{"id":33846,"date":"2017-12-09T12:00:41","date_gmt":"2017-12-09T11:00:41","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33846"},"modified":"2017-12-29T21:33:20","modified_gmt":"2017-12-29T20:33:20","slug":"365-razones-para-amar-el-jazz-un-club-de-jazz-the-five-spot-cafe-343","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-the-five-spot-cafe-343\/","title":{"rendered":"365 razones para amar el jazz: un club de jazz. The Five Spot Caf\u00e9 [343]"},"content":{"rendered":"<p><center><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-33847 aligncenter\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1-600x480.jpg\" alt=\"\" width=\"600\" height=\"480\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1-600x480.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1-200x160.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1-768x615.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1-69x55.jpg 69w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg 1044w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/center><br \/>\nUn club de jazz: <strong>The Five Spot Caf\u00e9<\/strong>. Bowery. New York.<br \/>\nSeleccionado por <strong>Luis Escalante Ozalla<\/strong><br \/>\nSobre el escenario (izd-der): <strong>John Coltrane, Shadow Wilson, Thelonious Monk, Ahmed Abdul Malik<\/strong>. 1957.<br \/>\nFot\u00f3grafo: \u00a9 <strong>Don Schlitten<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un club de jazz: The Five Spot Caf\u00e9. Bowery. New York. Seleccionado por Luis Escalante Ozalla Sobre el escenario (izd-der): John Coltrane, Shadow Wilson, Thelonious Monk, Ahmed Abdul Malik. 1957. Fot\u00f3grafo: \u00a9 Don Schlitten<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-the-five-spot-cafe-343\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33847,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[20169,20599,1870,12816,8181,20598,5083],"class_list":["entry","author-pachi","post-33846","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-ahmed-abdul-malik","tag-don-schlitten","tag-john-coltrane","tag-luis-escalante-ozalla","tag-shadow-wilson","tag-the-five-spot-cafe","tag-thelonious-monk"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32754,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-round-midnight-thelonious-monk-cootie-williams-288\/","url_meta":{"origin":33846,"position":0},"title":"365 razones para amar el jazz: un tema. &#8216;Round Midnight (Thelonious Monk, Cootie Williams) [289]","author":"Tomajazz","date":"16 octubre, 2017","format":false,"excerpt":"Un tema.\u00a0\u00a0\"\u2018Round Midnight\". M\u00fasica: Thelonious Monk & Cootie Williams Seleccionado por\u00a0Luis Escalante Ozalla Thelonious Monk:\u00a0At The Blackhawk\u00a0(Riverside, 1960) Thelonious Monk, John Ore, Billie Higgins, Joe Gordon, Charlie Rouse, Harold Land","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Thelonious_Monk_at_the_Blackhawk.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32375,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-documental-the-sound-of-jazz-267\/","url_meta":{"origin":33846,"position":1},"title":"365 razones para amar el jazz: un documental. The Sound Of Jazz [267]","author":"Tomajazz","date":"24 septiembre, 2017","format":false,"excerpt":"Un documental. The Sound Of Jazz (CBS, 1957) Seleccionado por\u00a0Pachi Tapiz Duraci\u00f3n 54 minutos. Blanco y negro. Con la participaci\u00f3n de Billie Holiday, Jimmy Rushing, Count Basie, Thelonious Monk, Coleman Hawkins, Ben Webster, Lester Young, Jimmy Giuffre, Mal Waldron, Gerry Mulligan, Freddie Green, Jim Hall, Pee Wee Russell, Jim Atlas,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/The_sound_of_jazz_logo.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32805,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-cafe-society-greenwich-village-new-york-291\/","url_meta":{"origin":33846,"position":2},"title":"365 razones para amar el jazz: un club de jazz: Caf\u00e9 Society. Greenwich Village. New York [292]","author":"Tomajazz","date":"19 octubre, 2017","format":false,"excerpt":"Un club de jazz: Caf\u00e9 Society. Greenwich Village. New York. Seleccionado por\u00a0Luis Escalante Ozalla Vocalista sin identificar. 1947.\u00a0Fot\u00f3grafo: Gjon Mili. En este club Billie Holiday cant\u00f3 por primera vez la canci\u00f3n \u201cStrange Fruit\u201d en 1939.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/image001.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/image001.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/image001.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/image001.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":51994,"url":"https:\/\/tomajazz.com\/web\/john-coltrane-ii-la-odisea-de-la-musica-afroamericana-254-podcast-de-jazz\/","url_meta":{"origin":33846,"position":3},"title":"John Coltrane (II). La Odisea de la M\u00fasica Afroamericana (254) [Podcast de Jazz]","author":"Tomajazz","date":"7 septiembre, 2020","format":false,"excerpt":"John Coltrane es el protagonista del cap\u00edtulo 254 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abLa odisea de la m\u00fasica afroamericana\u00bb","block_context":{"text":"La odisea de la m\u00fasica afroamericana","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/la-odisea-de-la-musica-afroamericana\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28894,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-im-old-fashioned-33\/","url_meta":{"origin":33846,"position":4},"title":"365 razones para amar el jazz: un tema. \u00abI&#8217;m Old Fashioned\u00bb [33]","author":"Tomajazz","date":"2 febrero, 2017","format":false,"excerpt":"Un tema.\u00a0\"I'm Old Fashioned\". M\u00fasica: Jerome Kern. Letra: Johnny Mercer. Seleccionado por Luis Escalante Ozalla. John Coltrane:\u00a0Blue Train\u00a0(Blue Note, 1957) John Coltrane, Kenny Drew, Paul Chambers, Philly Joe Jones, Lee Morgan, Curtis Fuller.\u00a0Grabaci\u00f3n septiembre de 1957","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":38613,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-ii-la-odisea-de-la-musica-afroamericana-159-podcast\/","url_meta":{"origin":33846,"position":5},"title":"Thelonious Monk (II). La Odisea de la M\u00fasica Afroamericana (159) [Podcast]","author":"Tomajazz","date":"10 septiembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Con el cap\u00edtulo 159 de\u00a0La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-II.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-II.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-II.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-II.png?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33846"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33846\/revisions"}],"predecessor-version":[{"id":33854,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33846\/revisions\/33854"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33847"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}