{"id":33265,"date":"2017-11-13T12:00:49","date_gmt":"2017-11-13T11:00:49","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33265"},"modified":"2017-12-31T12:52:20","modified_gmt":"2017-12-31T11:52:20","slug":"365-razones-para-amar-el-jazz-search-destroy-mount-everest-trio-waves-from-albert-ayler-316","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-search-destroy-mount-everest-trio-waves-from-albert-ayler-316\/","title":{"rendered":"365 razones para amar el jazz: search & destroy. Mount Everest Trio: Waves from Albert Ayler [317]"},"content":{"rendered":"

\"\"Search & Destroy<\/em>. Mount Everest Trio<\/strong>: Waves from Albert Ayler<\/em>\u00a0(1975. Reeditado en Unheard Music Series, Atavistic)<\/p>\n

Seleccionado por Jack Torrance<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Search & Destroy. Mount Everest Trio: Waves from Albert Ayler\u00a0(1975. Reeditado en Unheard Music Series, Atavistic) Seleccionado por Jack TorranceContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33266,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17868,18155,20689,15517,1038],"tags":[1426,613,20448,20449],"class_list":["entry","author-pachi","post-33265","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jack-torrance","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-atavistic","tag-jack-torrance","tag-mount-everest-trio","tag-unheard-music-series"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/mount-everest-trio_waves-from-Albert-Ayler.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":44750,"url":"https:\/\/tomajazz.com\/web\/jazzx5035-mount-everest-trio-orinoco-minipodcast\/","url_meta":{"origin":33265,"position":0},"title":"JazzX5#035. Mount Everest Trio: Orinoco [Minipodcast]","author":"Tomajazz","date":"4 agosto, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. \"Orinoco\". Mount Everest Trio: Waves From Albert Ayler (Atavistic. Reed.) Gilbert Holmstr\u00f6m, Kjell Jansson, Conny Sj\u00f6kvist \u00a9\u00a0Pachi Tapiz, 2019 JazzX5 es un minipodcast de HDO de la Factor\u00eda Tomajazz presentado, editado y producido por\u00a0Pachi Tapiz. JazzX5 comenz\u00f3 su andadura el 24 de junio de 2019. Todas las entregas\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/JazzX5_035.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/JazzX5_035.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/JazzX5_035.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/JazzX5_035.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":35862,"url":"https:\/\/tomajazz.com\/web\/mas-razones-para-el-jazz-una-coleccion-unheard-music-series-406\/","url_meta":{"origin":33265,"position":1},"title":"M\u00e1s razones para el jazz: una colecci\u00f3n. Unheard Music Series [406]","author":"Tomajazz","date":"6 abril, 2018","format":false,"excerpt":"Una colecci\u00f3n: Unheard Music Series. Una colecci\u00f3n es como un sello dentro de un sello. Con frecuencia, con una vida aut\u00f3noma. En 2000, el sello de Chicago Atavistic puso en marcha su colecci\u00f3n Unheard Music Series, con el objetivo de recuperar en CD trabajos de jazz de vanguardia de los\u2026","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/unheard-music-series-peace-concert.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30336,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-musica-negra-leroi-jones-115\/","url_meta":{"origin":33265,"position":2},"title":"365 razones para amar el jazz: un libro. M\u00fasica Negra (LeRoi Jones) [115]","author":"Tomajazz","date":"25 abril, 2017","format":false,"excerpt":"Un libro.\u00a0LeRoi Jones:\u00a0Black Music\u00a0(Caja Negra Editora, 2014) Seleccionado por Jack Torrance","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Amiri-Baraka-Black-Music-214x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":34286,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-unos-parrafos-sincopados-y-crueles-de-james-ellroy-365\/","url_meta":{"origin":33265,"position":3},"title":"365 razones para amar el jazz: unos p\u00e1rrafos: sincopados y crueles de James\u00a0Ellroy [365]","author":"Tomajazz","date":"31 diciembre, 2017","format":false,"excerpt":"\u00a0 Unos p\u00e1rrafos: sincopados y crueles. Jazz blanco\u00a0(White Jazz, 1992), de James\u00a0Ellroy Seleccionado por\u00a0Jack Torrance Hacer click para agrandar la imagen.","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Jack-Torrance-Germ%C3%A1n-L%C3%A1zaro_white-jazz-fragment-e1514568896272.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Jack-Torrance-Germ%C3%A1n-L%C3%A1zaro_white-jazz-fragment-e1514568896272.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Jack-Torrance-Germ%C3%A1n-L%C3%A1zaro_white-jazz-fragment-e1514568896272.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2980,"url":"https:\/\/tomajazz.com\/web\/pinton-kullhammar-zetterberg-nordeson-chant\/","url_meta":{"origin":33265,"position":4},"title":"Pinton – Kullhammar – Zetterberg – Nordeson: Chant","author":"Tomajazz","date":"23 noviembre, 2009","format":false,"excerpt":"Chant del cuarteto Pinton - Kullhammar - Zettberger - Nordeson es una grat\u00edsima sorpresa. En formaci\u00f3n de dos saxos (Alberto Pinton y Jonas Kullhammar), contrabajo (Torbj\u00f6rn Zetterberg) y bater\u00eda\/vibr\u00e1fono (Kjell Nordeson), los cuatro m\u00fasicos son los autores de todos los temas de la grabaci\u00f3n. Su propuesta entronca con un jazz\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":31722,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-turkish-mambo-lennie-tristano-223\/","url_meta":{"origin":33265,"position":5},"title":"365 razones para amar el jazz: un tema. Turkish Mambo (Lennie Tristano) [223]","author":"Tomajazz","date":"11 agosto, 2017","format":false,"excerpt":"Un tema. \"Turkish Mambo\" (Lennie Tristano) Seleccionado por\u00a0Jack Torrance","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Lennie-Tristano_Turkish-Mambo.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Lennie-Tristano_Turkish-Mambo.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Lennie-Tristano_Turkish-Mambo.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33265"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33265\/revisions"}],"predecessor-version":[{"id":34354,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33265\/revisions\/34354"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33266"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}