{"id":34474,"date":"2018-01-07T12:00:34","date_gmt":"2018-01-07T11:00:34","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=34474"},"modified":"2022-09-24T19:31:45","modified_gmt":"2022-09-24T17:31:45","slug":"razones-para-el-jazz-apollo-theater-369","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-apollo-theater-369\/","title":{"rendered":"Razones para el jazz: Apollo Theater  [369]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-34475 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/clark-terry-rudolph-terry-apollo-theater-200x201.jpg\" alt=\"\" width=\"200\" height=\"201\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/clark-terry-rudolph-terry-apollo-theater-200x201.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/clark-terry-rudolph-terry-apollo-theater-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/clark-terry-rudolph-terry-apollo-theater-768x773.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/clark-terry-rudolph-terry-apollo-theater-596x600.jpg 596w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/clark-terry-rudolph-terry-apollo-theater-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/clark-terry-rudolph-terry-apollo-theater-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/clark-terry-rudolph-terry-apollo-theater.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un teatro: <strong>Apollo Theater<\/strong>, Harlem, New York.<\/p>\n<p>Seleccionado por\u00a0<strong>Luis Escalante Ozalla<\/strong><\/p>\n<p>Fotograf\u00eda con Duke Ellington &amp; Band en la marquesina del teatro Apollo. Andando Clark Terry y su hijo Rudolph. Autor: G. Marshall Wilson, 1955<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un teatro: Apollo Theater, Harlem, New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda con Duke Ellington &amp; Band en la marquesina del teatro Apollo. Andando Clark Terry y su hijo Rudolph. Autor: G. Marshall Wilson, 1955<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-apollo-theater-369\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":34475,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,20689,15517,1038],"tags":[6845,20708,12816],"class_list":["entry","author-pachi","post-34474","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-razones-para-el-jazz","category-textos","category-contenidos","tag-clark-terry","tag-g-marshall-wilson","tag-luis-escalante-ozalla"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/clark-terry-rudolph-terry-apollo-theater.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":24586,"url":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-iii-teatro-apollo-connies-inn-harlem-opera-house-la-odisea-de-la-musica-afroamericana-051-podcast\/","url_meta":{"origin":34474,"position":0},"title":"Lugares m\u00edticos en la historia del jazz (III): Teatro Apollo, Connie&#8217;s Inn, Harlem Opera House&#8230; La Odisea de la M\u00fasica Afroamericana (051) [Podcast]","author":"Tomajazz","date":"23 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 51 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a lugares m\u00edticos del jazz tras los programas dedicados al Savoy y al Cotton Club y Harlem. El Teatro Apollo, Connie\u2019s Inn, Harlem Opera House, Barron Wilkin\u2019s, Mexico\u2019s o Monette Moore\u2019s Place son\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30863,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-prelude-to-a-kiss-duke-ellington-159\/","url_meta":{"origin":34474,"position":1},"title":"365 razones para amar el jazz: un tema. Prelude to a Kiss (Duke Ellington) [159]","author":"Tomajazz","date":"8 junio, 2017","format":false,"excerpt":"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Un tema. \"Prelude to a Kiss\" (Duke Ellington, 1939) Seleccionado por\u00a0Luis Escalante Ozalla \u00a0 Duke Ellington Orchestra. Duke Ellington, Jimmy Woode, Sam Woodyard, Cat Anderson, Shorty Baker, Willie Cook, Clark Terry, Ray Nance, Quentin Jackson, Britt Woodman, John Sanders, Johnny Hodges, Rick Henderson, Jimmy\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Duke_Ellington_Indigos_CD-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":44182,"url":"https:\/\/tomajazz.com\/web\/oscar-peterson-iii-la-odisea-de-la-musica-afroamericana-199-podcast\/","url_meta":{"origin":34474,"position":2},"title":"Oscar Peterson (III). La Odisea de la M\u00fasica Afroamericana (199) [Podcast]","author":"Tomajazz","date":"8 julio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 199 de La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/Oscar-Peterson-Dizzy-Gillespie.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":51042,"url":"https:\/\/tomajazz.com\/web\/miles-davis-i-la-odisea-de-la-musica-afroamericana-245-podcast-de-jazz\/","url_meta":{"origin":34474,"position":3},"title":"Miles Davis (I). La Odisea de la M\u00fasica Afroamericana (245) [Podcast de Jazz]","author":"Tomajazz","date":"7 julio, 2020","format":false,"excerpt":"Miles Davis es el protagonista de la entrega 245 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Cookin.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":33846,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-club-de-jazz-the-five-spot-cafe-343\/","url_meta":{"origin":34474,"position":4},"title":"365 razones para amar el jazz: un club de jazz. The Five Spot Caf\u00e9 [343]","author":"Tomajazz","date":"9 diciembre, 2017","format":false,"excerpt":"Un club de jazz: The Five Spot Caf\u00e9. Bowery. New York. Seleccionado por Luis Escalante Ozalla Sobre el escenario (izd-der): John Coltrane, Shadow Wilson, Thelonious Monk, Ahmed Abdul Malik. 1957. Fot\u00f3grafo: \u00a9 Don Schlitten","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/image001-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":27975,"url":"https:\/\/tomajazz.com\/web\/benny-carter-ii-lee-wiley-la-odisea-de-la-musica-afroamericana-075-podcast\/","url_meta":{"origin":34474,"position":5},"title":"Benny Carter (II) &#8211; Lee Wiley. La Odisea de la M\u00fasica Afroamericana (075) [Podcast]","author":"Tomajazz","date":"5 diciembre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Doble protagonismo en la entrega 75 de La Odisea de la M\u00fasica Afroamericana. Luis Escalante termina el repaso de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"benny_carter_apollo_theater_1946_photo-by-william-p-gottlieb","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Benny_Carter_Apollo_Theater_1946_Photo-by-William-P.-Gottlieb.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=34474"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34474\/revisions"}],"predecessor-version":[{"id":34476,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34474\/revisions\/34476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/34475"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=34474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=34474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=34474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}