>(<strong>Steve Noble, Yoni Silver<\/strong>; Aural Terrains, 2017);\u00a0<em>imatges\u00a0<\/em>(<strong>Jes\u00fas Gallardo<\/strong>; Liquen Records, 2017);\u00a0<em>Mein Freund der Baum\u00a0<\/em>(<strong>Florian Stoffner, Paul Lovens, Rudi Mahall<\/strong>; Wide Ear Records, 2017).<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 Pachi Tapiz, 2017<\/p>\n<p>HDO es un podcast editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_21827895\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_21827895_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La entrega 337 de HDO est\u00e1 centrada en propuestas cuyo factor com\u00fan es transitar por terrenos de la improvisaci\u00f3n. Suenan\u00a0L\u00e9andre &#8211; Minton\u00a0(Jo\u00eblle L\u00e9andre &#8211; Phil Minton; FOU Records, 2017);\u00a0Underground PM\u00a0(Freenetics: Ferr\u00e1n Besalduch, Joan Antoni Pich, Pep Mula; Discordian Records, 2017);\u00a0Home\u00a0(Steve Noble, Yoni Silver; Aural Terrains, 2017);\u00a0imatges\u00a0(Jes\u00fas Gallardo; Liquen Records, 2017);\u00a0Mein<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-337-improvisando-aqui-y-alla-leandre-minton-freenetics-noble-silver-gallardo-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33048,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,20041,12814,15518,1038],"tags":[18565,8663,1134,20399,20400,16001,12130,20398,12269,5363,20395,17303,31,5125,6307,14025,11130,7534,20397,20401,20396],"class_list":["entry","author-pachi","post-33045","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-hdo-t04-2017-18","category-podcast","category-sonidos","category-contenidos","tag-aural-terrains","tag-discordian-records","tag-ferran-besalduch","tag-florian-stoffner","tag-florian-stoffner-paul-lovens-rudi-mahall","tag-fou-records","tag-freenetics","tag-jesus-gallardo","tag-joan-antoni-pich","tag-joelle-leandre","tag-joelle-leandre-phil-minton","tag-liquen-records","tag-pachi-tapiz","tag-paul-lovens","tag-pep-mula","tag-phil-minton","tag-rudi-mahall","tag-steve-noble","tag-steve-noble-yoni-silver","tag-wide-ear-records","tag-yoni-silver"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/J\u00f6elle-L\u00e9andre-Phil-Minton_L\u00e9andre-Minton_FOU-Records_2017.jpeg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":67679,"url":"https:\/\/tomajazz.com\/web\/fou-records-4-3-2-1\/","url_meta":{"origin":33045,"position":0},"title":"4, 3, 2, 1&#8230; \u00a1Viva FOU Records! Por Pachi Tapiz. HDO 550 [Podcast]","author":"Tomajazz","date":"22 octubre, 2022","format":false,"excerpt":"En HDO 550 escuchamos m\u00fasica de cuatro grabaciones del sello Fou Records, centradas en la improvisaci\u00f3n libre. En ellas participan m\u00fasicos de primer nivel como Jo\u00eblle L\u00e9andre, Paul Lovens, Carlos Zingaro o Jean-Marc Foussat, art\u00edfice de este sello m\u00e1s que recomendable. HDO es un podcast de Pachi Tapiz.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"4, 3, 2, 1... \u00a1Viva FOU Records! Por Pachi Tapiz. HDO 549 [Podcast]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0550_FOU-Records.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0550_FOU-Records.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0550_FOU-Records.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0550_FOU-Records.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24162,"url":"https:\/\/tomajazz.com\/web\/hdo-112-joelle-leandre-his-voice-and-his-music-podcast-english\/","url_meta":{"origin":33045,"position":1},"title":"HDO 112. Jo\u00eblle L\u00e9andre: her voice and her music [Podcast] [English]","author":"Tomajazz","date":"13 mayo, 2016","format":false,"excerpt":"The unique voice of Jo\u00eblle L\u00e9andre makes her one of the most important creative musician\u00a0in Europe. Pachi Tapiz interviews her in the HDO Tomajazz podcast.","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"Jo\u00eblle Leandre. Forteresse de Salses. 2010-10-16. \u00a9 Joan Cort\u00e8s, 2016","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Jll-Lndr-%C2%A9Joan-Cort%C3%A8s_16oct10_Frtrss-d-Slss.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":19689,"url":"https:\/\/tomajazz.com\/web\/especial-joelle-leandre-hdo-0010-audioblog\/","url_meta":{"origin":33045,"position":2},"title":"Especial Jo\u00eblle L\u00e9andre. HDO (0010) [Audioblog]","author":"Tomajazz","date":"16 septiembre, 2015","format":"image","excerpt":"La francesa Jo\u00eblle L\u00e9andre es una gigante del contrabajo, una primer\u00edsima figura de la escena de la libre improvisaci\u00f3n. Su actividad es la de \"a busy musician\" (en sus propias palabras), tanto en forma de actuaciones como de grabaciones. En este apartado, en los pr\u00f3ximos meses ver\u00e1 la publicaci\u00f3n de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":8150,"url":"https:\/\/tomajazz.com\/web\/sudo-quartet-live-at-banlieue-bleue-nobusiness-records-2013\/","url_meta":{"origin":33045,"position":3},"title":"Sudo Quartet: Live At Banlieue Bleue (NoBusiness Records, 2013)","author":"Tomajazz","date":"12 septiembre, 2013","format":false,"excerpt":"M\u00e1s all\u00e1 del desglose de los m\u00faltiples recursos de los que hacen uso Jo\u00eblle L\u00e9andre (contrabajo), Paul Lovens (bater\u00eda), Carlos Zingaro (viol\u00edn) y Sebi Tramonatana (tromb\u00f3n) en el directo de 2011 Live At Banlieue Bleue, hay que se\u00f1alar la calidad que atesora el Sudo Quartet. Por encima de la variedad\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Sudo Quartet Live at Banlieue Bleue","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/Sudo-Quartet-Live-at-Banlieue-Bleue.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":20084,"url":"https:\/\/tomajazz.com\/web\/the-ex-at-bimhuis-en-directo-y-con-fendika-en-estudio-hdo-0017-audioblog\/","url_meta":{"origin":33045,"position":4},"title":"The Ex: At Bimhuis (en directo) y con Fendika (en estudio). HDO (0017) [Audioblog]","author":"Tomajazz","date":"8 octubre, 2015","format":"audio","excerpt":"El grupo holand\u00e9s The Ex acaba de publicar el doble CD The Ex at Bimhuis (1991-2015) (Ex Records - Bimhuis, 2015) en el que se recoge una selecci\u00f3n de temas grabados en el m\u00edtico local holand\u00e9s. Una de las caracter\u00edsticas de este doble CD es que a lo largo de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/the-ex-at-bimhuis-500-500x500.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":39832,"url":"https:\/\/tomajazz.com\/web\/hdo-479-improvisando-the-necks-perelman-mahall-zach-sakata-nabatos-aka-uhdjsi-iii-podcast\/","url_meta":{"origin":33045,"position":5},"title":"HDO 479. Improvisando: The Necks, Perelman, Mahall, Zach, Sakata, Nabatos&#8230; AKA UHDJSI III [Podcast]","author":"Tomajazz","date":"16 noviembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. Media docena de propuestas centradas en la improvisaci\u00f3n conviven en la entrega 479 de HDO Hablando De O\u00eddas. Improvisaciones que beben de muy diversas fuentes y que muestran la incre\u00edble riqueza de esta manera de afrontar la creaci\u00f3n musical. Este es el listado de grabaciones: Akira Sakata -\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/HDO-479_improvisando_Collage_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/HDO-479_improvisando_Collage_1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/HDO-479_improvisando_Collage_1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/HDO-479_improvisando_Collage_1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33045"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33045\/revisions"}],"predecessor-version":[{"id":33052,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33045\/revisions\/33052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33048"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}