{"id":33652,"date":"2017-11-27T12:00:10","date_gmt":"2017-11-27T11:00:10","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33652"},"modified":"2017-12-31T12:56:18","modified_gmt":"2017-12-31T11:56:18","slug":"365-razones-para-amar-el-jazz-un-concierto-y-un-disco-genial-the-koln-concert-keith-jarrett-330","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-concierto-y-un-disco-genial-the-koln-concert-keith-jarrett-330\/","title":{"rendered":"365 razones para amar el jazz: un concierto y un disco genial: The Koln Concert (Keith Jarrett) [331]"},"content":{"rendered":"

\"\"Un concierto y un disco genial: The Koln Concert<\/em> (Keith Jarrett<\/strong>. ECM, 1975)<\/p>\n

Seleccionado por\u00a0Kuto<\/strong>, autor de la secci\u00f3n mensual -con la que inauguramos todos y cada uno de los meses en Tomajazz desde hace a\u00f1os-, \u00abNotas de humor by Kuto\u00bb<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Un concierto y un disco genial: The Koln Concert (Keith Jarrett. ECM, 1975) Seleccionado por\u00a0Kuto, autor de la secci\u00f3n mensual -con la que inauguramos todos y cada uno de los meses en Tomajazz desde hace a\u00f1os-, \u00abNotas de humor by Kuto\u00bb.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33653,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[17843,18155,20689,15517,1038],"tags":[],"class_list":["entry","author-pachi","post-33652","post","type-post","status-publish","format-standard","has-post-thumbnail","category-don-kuto","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":107278,"url":"https:\/\/tomajazz.com\/web\/keith-jarrett-erdc-2026-09\/","url_meta":{"origin":33652,"position":0},"title":"Keith Jarrett. Contra los tuits, a favor de la \u00abconciencia individual\u00bb (versi\u00f3n corregida en lo necesario y aumentada en lo pertinente) Por Chema Garc\u00eda [Escrito de jazz AKA El Rinc\u00f3n de Chema] [Septiembre de 2026]","author":"Tomajazz","date":"14 septiembre, 2026","format":false,"excerpt":"Keith Jarrett. Contra los tuits, a favor de la \u00abconciencia individual\u00bb (versi\u00f3n corregida en lo necesario y aumentada en lo pertinente) es la aportaci\u00f3n de Chema Garc\u00eda a El Rinc\u00f3n de Chema de septiembre de 2026","rel":"","context":"En \u00abEl rinc\u00f3n de Chema\u00bb","block_context":{"text":"El rinc\u00f3n de Chema","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/el-rincon-de-chema\/"},"img":{"alt_text":"Keith Jarrett. Contra los tuits, a favor de la \u00abconciencia individual\u00bb (versi\u00f3n corregida y aumentada) Por Chema Garc\u00eda [Escrito de jazz AKA El Rinc\u00f3n de Chema] [Septiembre de 2026] - Tomajazz - Keith Jarrett. Contra los tuits, a favor de la \u00abconciencia individual\u00bb (versi\u00f3n corregida y aumentada) es la aportaci\u00f3n de Chema Garc\u00eda a El Rinc\u00f3n de Chema de septiembre de 2026","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/Keith-Jarrett-Rio.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/Keith-Jarrett-Rio.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/Keith-Jarrett-Rio.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/Keith-Jarrett-Rio.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":105387,"url":"https:\/\/tomajazz.com\/web\/the-bad-plus-barcelona-2026\/","url_meta":{"origin":33652,"position":1},"title":"The Bad Plus \u201cKeith Jarrett Project\u201d (L\u2019Auditori, Sala 2\u2022Oriol Martorell, 2026-04-07 \/ Barcelona) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"14 mayo, 2026","format":false,"excerpt":"The Bad Plus \u201cKeith Jarrett Project\u201d actu\u00f3 en L\u2019Auditori de Barcelona, el 7 de abril de 2026. Joan Cort\u00e8s lo retrata en INSTANTZZ. The Bad Plus son Dave King, Reid Anderson, Craig Taborn, Chris Potter","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"The Bad Plus \u201cKeith Jarrett Project\u201d (L\u2019Auditori, Sala 2\u2022Oriol Martorell, 2026-04-07 \/ Barcelona) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - The Bad Plus \u201cKeith Jarrett Project\u201d actu\u00f3 en L\u2019Auditori de Barcelona, el 7 de abril de 2026. Joan Cort\u00e8s lo retrata en INSTANTZZ. The Bad Plus son Dave King, Reid An","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/05\/04-Bd-Pls-Joan-Cortes-07brl26-L-dtr-s2OM-Brcln.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/05\/04-Bd-Pls-Joan-Cortes-07brl26-L-dtr-s2OM-Brcln.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/05\/04-Bd-Pls-Joan-Cortes-07brl26-L-dtr-s2OM-Brcln.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":32073,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-de-god-bless-the-child-por-keith-jarrett-trio-244\/","url_meta":{"origin":33652,"position":2},"title":"365 razones para amar el jazz: una versi\u00f3n de \u00abGod Bless The Child\u00bb por Keith Jarrett Trio [244]","author":"Tomajazz","date":"1 septiembre, 2017","format":false,"excerpt":"Una versi\u00f3n de: \"God Bless The Child\" (Arthur Herzog Jr., Billie Holiday) por Keith Jarrett Trio (Keith Jarrett, Gary Peacock, Jack DeJohnette), publicada en Standards Vol. 1 (ECM, 1983) Seleccionado por\u00a0Pachi Tapiz","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Keith-Jarrett_Standards-Vol-1_ECM_1983.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31193,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-y-un-concierto-de-gigantes-hawkins-eldridge-hodges-alive-at-the-village-gate-181\/","url_meta":{"origin":33652,"position":3},"title":"365 razones para amar el jazz: un disco y un concierto de gigantes. Hawkins! Eldridge! Hodges! Alive! At The Village Gate! [181]","author":"Tomajazz","date":"30 junio, 2017","format":false,"excerpt":"Un disco y un concierto de gigantes. Coleman Hawkins, Roy Eldridge, Johnny Hodges: Hawkins! Eldridge! Hodges! Alive! At The Village Gate! (Verve, 1962) Seleccionado por\u00a0Kuto","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Coleman-Hawkins-Roy-Eldridge-Johnny-Hodges_Hawkins-Eldridge-Hodges-Alive-At-The-Village-Gate_Verve_1962.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31102,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-suprema-de-seven-steps-to-heaven-stan-getz-kenny-barron-175\/","url_meta":{"origin":33652,"position":4},"title":"365 razones para amar el jazz: una versi\u00f3n suprema de Seven Steps to Heaven (Stan Getz, Kenny Barron) [175]","author":"Tomajazz","date":"24 junio, 2017","format":false,"excerpt":"Una versi\u00f3n suprema de \"Seven Steps to Heaven\" por Stan Getz, Kenny Barron (The Final Concert Recording) Seleccionado por\u00a0Kuto","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz_The-Final-Concert-Recording_1990.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":53840,"url":"https:\/\/tomajazz.com\/web\/keith-jarrett-budapest-concert-ecm-2020-grabacion-de-jazz-por-enrique-farelo\/","url_meta":{"origin":33652,"position":5},"title":"Keith Jarrett: Budapest Concert (ECM, 2020) [Grabaci\u00f3n de jazz] Por Enrique Farelo","author":"Tomajazz","date":"5 febrero, 2021","format":false,"excerpt":"Enrique Farelo repasa \"The Budapest Concert\", la \u00faltima grabaci\u00f3n del pianista Keith Jarrett, publicada en ECM a finales del a\u00f1o 2020.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33652"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33652\/revisions"}],"predecessor-version":[{"id":34369,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33652\/revisions\/34369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33653"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}