{"id":33849,"date":"2017-12-10T12:00:56","date_gmt":"2017-12-10T11:00:56","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=33849"},"modified":"2017-12-29T21:33:20","modified_gmt":"2017-12-29T20:33:20","slug":"365-razones-para-amar-el-jazz-un-disco-the-way-we-play-marquis-hill-344","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-way-we-play-marquis-hill-344\/","title":{"rendered":"365 razones para amar el jazz: un disco. The Way We Play (Marquis Hill) [344]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-33852 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg 900w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco. <strong>Marquis Hill<\/strong>: The Way We Play (Concord, 2016)<\/p>\n<p>Seleccionado por <strong>Juanma Castro Medina<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco. Marquis Hill: The Way We Play (Concord, 2016) Seleccionado por Juanma Castro Medina<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-way-we-play-marquis-hill-344\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":33852,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17859,18155,20689,15517,1038],"tags":[1590,7636,20337],"class_list":["entry","author-pachi","post-33849","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juanma-castro-medina","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-concord","tag-juanma-castro-medina","tag-marquis-hill"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32906,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-trompetista-marquis-hill-298\/","url_meta":{"origin":33849,"position":0},"title":"365 razones para amar el jazz: un trompetista. Marquis Hill [299]","author":"Tomajazz","date":"26 octubre, 2017","format":false,"excerpt":"Un trompetista.\u00a0Marquis Hill Seleccionado por Juanma Castro Medina Fotograf\u00eda promocional \u00a9 Marquis Hill","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/marquis-hill-bio-8.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/marquis-hill-bio-8.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/marquis-hill-bio-8.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/marquis-hill-bio-8.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36660,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-competicion-de-jazz-el-thelonious-monk-international-jazz-competition-423\/","url_meta":{"origin":33849,"position":1},"title":"Razones para el jazz: una competici\u00f3n de jazz. El Thelonious Monk International Jazz Competition [423]","author":"Tomajazz","date":"13 mayo, 2018","format":false,"excerpt":"Una competici\u00f3n de jazz. El Thelonious Monk International Jazz Competition Fundada en 1987 desde el Thelonious Monk Institute of jazz. La competici\u00f3n se\u00a0centra en un instrumento cada a\u00f1o, fruto del cual tenemos ganadores como: Marquis Hill, Melissa\u00a0Aldana, C\u00e9cile McClorin Salvant, Ambrose Akinmusire, Tigran Hamasyan, Gretchen Parlato,\u00a0Seamus Blake y un largo\u2026","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Thelonious-Monk-Institute_logo-200x79.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29261,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-rodney-whitaker-when-we-find-ourselves-alone-54\/","url_meta":{"origin":33849,"position":2},"title":"365 razones para amar el jazz: un disco. Rodney Whitaker: When We Find Ourselves Alone [54]","author":"Tomajazz","date":"23 febrero, 2017","format":false,"excerpt":"Un disco. Rodney Whitaker: WhenWe Find Ourselves Alone (Mack Avenue, 2014) Seleccionado por\u00a0Juanma Castro Medina. Con Rockelle Fortin, Antonio Hart, Bruce Barth, Rodney Whitaker, Greg Hutchinson.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Rodney-Whitaker_When-We-Find-Ourselves-Alone_Mack-Avenue_2014.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29136,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-complete-village-vanguard-recordings-1961-bill-evans-44\/","url_meta":{"origin":33849,"position":3},"title":"365 razones para amar el jazz: un disco. The Complete Village Vanguard Recordings, 1961 (Bill Evans) [44]","author":"Tomajazz","date":"13 febrero, 2017","format":false,"excerpt":"Un disco. The Complete Village Vanguard Recordings, 1961. Bill Evans (Riverside Records, 1961) Seleccionado por\u00a0Juanma Castro Medina. Con Bill Evans, Scott LaFaro, Paul Motian.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29576,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-magnificent-thad-jones-thad-jones-1956-70\/","url_meta":{"origin":33849,"position":4},"title":"365 razones para amar el jazz: un disco. The Magnificent Thad Jones (Thad Jones, 1956) [70]","author":"Tomajazz","date":"11 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Thad Jones:\u00a0The Magnificent Thad Jones\u00a0(Blue Note, 1956) Seleccionado por\u00a0Juanma Castro Medina. Con Thad Jones, Billy Mitchell, Barry Harris, Percy Heath, Max Roach.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30999,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-alive-at-the-village-vanguard-richie-cole-167\/","url_meta":{"origin":33849,"position":5},"title":"365 razones para amar el jazz: un disco: Alive! At The Village Vanguard (Richie Cole) [167]","author":"Tomajazz","date":"16 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Richie Cole:\u00a0Alive! At The Village Vanguard\u00a0(Muse, 1982) Seleccionado por\u00a0Juanma Castro Medina Con Richie Cole, Bobby Enriquez, Bruce Forman, Marshall Hawkins, Scott Morris","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Richie-Cole_Alive-At-The-Village-Vanguard_Muse_1982.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=33849"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33849\/revisions"}],"predecessor-version":[{"id":33853,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/33849\/revisions\/33853"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/33852"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=33849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=33849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=33849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}