{"id":33537,"date":"2017-11-24T12:00:37","date_gmt":"2017-11-24T11:00:37","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33537"},"modified":"2017-12-31T12:55:47","modified_gmt":"2017-12-31T11:55:47","slug":"365-razones-para-amar-el-jazz-un-disco-escalator-over-the-hill-a-chronotransduction-by-carla-bley-and-paul-haines-327","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-escalator-over-the-hill-a-chronotransduction-by-carla-bley-and-paul-haines-327\/","title":{"rendered":"365 razones para amar el jazz: un disco. Escalator over the Hill, a chronotransduction by Carla Bley and Paul Haines [328]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-33538 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Carla-Bley-Paul-Haines_Escalator-Over-The-Hill-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Carla-Bley-Paul-Haines_Escalator-Over-The-Hill-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Carla-Bley-Paul-Haines_Escalator-Over-The-Hill-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Carla-Bley-Paul-Haines_Escalator-Over-The-Hill-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Carla-Bley-Paul-Haines_Escalator-Over-The-Hill-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Carla-Bley-Paul-Haines_Escalator-Over-The-Hill-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Carla-Bley-Paul-Haines_Escalator-Over-The-Hill-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Carla-Bley-Paul-Haines_Escalator-Over-The-Hill.jpg 1024w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco. <em>Escalator over the Hill, a chronotransduction by <strong>Carla Bley<\/strong> and <strong>Paul Haines<\/strong><\/em> (JCOA Records, 1971)<\/p>\n<p>Seleccionado por\u00a0<strong>Jack Torrance<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco. Escalator over the Hill, a chronotransduction by Carla Bley and Paul Haines (JCOA Records, 1971) Seleccionado por\u00a0Jack Torrance<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-escalator-over-the-hill-a-chronotransduction-by-carla-bley-and-paul-haines-327\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33538,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17868,18155,20689,15517,1038],"tags":[7512,613,20518,14831],"class_list":["entry","author-pachi","post-33537","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jack-torrance","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-carla-bley","tag-jack-torrance","tag-jcoa-records","tag-paul-haines"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Carla-Bley-Paul-Haines_Escalator-Over-The-Hill.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":21943,"url":"https:\/\/tomajazz.com\/web\/imuzzic-grands-ensemble-over-the-hills-imuzzic-2015-cd\/","url_meta":{"origin":33537,"position":0},"title":"Imuzzic Grand(s) Ensemble: Over The Hills (imuzzic, 2015; CD)","author":"Tomajazz","date":"19 enero, 2016","format":false,"excerpt":"Escalator Over The Hill de Carla Bley y Paul Haines es una de las grandes obras del jazz no s\u00f3lo de la d\u00e9cada de los a\u00f1os 70 del siglo XX, sino de toda la historia del jazz. Esta es una \u00f3pera jazz\u00edstica que en forma de LP triple recog\u00eda una\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/imuzzic-grands-ensemble_Over-The-Hills_imuzzic_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29031,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-composicion-ida-lupino-carla-bley-38\/","url_meta":{"origin":33537,"position":1},"title":"365 razones para amar el jazz: una composici\u00f3n. \u201cIda Lupino\u201d (Carla Bley) [38]","author":"Tomajazz","date":"7 febrero, 2017","format":false,"excerpt":"Una composici\u00f3n: \u201cIda Lupino\u201d de Carla Bley Seleccionada por Diego S\u00e1nchez Cascado Charlie Haden, Paul Bley y Paul Motian: The Montreal Tapes\u00a0(Verve, 1989)","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Charlie-Haden-with-Paul-Bley-and-Paul-Motian_The-Montreal-Tapes_Verve_1998-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":31665,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-dogon-a-d-julius-hemphill-215\/","url_meta":{"origin":33537,"position":2},"title":"365 razones para amar el jazz: un disco. Dogon A.D. (Julius Hemphill) [215]","author":"Tomajazz","date":"3 agosto, 2017","format":false,"excerpt":"Un disco.\u00a0Julius Hemphill:\u00a0Dogon A.D.\u00a0(Mbari, 1972 \/ Arista, 1977) Seleccionado por Jack Torrance \u00a0","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Julius-Hemphill_Dogon-A.D..jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Julius-Hemphill_Dogon-A.D..jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Julius-Hemphill_Dogon-A.D..jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29590,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-pelicula-eraserhead-con-un-disco-youg-fats-at-the-organ-75\/","url_meta":{"origin":33537,"position":3},"title":"365 razones para amar el jazz: una pel\u00edcula (Eraserhead) con un disco (Youg Fats at the Organ) [74]","author":"Tomajazz","date":"15 marzo, 2017","format":false,"excerpt":"Una pel\u00edcula con un disco. Eraserhead (1982) de David Lynch. Suenan 4 rags de \u00f3rgano de Fats Waller: \"The Digah's Stomp\", \"Lenox Avenue Blues\", \"Stompin' the Bug\" y \"Messin' Around \u00a0with the Blues\", registrados entre noviembre de 1926 y diciembre de 1927 en el \u00f3rgano de la iglesia de la\u2026","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/fats-at-the-organ.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30640,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-out-to-lunch-eric-dolphy-142\/","url_meta":{"origin":33537,"position":4},"title":"365 razones para amar el jazz: un disco. Out To Lunch (Eric Dolphy) [142]","author":"Tomajazz","date":"22 mayo, 2017","format":false,"excerpt":"Un disco.\u00a0Eric Dolphy:\u00a0Out To Lunch\u00a0(Blue Note, 1964) Seleccionado por\u00a0Jack Torrance Con Eric Dolphy,\u00a0Freddie Hubbard, Bobby Hutcherson, Richard Davis, Tony Williams","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Eric-Dolphy_Out-To-Lunch.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31082,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-agartha-miles-davis-173\/","url_meta":{"origin":33537,"position":5},"title":"365 razones para amar el jazz: un disco. Agartha (Miles Davis) [173]","author":"Tomajazz","date":"22 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis:\u00a0Agartha\u00a0(Columbia. 1975) Seleccionado por\u00a0Jack Torrance Con\u00a0Pete Cosey, Miles Davis, Sonny Fortune, Al Foster, Michael Henderson, Reggie Lucas, James Mtume \u00a0","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Agartha_Columbia_1975.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33537"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33537\/revisions"}],"predecessor-version":[{"id":34366,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33537\/revisions\/34366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33538"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}