{"id":33783,"date":"2017-12-04T12:00:01","date_gmt":"2017-12-04T11:00:01","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33783"},"modified":"2017-12-29T21:33:21","modified_gmt":"2017-12-29T20:33:21","slug":"365-razones-para-amar-el-jazz-un-salon-de-baile-savoy-ballroom-338","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-salon-de-baile-savoy-ballroom-338\/","title":{"rendered":"365 razones para amar el jazz: un Sal\u00f3n de Baile: Savoy Ballroom [338]"},"content":{"rendered":"![\"\"](\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Savoy-Ballroom.jpg\" "\\"\\"")
<\/center><\/p>\nUn Sal\u00f3n de Baile: Savoy Ballroom<\/strong>. Harlem. New York.<\/p>\nSeleccionado por\u00a0Luis Escalante Ozalla<\/strong><\/p>\nFotograf\u00eda: \u00a9 Bettmann\/Corbis<\/strong>, 1952<\/p>\n","protected":false},"excerpt":{"rendered":"Un Sal\u00f3n de Baile: Savoy Ballroom. Harlem. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda: \u00a9 Bettmann\/Corbis, 1952Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33784,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[20570,12816],"class_list":["entry","author-pachi","post-33783","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-berttmann-cobis","tag-luis-escalante-ozalla"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Savoy-Ballroom.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":24052,"url":"https:\/\/tomajazz.com\/web\/los-locales-miticos-savoy-ballroom-cotton-club-la-odisea-de-la-musica-afroamericana-049-podcast\/","url_meta":{"origin":33783,"position":0},"title":"Lugares m\u00edticos en la historia del jazz (I): Savoy Ballroom – Cotton Club. La Odisea de la M\u00fasica Afroamericana (049) [Podcast]","author":"Tomajazz","date":"9 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 49 de La Odisea de la M\u00fasica Afroamericana realiza un recorrido por un local m\u00edtico en la historia del jazz. El neoyorkino Savoy Ballroom abri\u00f3 sus puertas en el a\u00f1o 1926 en pleno Harlem. Fue testigo de la actuaci\u00f3n de grandes bandas como las de Chick Webb\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":33791,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-salon-de-conciertos-carnegie-hall-340\/","url_meta":{"origin":33783,"position":1},"title":"365 razones para amar el jazz: un Sal\u00f3n de Conciertos: Carnegie Hall [340]","author":"Tomajazz","date":"6 diciembre, 2017","format":false,"excerpt":"Un Sal\u00f3n de Conciertos: Carnegie Hall. Manhattan. New York Seleccionado por\u00a0Luis Escalante Ozalla Sobre el escenario: Preservation Hall Jazz Band. 1976.\u00a0Fotograf\u00eda: \u00a9 Barbara Alper.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30705,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-podcast-la-odisea-de-la-musica-afroamericana-luis-escalante-149\/","url_meta":{"origin":33783,"position":2},"title":"365 razones para amar el jazz: un podcast. La Odisea de la M\u00fasica Afroamericana (Luis Escalante) [149]","author":"Tomajazz","date":"29 mayo, 2017","format":false,"excerpt":"365 razones para amar el jazz: un podcast. La Odisea de la M\u00fasica Afroamericana (Luis Escalante) [149]","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":32327,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-village-vanguard-264\/","url_meta":{"origin":33783,"position":3},"title":"365 razones para amar el jazz: un club de jazz. Village Vanguard [264]","author":"Tomajazz","date":"21 septiembre, 2017","format":false,"excerpt":"Un club de jazz.\u00a0 Village Vanguard. Greenwich Village. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda del blog\u00a0https:\/\/jazzyoutoo.wordpress.com de Jos\u00e9 Melo","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31713,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-onyx-club-221\/","url_meta":{"origin":33783,"position":4},"title":"365 razones para amar el jazz: un club de jazz: Onyx Club [221]","author":"Tomajazz","date":"9 agosto, 2017","format":false,"excerpt":"Un club de jazz: Onyx Club. 52nd. Street. New York. Seleccionado por Luis Escalante Ozalla Sobre el escenario: Maxine Sullivan y Buster Bailey. Posiblemente Frank Newton (tp), John Kirby (b). 1938.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30599,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-lawns-carla-bley-137\/","url_meta":{"origin":33783,"position":5},"title":"365 razones para amar el jazz: un tema. \u00abLawns\u00bb (Carla Bley) [137]","author":"Tomajazz","date":"17 mayo, 2017","format":false,"excerpt":"Un tema. \"Lawns\" de Carla Bley. Incluido en\u00a0Sextet\u00a0(Carla Bley. Watt \/ ECM, 1987) Seleccionado por\u00a0Luis Escalante Ozalla Carla Bley y Steve Swallow. Grabaci\u00f3n en concierto en 1998 \u00a0","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Carla-Bley-Sextet_Watt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33783"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33783\/revisions"}],"predecessor-version":[{"id":33787,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33783\/revisions\/33787"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33784"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}