aqu\u00ed<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Una foto.\u00a0Miles Davis\u00a0y\u00a0Wynton Marsalis en Vancouver, 1986. Seleccionado por\u00a0Juanma Castro Medina Fotograf\u00eda (convenientemente marcada):\u00a0\u00a9\u00a0Chris Cameron. Tomada de aqu\u00ed, aunque tambi\u00e9n se podr\u00eda haber puesto sin marcar cogi\u00e9ndola desde aqu\u00ed.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33672,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17859,18155,20689,15517,1038],"tags":[20551,7636,2004,2372],"class_list":["entry","author-pachi","post-33671","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juanma-castro-medina","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-chris-cameron","tag-juanma-castro-medina","tag-miles-davis","tag-wynton-marsalis"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32906,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-trompetista-marquis-hill-298\/","url_meta":{"origin":33671,"position":0},"title":"365 razones para amar el jazz: un trompetista. Marquis Hill [299]","author":"Tomajazz","date":"26 octubre, 2017","format":false,"excerpt":"Un trompetista.\u00a0Marquis Hill Seleccionado por Juanma Castro Medina Fotograf\u00eda promocional \u00a9 Marquis Hill","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/marquis-hill-bio-8.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/marquis-hill-bio-8.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/marquis-hill-bio-8.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/marquis-hill-bio-8.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":33142,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-la-mitica-calle-52-la-meca-del-jazz-311\/","url_meta":{"origin":33671,"position":1},"title":"365 razones para amar el jazz: la m\u00edtica calle 52, la Meca del jazz [312]","author":"Tomajazz","date":"8 noviembre, 2017","format":false,"excerpt":"La m\u00edtica Calle 52. La Meca del jazz. Seleccionado por Juanma Castro Medina Fotograf\u00eda de la Calle 52 en 1948 por\u00a0William P. Gottlieb","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/52nd_Street_New_York_by_Gottlieb_1948_crop.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/52nd_Street_New_York_by_Gottlieb_1948_crop.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/52nd_Street_New_York_by_Gottlieb_1948_crop.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/52nd_Street_New_York_by_Gottlieb_1948_crop.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/52nd_Street_New_York_by_Gottlieb_1948_crop.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/52nd_Street_New_York_by_Gottlieb_1948_crop.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":33849,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-way-we-play-marquis-hill-344\/","url_meta":{"origin":33671,"position":2},"title":"365 razones para amar el jazz: un disco. The Way We Play (Marquis Hill) [344]","author":"Tomajazz","date":"10 diciembre, 2017","format":false,"excerpt":"Un disco. Marquis Hill: The Way We Play (Concord, 2016) Seleccionado por Juanma Castro Medina","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32828,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-el-jazz-y-sus-espejos-joaquim-romaguera-i-ramio-293\/","url_meta":{"origin":33671,"position":3},"title":"365 razones para amar el jazz: un libro. El jazz y sus espejos (Joaquim Romaguera i Rami\u00f3) [294]","author":"Tomajazz","date":"21 octubre, 2017","format":false,"excerpt":"Un libro. Joaquim Romaguera i Rami\u00f3: El jazz y sus espejos (Ediciones de la Torre, 2002) Seleccionado por\u00a0Juanma Castro Medina","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Joaquim-Romaguera-i-Ramio_El-jazz-y-sus-espejos.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32294,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-rudy-van-gelder-262\/","url_meta":{"origin":33671,"position":4},"title":"365 razones para amar el jazz: Rudy Van Gelder [262]","author":"Tomajazz","date":"19 septiembre, 2017","format":false,"excerpt":"Rudy Van Gelder.\u00a0Pues no se me ocurre otro tipo que haya hecho m\u00e1s por el jazz, apartando a los m\u00fasicos, que \u00e9ste.\u00a0Una raz\u00f3n m\u00e1s para amar el jazz. Seleccionado por\u00a0Juanma Castro Medina","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Rudy-Van-Gelder_RogerDawsonSeptet-e1505587772243-200x294.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28727,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cartel-skopje-jazz-festival-1995-17\/","url_meta":{"origin":33671,"position":5},"title":"365 razones para amar el jazz: un cartel. Skopje Jazz Festival. 1995 [17]","author":"Tomajazz","date":"17 enero, 2017","format":false,"excerpt":"Un cartel: Skopje Jazz Festival 1995 Seleccionado por Juanma Castro Medina. \u00a0","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Skopje-Jazz-Festival-1995.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33671"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33671\/revisions"}],"predecessor-version":[{"id":34371,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33671\/revisions\/34371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33672"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada-600x405.jpg\" "\\"\\"")
<\/p>\n