{"id":33791,"date":"2017-12-06T12:00:59","date_gmt":"2017-12-06T11:00:59","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33791"},"modified":"2017-12-29T21:33:21","modified_gmt":"2017-12-29T20:33:21","slug":"365-razones-para-amar-el-jazz-un-salon-de-conciertos-carnegie-hall-340","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-salon-de-conciertos-carnegie-hall-340\/","title":{"rendered":"365 razones para amar el jazz: un Sal\u00f3n de Conciertos: Carnegie Hall [340]"},"content":{"rendered":"<p><center><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-33792\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001.jpg\" alt=\"\" width=\"594\" height=\"395\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001.jpg 594w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-120x80.jpg 120w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/center><\/p>\n<p>Un Sal\u00f3n de Conciertos: <strong>Carnegie Hall<\/strong>. Manhattan. New York<\/p>\n<p>Seleccionado por\u00a0<strong>Luis Escalante Ozalla<\/strong><\/p>\n<p>Sobre el escenario: Preservation Hall Jazz Band. 1976.\u00a0Fotograf\u00eda: \u00a9 Barbara Alper.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un Sal\u00f3n de Conciertos: Carnegie Hall. Manhattan. New York Seleccionado por\u00a0Luis Escalante Ozalla Sobre el escenario: Preservation Hall Jazz Band. 1976.\u00a0Fotograf\u00eda: \u00a9 Barbara Alper.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-salon-de-conciertos-carnegie-hall-340\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33792,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[20573,12816],"class_list":["entry","author-pachi","post-33791","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-barbara-alper","tag-luis-escalante-ozalla"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33783,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-salon-de-baile-savoy-ballroom-338\/","url_meta":{"origin":33791,"position":0},"title":"365 razones para amar el jazz: un Sal\u00f3n de Baile: Savoy Ballroom [338]","author":"Tomajazz","date":"4 diciembre, 2017","format":false,"excerpt":"Un Sal\u00f3n de Baile: Savoy Ballroom. Harlem. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda: \u00a9 Bettmann\/Corbis, 1952","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Savoy-Ballroom.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30599,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-lawns-carla-bley-137\/","url_meta":{"origin":33791,"position":1},"title":"365 razones para amar el jazz: un tema. \u00abLawns\u00bb (Carla Bley) [137]","author":"Tomajazz","date":"17 mayo, 2017","format":false,"excerpt":"Un tema. \"Lawns\" de Carla Bley. Incluido en\u00a0Sextet\u00a0(Carla Bley. Watt \/ ECM, 1987) Seleccionado por\u00a0Luis Escalante Ozalla Carla Bley y Steve Swallow. Grabaci\u00f3n en concierto en 1998 \u00a0","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Carla-Bley-Sextet_Watt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30705,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-podcast-la-odisea-de-la-musica-afroamericana-luis-escalante-149\/","url_meta":{"origin":33791,"position":2},"title":"365 razones para amar el jazz: un podcast. La Odisea de la M\u00fasica Afroamericana (Luis Escalante) [149]","author":"Tomajazz","date":"29 mayo, 2017","format":false,"excerpt":"365 razones para amar el jazz: un podcast. La Odisea de la M\u00fasica Afroamericana (Luis Escalante) [149]","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":32327,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-village-vanguard-264\/","url_meta":{"origin":33791,"position":3},"title":"365 razones para amar el jazz: un club de jazz. Village Vanguard [264]","author":"Tomajazz","date":"21 septiembre, 2017","format":false,"excerpt":"Un club de jazz.\u00a0 Village Vanguard. Greenwich Village. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda del blog\u00a0https:\/\/jazzyoutoo.wordpress.com de Jos\u00e9 Melo","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/village-vanguard5.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31713,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-onyx-club-221\/","url_meta":{"origin":33791,"position":4},"title":"365 razones para amar el jazz: un club de jazz: Onyx Club [221]","author":"Tomajazz","date":"9 agosto, 2017","format":false,"excerpt":"Un club de jazz: Onyx Club. 52nd. Street. New York. Seleccionado por Luis Escalante Ozalla Sobre el escenario: Maxine Sullivan y Buster Bailey. Posiblemente Frank Newton (tp), John Kirby (b). 1938.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Onyx-Club.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30115,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-goodbye-pork-pie-hat-charles-mingus-1959-101\/","url_meta":{"origin":33791,"position":5},"title":"365 razones para amar el jazz: un tema. \u00abGoodbye Pork Pie Hat\u00bb (Charles Mingus, 1959) [101]","author":"Tomajazz","date":"11 abril, 2017","format":false,"excerpt":"Un tema.\u00a0\"Goodbye Pork Pie Hat\" (Charles Mingus, 1959) Seleccionado por\u00a0Luis Escalante Ozalla. Charles Mingus: Mingus Ah Um (Columbia, 1959) Charles Mingus, Horace Parlan, Dannie Richmond, John Handy, Booker Ervin","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Mingus_Ah_Um_-_Charles_Mingus-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33791"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33791\/revisions"}],"predecessor-version":[{"id":33795,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33791\/revisions\/33795"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33792"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}