{"id":33119,"date":"2017-11-07T22:51:12","date_gmt":"2017-11-07T21:51:12","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33119"},"modified":"2017-11-08T20:18:34","modified_gmt":"2017-11-08T19:18:34","slug":"hdo-327-al-habla-y-en-concierto-con-moppa-elliott-mopdtk-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-327-al-habla-y-en-concierto-con-moppa-elliott-mopdtk-podcast\/","title":{"rendered":"HDO 341. Al habla (y en concierto) con\u2026 Moppa Elliott (MOPDTK) [Podcast]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33120\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDTK2_by_Peter_Gannushkin-17-600x450.jpg\" alt=\"\" width=\"600\" height=\"450\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDTK2_by_Peter_Gannushkin-17-600x450.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDTK2_by_Peter_Gannushkin-17-200x150.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDTK2_by_Peter_Gannushkin-17-768x576.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDTK2_by_Peter_Gannushkin-17-73x55.jpg 73w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDTK2_by_Peter_Gannushkin-17.jpg 800w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>El viernes 10 de noviembre actuar\u00e1 en JazzMadrid17 el grupo <strong>Mostly Other People Do The Killing<\/strong>. Este grupo jazz\u00edsticamente iconoclasta se encuentra en un momento muy interesante. Tras sus primeras grabaciones en cuarteto (con <strong>Peter Evans<\/strong>, <strong>Jon Irabagon<\/strong>, <strong>Kevin Shea<\/strong> y su l\u00edder, <strong>Moppa Elliott<\/strong>), el grupo incorpor\u00f3 al pianista <strong>Ron Stabinsky<\/strong> convierti\u00e9ndose\u00a0 en un quinteto. Tras la salida de Evans y la incorporaci\u00f3n de <strong>Steven Bernstein<\/strong> (de los divertidos Sex Mob), <strong>Dave Taylor<\/strong> y <strong>Brandon Seabrook<\/strong>, este septeto registr\u00f3 en 2016\u00a0<em>Loafer&#8217;s Hollow\u00a0<\/em>(Hot Cup Records, 2016), que es la grabaci\u00f3n que est\u00e1 anunciado que presentar\u00e1n en el Festival Internacional de Jazz de Madrid. Sin embargo, el futuro (ya presente) va a traer novedades en el grupo, como la publicaci\u00f3n en el pasado mes de octubre de\u00a0<em>Paint<\/em> (Hot Cup Records) a nombre de Mostly Other People Do The Killing en formato de tr\u00edo de piano (con Elliott, Stabinsky y Shea), que ser\u00e1 la formaci\u00f3n que defender\u00e1 en directo las composiciones de Moppa Elliott en un futuro pr\u00f3ximo.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33121 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDtK_Paint_Album_Cover-200x174.png\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDtK_Paint_Album_Cover-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDtK_Paint_Album_Cover-50x50.png 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33122 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/mopdtk_slippery_rock-200x184.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/mopdtk_slippery_rock-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/mopdtk_slippery_rock-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33123 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Moppa-Elliott_Still-Up-In-The-Air-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Moppa-Elliott_Still-Up-In-The-Air-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Moppa-Elliott_Still-Up-In-The-Air-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Moppa-Elliott_Still-Up-In-The-Air-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Moppa-Elliott_Still-Up-In-The-Air.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Moppa-Elliott_Still-Up-In-The-Air-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33124 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Mostly-Other-People-Do-The-Killing_Blue-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Mostly-Other-People-Do-The-Killing_Blue-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Mostly-Other-People-Do-The-Killing_Blue-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Mostly-Other-People-Do-The-Killing_Blue-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Mostly-Other-People-Do-The-Killing_Blue.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Mostly-Other-People-Do-The-Killing_Blue-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33125 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Mostly-Other-People-Do-The-Killing_Loafers-Hollow-200x181.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Mostly-Other-People-Do-The-Killing_Loafers-Hollow-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Mostly-Other-People-Do-The-Killing_Loafers-Hollow-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p style=\"text-align: center;\">Portadas (de izquierda a derecha y de arriba abajo) de\u00a0<em>Paint, Slippery Rock, Still Up In The Air, Blue y Loafer&#8217;s Hollow<\/em><\/p>\n<p><strong>HDO 341<\/strong>\u00a0est\u00e1 dedicado a este contrabajista. Por un lado est\u00e1n las palabras del m\u00fasico (en ingl\u00e9s) sobre <strong>MOPDTK<\/strong> y sus \u00faltimas grabaciones, el formato de tr\u00edo de este grupo y del artefacto <em>Blue<\/em> que recreaba nota a nota el eterno\u00a0<em>Kind Of Blue\u00a0<\/em>de Miles Davis, su trabajo en solitario o sus pr\u00f3ximos proyectos. Por otro lado se puede escuchar m\u00fasica de las dos grabaciones cuya m\u00fasica sonar\u00e1 en el concierto de Madrid (\u00a0<em>Loafer&#8217;s Hollow<\/em> -en septeto-, <em>Paint<\/em> -en formato de tr\u00edo-), <em>Blue<\/em> (en quinteto interpretando \u00abSo What\u00bb) y\u00a0<em>Slippery Rock<\/em> (en cuarteto, en una grabaci\u00f3n que se aproximaba al <em>Jazz Fusion<\/em>), todas ellas grabaciones del grupo <strong>Mostly Other People Do The Killing<\/strong>. Tambi\u00e9n suenan dos temas de <em>Still, Up In The Air<\/em>, la primera grabaci\u00f3n en solitario de este contrabajista, compositor, agitador, educador, cr\u00edtico musical en forma de su alter ego Leonard Featherweight, y defensor de las ciudades de Pennsilvania.<\/p>\n<p style=\"text-align: right;\">Tomajazz. Texto: \u00a9 Pachi Tapiz, 2017<br \/>\nFotograf\u00eda:\u00a0\u00a9 Peter Gannushkin, 2016<\/p>\n<p>HDO es un podcast editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_21935835\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_21935835_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El viernes 10 de noviembre actuar\u00e1 en JazzMadrid17 el grupo Mostly Other People Do The Killing. Este grupo jazz\u00edsticamente iconoclasta se encuentra en un momento muy interesante. Tras sus primeras grabaciones en cuarteto (con Peter Evans, Jon Irabagon, Kevin Shea y su l\u00edder, Moppa Elliott), el grupo incorpor\u00f3 al pianista<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-327-al-habla-y-en-concierto-con-moppa-elliott-mopdtk-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33120,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,78,17048,15537,13298,20041,20384,9,12814,15518,1038],"tags":[7229,19074,5490,20412,196,5491,11805,198,208,31,197,7648,7228,11798],"class_list":["entry","author-pachi","post-33119","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-afondo","category-audioentrevistas-en-hdo","category-entrevistas","category-hablando-de-oidas-hdo","category-hdo-t04-2017-18","category-jazzmadrid17","category-perfiles","category-podcast","category-sonidos","category-contenidos","tag-brandon-seabrook","tag-dave-taylor","tag-hot-cup-records","tag-jazzmadrid17","tag-jon-irabagon","tag-kevin-shea","tag-mopdtk","tag-moppa-elliott","tag-mostly-other-people-do-the-killing","tag-pachi-tapiz","tag-peter-evans","tag-peter-gannushkin","tag-ron-stabinsky","tag-steven-bernstein"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOPDTK2_by_Peter_Gannushkin-17.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8407,"url":"https:\/\/tomajazz.com\/web\/mostly-other-people-do-the-killing-red-hot-hot-cup-records-2013\/","url_meta":{"origin":33119,"position":0},"title":"Mostly Other People Do The Killing: Red Hot (Hot Cup Records, 2013)","author":"Tomajazz","date":"14 octubre, 2013","format":false,"excerpt":"Mostly Other People Do The Killing contin\u00faan realizando su particular recorrido por la historia del jazz. Si en su anterior disco Slippery Rock (Hot Cup Records, 2013) daban su visi\u00f3n sobre el jazz fusion, unos meses despu\u00e9s en Red Hot su l\u00edder y compositor Moppa Elliott vuelve la vista al\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/MOPDTK-Red-Hot.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":61213,"url":"https:\/\/tomajazz.com\/web\/mostly-other-people-do-the-killing-mopdtk-centralia-disasters-vol-1-hot-cup-records-2022-por-pachi-tapiz-jazzx5425-minipodcast-de-jazz\/","url_meta":{"origin":33119,"position":1},"title":"Mostly Other People Do The Killing MOPDTK: \u00abCentralia\u00bb [Disasters Vol. 1 (Hot Cup Records, 2022)] Por Pachi Tapiz. JazzX5#425 [Minipodcast de jazz]","author":"Tomajazz","date":"18 febrero, 2022","format":false,"excerpt":"En JazzX5 suena \"Centralia\", tema incluido en Disasters Vol.1 (Hot Cup Records), la nueva grabaci\u00f3n de Mostly Other People Do The Killing (MOPDTK) de Moppa Elliott. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_425.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_425.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_425.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_425.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":33268,"url":"https:\/\/tomajazz.com\/web\/mostly-other-people-do-the-killing-festival-internacional-de-jazz-de-madrid-auditorio-conde-duque-madrid-2017-11-10-concierto\/","url_meta":{"origin":33119,"position":2},"title":"Mostly Other People Do the Killing (Festival Internacional de Jazz de Madrid, Auditorio Conde Duque, Madrid.2017-11-10) [Concierto]","author":"Tomajazz","date":"13 noviembre, 2017","format":false,"excerpt":"Festival Internacional de Jazz de Madrid Fecha: 10 de noviembre de 2017 Lugar: Auditorio del Centro Cultural Conde Duque Grupo: Mostly Other People Do the Killing Steven Bernstein (trompeta y trompeta slide) Jon Irabagon (saxo tenor) Dave Taylor (tromb\u00f3n bajo) John Arman (guitarra) Ron Stabinsky (piano) Moppa Elliott (contrabajo) Kevin\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOSTLY-OTHER-PEOPLE-DO-THE-KILLING-e1510593166901.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOSTLY-OTHER-PEOPLE-DO-THE-KILLING-e1510593166901.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOSTLY-OTHER-PEOPLE-DO-THE-KILLING-e1510593166901.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/MOSTLY-OTHER-PEOPLE-DO-THE-KILLING-e1510593166901.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":61413,"url":"https:\/\/tomajazz.com\/web\/mostly-other-people-do-the-killing-disasters-vol-1-hot-cup-records-2022-por-pachi-tapiz-grabacion-de-jazz\/","url_meta":{"origin":33119,"position":3},"title":"Mostly Other People Do The Killing: Disasters Vol. 1 (Hot Cup Records, 2022) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"25 febrero, 2022","format":false,"excerpt":"Pachi Tapiz repasa Disasters Vol. 1 (Hot Cup Records, 2022) de Mostly Other People Do The Killing.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Mostly Other People Do The Killing Disasters Vol. 1 MOPDTK.jpg","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Mostly-Other-People-Do-The-Killing-Disasters-Vol.-1-MOPDTK.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Mostly-Other-People-Do-The-Killing-Disasters-Vol.-1-MOPDTK.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Mostly-Other-People-Do-The-Killing-Disasters-Vol.-1-MOPDTK.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Mostly-Other-People-Do-The-Killing-Disasters-Vol.-1-MOPDTK.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Mostly-Other-People-Do-The-Killing-Disasters-Vol.-1-MOPDTK.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Mostly-Other-People-Do-The-Killing-Disasters-Vol.-1-MOPDTK.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":16410,"url":"https:\/\/tomajazz.com\/web\/mostly-other-people-do-the-killing-blue-hot-cup-records-2014\/","url_meta":{"origin":33119,"position":4},"title":"Mostly Other People Do The Killing: Blue (Hot Cup Records, 2014)","author":"Tomajazz","date":"16 enero, 2015","format":false,"excerpt":"A lo largo de la historia del jazz ha habido varios momentos cr\u00edticos (peleas a limpio guantazo incluidas entre defensores de distintos estilos), en los que se ha cuestionado su propia esencia a partir de cuestiones estil\u00edsticas, arm\u00f3nicas e incluso geogr\u00e1ficas. Sin embargo es en 2014, con la publicaci\u00f3n de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/mopdtk-blue-cover-e1421362223371.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/mopdtk-blue-cover-e1421362223371.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/mopdtk-blue-cover-e1421362223371.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29631,"url":"https:\/\/tomajazz.com\/web\/hdo-244-ross-hammond-mopdtk-noah-preminger-miguel-zenon-rich-halley-carson-halley-podcast\/","url_meta":{"origin":33119,"position":5},"title":"HDO 244. Ross Hammond, MOPDTK, Noah Preminger, Miguel Zenon, Rich Halley &#8211; Carson Halley [Podcast]","author":"Tomajazz","date":"8 marzo, 2017","format":false,"excerpt":"El precioso disco a guitarra sola de Ross Hammond,\u00a0Follow Your Heart (Autoedici\u00f3n, 2017)\u00a0abre la edici\u00f3n 244 del 8 de marzo de 2017 del\u00a0podcast\u00a0HDO.\u00a0The Wild (Pine Eagle Records) del saxofonista\u00a0Rich Halley\u00a0(padre), y del baterista\u00a0Carson Halley (hijo), se adentra en los terrenos de la improvisaci\u00f3n que no deja de mirar hacia el\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33119"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33119\/revisions"}],"predecessor-version":[{"id":33171,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33119\/revisions\/33171"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33120"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}