{"id":33080,"date":"2017-11-06T12:00:22","date_gmt":"2017-11-06T11:00:22","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33080"},"modified":"2017-12-31T12:41:25","modified_gmt":"2017-12-31T11:41:25","slug":"365-razones-para-amar-el-jazz-una-portada-macho-gabor-szabo-309-a-new-perspective-32","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-macho-gabor-szabo-309-a-new-perspective-32\/","title":{"rendered":"365 razones para amar el jazz: una portada. Macho (Gabor Szabo) [310] [A New Perspective 32]"},"content":{"rendered":"

\"\"Una portada:\u00a0Macho<\/em>\u00a0<\/i><\/b>(Gabor Szabo<\/strong>. Salvation, 1975). Fotograf\u00eda de John Paul Endress<\/strong><\/p>\n

Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort<\/strong>. Trig\u00e9sima segunda entrega de la serie\u00a0A New Perspective<\/em><\/a>: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.<\/p>\n","protected":false},"excerpt":{"rendered":"

Una portada:\u00a0Macho\u00a0(Gabor Szabo. Salvation, 1975). Fotograf\u00eda de John Paul Endress Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Trig\u00e9sima segunda entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33081,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17846,18155,18586,20689,15517,1038],"tags":[20406,20405,10088,20407],"class_list":["entry","author-pachi","post-33080","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jose-luis-luna-rocafort","category-365-razones-para-amar-el-jazz","category-a-new-perspective","category-razones-para-el-jazz","category-textos","category-contenidos","tag-gabor-szabo","tag-john-paul-endress","tag-jose-luis-luna-rocafort","tag-salvation"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Gabor-Szabo_Macho.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31711,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-blue-train-john-coltrane-220-a-new-perspective-21\/","url_meta":{"origin":33080,"position":0},"title":"365 razones para amar el jazz: una portada. Blue Train (John Coltrane) [220] [A New Perspective 21]","author":"Tomajazz","date":"8 agosto, 2017","format":false,"excerpt":"Una portada.\u00a0The New Sextet\u00a0(John Coltrane, Blue Note,\u00a01957). Fotograf\u00eda de Francis Wolff Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Vig\u00e9sima primera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30526,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-brilliant-corners-thelonious-monk-130-a-new-perspective-09\/","url_meta":{"origin":33080,"position":1},"title":"365 razones para amar el jazz: una portada. Brilliant Corners (Thelonious Monk) [131] [A New Perspective 09]","author":"Tomajazz","date":"11 mayo, 2017","format":false,"excerpt":"Una portada.\u00a0Brilliant Corners\u00a0(Thelonious Monk. Riverside, 1957). Fotograf\u00eda de Paul Weller. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Novena\u00a0entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30131,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-cool-struttin-sonny-clark-105-a-new-perspective-05\/","url_meta":{"origin":33080,"position":2},"title":"365 razones para amar el jazz: una portada. Cool Struttin’ (Sonny Clark) [105] [A New Perspective 05]","author":"Tomajazz","date":"15 abril, 2017","format":false,"excerpt":"Una portada. Cool Struttin' (Sonny Clark. Blue Note, 1958). Fotograf\u00eda de Francis Wolff. 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Con Hank Mobley, Wynton Kelly,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Hank-Mobley_Soul-Station_Blue-Note.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29541,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-lesters-here-lester-young-1956-61-a-new-perspective-02\/","url_meta":{"origin":33080,"position":4},"title":"365 razones para amar el jazz: una portada. Lester’s Here (Lester Young, 1956) [61] [A New Perspective 02]","author":"Tomajazz","date":"2 marzo, 2017","format":false,"excerpt":"Una portada. Lester's Here (Lester Young Norgran, 1956). Fotograf\u00eda por Herman Leonard. Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Segunda entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Lester Young, Jessie Drakes, Gildo Mahones, John Lewis, Gene Ramey,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Lester-Young_Lesters-Here_Norgran_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30897,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-volume-2-sonny-rollins-161-a-new-perspective-13\/","url_meta":{"origin":33080,"position":5},"title":"365 razones para amar el jazz: una portada. Volume 2 (Sonny Rollins) [161] [A New Perspective 13]","author":"Tomajazz","date":"10 junio, 2017","format":false,"excerpt":"Una portada. Volume 2\u00a0(Sonny Rollins. Blue Note, 1957). Fotograf\u00eda de Francis Wolff. Seleccionado por Jos\u00e9 Luis Luna Rocafort. 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Con Sonny Rollins, Horace Silver, Thelonious Monk, Jay Jay\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Sonny-Rollins_Vol-2_Blue-Note-200x196.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33080"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33080\/revisions"}],"predecessor-version":[{"id":34346,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33080\/revisions\/34346"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33081"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}