{"id":33652,"date":"2017-11-27T12:00:10","date_gmt":"2017-11-27T11:00:10","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33652"},"modified":"2017-12-31T12:56:18","modified_gmt":"2017-12-31T11:56:18","slug":"365-razones-para-amar-el-jazz-un-concierto-y-un-disco-genial-the-koln-concert-keith-jarrett-330","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-concierto-y-un-disco-genial-the-koln-concert-keith-jarrett-330\/","title":{"rendered":"365 razones para amar el jazz: un concierto y un disco genial: The Koln Concert (Keith Jarrett) [331]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-33653 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975-200x198.jpg\" alt=\"\" width=\"200\" height=\"198\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975-200x198.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975-768x761.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975-600x595.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975.jpg 1400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un concierto y un disco genial: <em>The Koln Concert<\/em> (<strong>Keith Jarrett<\/strong>. ECM, 1975)<\/p>\n<p>Seleccionado por\u00a0<strong>Kuto<\/strong>, autor de la secci\u00f3n mensual -con la que inauguramos todos y cada uno de los meses en Tomajazz desde hace a\u00f1os-, <a href=\"https:\/\/tomajazz.com\/web\/?cat=8\" target=\"_blank\" rel=\"noopener\">\u00abNotas de humor by Kuto\u00bb<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un concierto y un disco genial: The Koln Concert (Keith Jarrett. ECM, 1975) Seleccionado por\u00a0Kuto, autor de la secci\u00f3n mensual -con la que inauguramos todos y cada uno de los meses en Tomajazz desde hace a\u00f1os-, \u00abNotas de humor by Kuto\u00bb.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-concierto-y-un-disco-genial-the-koln-concert-keith-jarrett-330\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33653,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17843,18155,20689,15517,1038],"tags":[],"class_list":["entry","author-pachi","post-33652","post","type-post","status-publish","format-standard","has-post-thumbnail","category-don-kuto","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Keith-Jarrett_The-Koln-Concert_ECM_1975.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32073,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-de-god-bless-the-child-por-keith-jarrett-trio-244\/","url_meta":{"origin":33652,"position":0},"title":"365 razones para amar el jazz: una versi\u00f3n de \u00abGod Bless The Child\u00bb por Keith Jarrett Trio [244]","author":"Tomajazz","date":"1 septiembre, 2017","format":false,"excerpt":"Una versi\u00f3n de: \"God Bless The Child\" (Arthur Herzog Jr., Billie Holiday) por Keith Jarrett Trio (Keith Jarrett, Gary Peacock, Jack DeJohnette), publicada en Standards Vol. 1 (ECM, 1983) Seleccionado por\u00a0Pachi Tapiz","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Keith-Jarrett_Standards-Vol-1_ECM_1983.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31193,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-y-un-concierto-de-gigantes-hawkins-eldridge-hodges-alive-at-the-village-gate-181\/","url_meta":{"origin":33652,"position":1},"title":"365 razones para amar el jazz: un disco y un concierto de gigantes. 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(Verve, 1962) Seleccionado por\u00a0Kuto","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Coleman-Hawkins-Roy-Eldridge-Johnny-Hodges_Hawkins-Eldridge-Hodges-Alive-At-The-Village-Gate_Verve_1962.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31102,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-suprema-de-seven-steps-to-heaven-stan-getz-kenny-barron-175\/","url_meta":{"origin":33652,"position":2},"title":"365 razones para amar el jazz: una versi\u00f3n suprema de Seven Steps to Heaven (Stan Getz, Kenny Barron) [175]","author":"Tomajazz","date":"24 junio, 2017","format":false,"excerpt":"Una versi\u00f3n suprema de \"Seven Steps to Heaven\" por Stan Getz, Kenny Barron (The Final Concert Recording) Seleccionado por\u00a0Kuto","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Stan-Getz_The-Final-Concert-Recording_1990.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":53840,"url":"https:\/\/tomajazz.com\/web\/keith-jarrett-budapest-concert-ecm-2020-grabacion-de-jazz-por-enrique-farelo\/","url_meta":{"origin":33652,"position":3},"title":"Keith Jarrett: Budapest Concert (ECM, 2020) [Grabaci\u00f3n de jazz] Por Enrique Farelo","author":"Tomajazz","date":"5 febrero, 2021","format":false,"excerpt":"Enrique Farelo repasa \"The Budapest Concert\", la \u00faltima grabaci\u00f3n del pianista Keith Jarrett, publicada en ECM a finales del a\u00f1o 2020.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":32817,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-bye-bye-blackbird-j-292\/","url_meta":{"origin":33652,"position":4},"title":"365 razones para amar el jazz: una portada. 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Keith Jarrett Trio\u00a0Bye Bye Blackbird\u00a0(ECM, 1993) Seleccionado por\u00a0Juan Antonio Serrano","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Keith-Jarrett-Trio_Bye-Bye-Blackbird_ECM.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29720,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-live-evil-miles-davis-79\/","url_meta":{"origin":33652,"position":5},"title":"365 razones para amar el jazz: un disco. Live Evil (Miles Davis) [79]","author":"Tomajazz","date":"20 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis:\u00a0Live Evil\u00a0(Columbia, 1971) Seleccionado por\u00a0Pachi Tapiz Con\u00a0Miles Davis, Dave Holland, Michael Henderson), Ron Carter, Billy Cobham, Jack DeJohnette, Hermeto Pascoal, John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Airto Moreira, Keith Jarrett, Gary Bartz, Steve Grossman, Wayne Shorter, Khalil Balakrishna","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Live-Evil_Columbia_1971.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33652"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33652\/revisions"}],"predecessor-version":[{"id":34369,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33652\/revisions\/34369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33653"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}