{"id":34557,"date":"2018-01-14T12:00:01","date_gmt":"2018-01-14T11:00:01","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=34557"},"modified":"2022-09-24T19:08:58","modified_gmt":"2022-09-24T17:08:58","slug":"razones-para-el-jazz-un-fotografo-francis-wolff-372","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-fotografo-francis-wolff-372\/","title":{"rendered":"Razones para el jazz: un fot\u00f3grafo. Francis Wolff [372]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-34558 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Alfred-Lion-Francis-Wolff-200x156.jpg\" alt=\"\" width=\"200\" height=\"156\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Alfred-Lion-Francis-Wolff-200x156.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Alfred-Lion-Francis-Wolff-768x599.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Alfred-Lion-Francis-Wolff-600x468.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Alfred-Lion-Francis-Wolff-71x55.jpg 71w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Alfred-Lion-Francis-Wolff.jpg 1280w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un fot\u00f3grafo de jazz:\u00a0<strong>Francis Wolff<\/strong><\/p>\n<p>Seleccionado por\u00a0<strong>Pachi Tapiz<\/strong><\/p>\n<p>En la fotograf\u00eda Alfred Lion (izquierda) y Francis Wolff (derecha). Fotograf\u00eda por Michael Ochs<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un fot\u00f3grafo de jazz:\u00a0Francis Wolff Seleccionado por\u00a0Pachi Tapiz En la fotograf\u00eda Alfred Lion (izquierda) y Francis Wolff (derecha). Fotograf\u00eda por Michael Ochs<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-fotografo-francis-wolff-372\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":34558,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,20689,15517,1038],"tags":[12828,12829,31],"class_list":["entry","author-pachi","post-34557","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-alfred-lion","tag-francis-wolff","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Alfred-Lion-Francis-Wolff.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":18293,"url":"https:\/\/tomajazz.com\/web\/richard-havers-blue-note-uncompromising-expression-blume-2014-libro\/","url_meta":{"origin":34557,"position":0},"title":"Richard Havers: Blue Note. 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En esta ocasi\u00f3n no est\u00e1, como suele ser habitual, con su c\u00e1mara en ristre, sino ante un proyector, disertando sobre la fotograf\u00eda en el jazz, o como muy bien lo titul\u00f3, sobre c\u00f3mo pintar el jazz con luz. 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