{"id":34280,"date":"2017-12-30T12:00:58","date_gmt":"2017-12-30T11:00:58","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=34280"},"modified":"2017-12-29T20:39:45","modified_gmt":"2017-12-29T19:39:45","slug":"365-razones-para-amar-el-jazz-duke-ellington-364","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-duke-ellington-364\/","title":{"rendered":"365 razones para amar el jazz: Duke Ellington [364]"},"content":{"rendered":"<p><center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-26387\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks-476x600.jpg\" alt=\"\" width=\"476\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks-476x600.jpg 476w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks-119x150.jpg 119w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks-200x252.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks-44x55.jpg 44w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks.jpg 595w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><\/center><\/p>\n<p>Por toda su inmensa trayectoria en el jazz: <strong>Duke Ellington<\/strong>.<\/p>\n<p>Seleccionado por\u00a0<strong>Kuto<\/strong><\/p>\n<p>Ilustra la entrada una instant\u00e1nea de Duke Ellington en Hurricane Club, 1943. Fotograf\u00eda por Gordon Parks<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por toda su inmensa trayectoria en el jazz: Duke Ellington. Seleccionado por\u00a0Kuto Ilustra la entrada una instant\u00e1nea de Duke Ellington en Hurricane Club, 1943. Fotograf\u00eda por Gordon Parks<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-duke-ellington-364\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14053,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,18155,20689,15517,1038],"tags":[6637,17298,37],"class_list":["entry","author-pachi","post-34280","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-duke-ellington","tag-gordon-parks","tag-kuto"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2006\/12\/696px-Duke_Ellington_-_publicity.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":26386,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-i-la-odisea-de-la-musica-afroamericana-064-podcast\/","url_meta":{"origin":34280,"position":0},"title":"Duke Ellington (I). La Odisea de la M\u00fasica Afroamericana (064) [Podcast]","author":"Tomajazz","date":"19 septiembre, 2016","format":false,"excerpt":"El programa n\u00famero 64 de La Odisea de La M\u00fasica Afroamericana es el primero dedicado a Duke Ellington, un m\u00fasico que ya hab\u00eda sido mencionado numerosas veces con anterioridad en el programa de Luis Escalante. Los inicios de la carrera de Ellington, el sonido jungle y una revisi\u00f3n de distintas\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":26691,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-iii-la-odisea-de-la-musica-afroamericana-066-podcast\/","url_meta":{"origin":34280,"position":1},"title":"Duke Ellington (III). La Odisea de la M\u00fasica Afroamericana (066) [Podcast]","author":"Tomajazz","date":"3 octubre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. La entrega\u00a0n\u00famero\u00a066 de La Odisea de la M\u00fasica Afroamericana, es la tercera dedicada a Duke Ellington. Luis Escalante\u00a0contin\u00faa repasando su\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_-_Hurricane_Ballroom_-_Duke_directing_2_Gordon-Parks.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_-_Hurricane_Ballroom_-_Duke_directing_2_Gordon-Parks.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_-_Hurricane_Ballroom_-_Duke_directing_2_Gordon-Parks.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100194,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-at-monterey-2025\/","url_meta":{"origin":34280,"position":2},"title":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) de Charles Mingus se ha reeditado en distintos formatos, incluyendo la de doble LP. Pachi Tapiz repasa la grabaci\u00f3n. Actuaron Charles Mingus, Jaki Byard, Dannie Richmond, Charles McPherson, John Handy III, Jack Nimitz, Buddy Collette, Lonnie Hillyer, Bobby Bryant, Melvin Moore, Lou\u2026","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29968,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-such-sweet-thunder-duke-ellington-1957-90\/","url_meta":{"origin":34280,"position":3},"title":"365 razones para amar el jazz: un disco. 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La Odisea de la M\u00fasica Afroamericana (065) [Podcast]","author":"Tomajazz","date":"26 septiembre, 2016","format":false,"excerpt":"Segunda entrega, la n\u00famero 65 de La Odisea de la M\u00fasica Afroamericana, dedicada a Duke Ellington. Luis Escalante contin\u00faa repasando su carrera, que est\u00e1 dedicada a sus etapas jungle y Strayhorn.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_-_Hurricane_Ballroom_-_Duke_directing_1_Gordon-Parks.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30863,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-prelude-to-a-kiss-duke-ellington-159\/","url_meta":{"origin":34280,"position":5},"title":"365 razones para amar el jazz: un tema. Prelude to a Kiss (Duke Ellington) [159]","author":"Tomajazz","date":"8 junio, 2017","format":false,"excerpt":"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Un tema. \"Prelude to a Kiss\" (Duke Ellington, 1939) Seleccionado por\u00a0Luis Escalante Ozalla \u00a0 Duke Ellington Orchestra. Duke Ellington, Jimmy Woode, Sam Woodyard, Cat Anderson, Shorty Baker, Willie Cook, Clark Terry, Ray Nance, Quentin Jackson, Britt Woodman, John Sanders, Johnny Hodges, Rick Henderson, Jimmy\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Duke_Ellington_Indigos_CD-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=34280"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34280\/revisions"}],"predecessor-version":[{"id":34285,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34280\/revisions\/34285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/14053"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=34280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=34280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=34280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}