{"id":33385,"date":"2017-11-19T12:00:19","date_gmt":"2017-11-19T11:00:19","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33385"},"modified":"2017-12-31T12:54:40","modified_gmt":"2017-12-31T11:54:40","slug":"365-razones-para-amar-el-jazz-un-musico-charles-lloyd-322","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-musico-charles-lloyd-322\/","title":{"rendered":"365 razones para amar el jazz: un m\u00fasico. Charles Lloyd [323]"},"content":{"rendered":"<p><center><figure id=\"attachment_31946\" aria-describedby=\"caption-attachment-31946\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-31946\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Lloyd-Quartet-059-Rafa-Mellado-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Lloyd-Quartet-059-Rafa-Mellado-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Lloyd-Quartet-059-Rafa-Mellado-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Lloyd-Quartet-059-Rafa-Mellado-768x512.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Lloyd-Quartet-059-Rafa-Mellado-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Lloyd-Quartet-059-Rafa-Mellado-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Lloyd-Quartet-059-Rafa-Mellado-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Lloyd-Quartet-059-Rafa-Mellado.jpg 2048w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-31946\" class=\"wp-caption-text\">Concierto de Charles Lloyd Quartet el 21 de julio en el XX Festival de Jazz de San Javier. Fotograf\u00eda \u00a9 Rafa Mellado<\/figcaption><\/figure><\/center><\/p>\n<p>&nbsp;<\/p>\n<p>Un m\u00fasico.\u00a0<strong>Charles Lloyd<\/strong><\/p>\n<p>Seleccionado por\u00a0<strong>Mariche Huertas de la C\u00e1mara<\/strong> y comentado ampliamente en su blog, haciendo click <a href=\"https:\/\/marichehuertas.wordpress.com\/2017\/06\/13\/si-me-dijeran-pide-un-deseo-preferiria-rabo-de-nube-que-se-llevara-lo-feo\/\" target=\"_blank\" rel=\"noopener\">aqu\u00ed<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>365 razones para amar el jazz: un m\u00fasico. Charles Lloyd. Seleccionado por Mariche Huertas de la C\u00e1mara<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-musico-charles-lloyd-322\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31946,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17879,18155,20689,15517,1038],"tags":[8565,13931,16890],"class_list":["entry","author-pachi","has-excerpt","post-33385","post","type-post","status-publish","format-standard","has-post-thumbnail","category-mariche-huertas-de-la-camara","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-charles-lloyd","tag-mariche-huertas","tag-rafa-mellado"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Charles-Lloyd-Quartet-059-Rafa-Mellado.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32738,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-nica-pannonica-de-koeningswater-la-baronesa-del-jazz-285\/","url_meta":{"origin":33385,"position":0},"title":"365 razones para amar el jazz: Nica, Pannonica de Koeningswater, la baronesa del Jazz [286]","author":"Tomajazz","date":"13 octubre, 2017","format":false,"excerpt":"Nica, Pannonica de Koenigswarter, la baronesa del Jazz Seleccionado por\u00a0Mariche Huertas de la C\u00e1mara y relatado en\u00a0https:\/\/tomajazz.com\/web\/?p=21289 \u00a0","rel":"","context":"En \u00ab*_Mariche Huertas de la C\u00e1mara\u00bb","block_context":{"text":"*_Mariche Huertas de la C\u00e1mara","link":"https:\/\/tomajazz.com\/web\/category\/mariche-huertas-de-la-camara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Charles-Mingus-Pannonica-de-Koenigswarter-200x187.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":34265,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-pianista-y-un-tema-ahmad-jamal-y-poinciana-363\/","url_meta":{"origin":33385,"position":1},"title":"365 razones para amar el jazz: un pianista y un tema. Ahmad Jamal y Poinciana [363]","author":"Tomajazz","date":"29 diciembre, 2017","format":false,"excerpt":"Un tema y un pianista: \"Poinciana\" y\u00a0Ahmad Jamal. Seleccionado y comentado por\u00a0Mariche Huertas de la C\u00e1mara\u00a0en su blog:\u00a0https:\/\/marichehuertas.wordpress.com\/2013\/10\/16\/poinciana\/ Fotograf\u00eda:\u00a0Ahmad Jamal en Keystone Korner, San Francisco 1980. Foto por Brian McMillen (Brianmcmillen) \/ contacto: brianmcmillen @ hotmail . com Usado con licencia\u00a0CC BY-SA 3.0","rel":"","context":"En \u00ab*_Mariche Huertas de la C\u00e1mara\u00bb","block_context":{"text":"*_Mariche Huertas de la C\u00e1mara","link":"https:\/\/tomajazz.com\/web\/category\/mariche-huertas-de-la-camara\/"},"img":{"alt_text":"365 razones para amar el jazz: un pianista y un tema. Ahmad Jamal y Poinciana [363] Ahmad Jamal KK Tomajazz 9.0 -","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Ahmad_Jamal_KK.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29870,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-interpretacion-mercy-mercy-mercy-cannonball-adderley-86\/","url_meta":{"origin":33385,"position":2},"title":"365 razones para amar el jazz: una interpretaci\u00f3n. \u201cMercy, Mercy, Mercy\u201d (Cannonball Adderley) [86]","author":"Tomajazz","date":"27 marzo, 2017","format":false,"excerpt":"Una interpretaci\u00f3n. \"Mercy, Mercy, Mercy\" The Cannonball Adderley Quintet:\u00a0Mercy, Mercy, Mercy! Live at \"The Club\"\u00a0(Capitol, 1966) Con\u00a0Cannonball Adderley, Nat Adderley, Joe Zawinul, Victor Gaskin , Roy McCurdy Seleccionado por Mariche Huertas de la C\u00e1mara. \u00a0 \u00a0","rel":"","context":"En \u00ab*_Mariche Huertas de la C\u00e1mara\u00bb","block_context":{"text":"*_Mariche Huertas de la C\u00e1mara","link":"https:\/\/tomajazz.com\/web\/category\/mariche-huertas-de-la-camara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28867,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-pintor-abdul-mati-klarwein-25\/","url_meta":{"origin":33385,"position":3},"title":"365 razones para amar el jazz: un pintor. 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Seleccionado por\u00a0Pachi Tapiz. Y con esta llegamos a la entrega n\u00famero 200 del especial 365 razones para amar el jazz... un n\u00famero m\u00faltiplo de 100, pero no\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charles-Lloyd_Soundtrack-Forest-Flower-In-Monterey.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charles-Lloyd_Soundtrack-Forest-Flower-In-Monterey.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charles-Lloyd_Soundtrack-Forest-Flower-In-Monterey.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charles-Lloyd_Soundtrack-Forest-Flower-In-Monterey.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Charles-Lloyd_Soundtrack-Forest-Flower-In-Monterey.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":31752,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-forest-flower-charles-lloyd-225\/","url_meta":{"origin":33385,"position":5},"title":"365 razones para amar el jazz: una grabaci\u00f3n. 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