{"id":34666,"date":"2018-01-21T12:00:36","date_gmt":"2018-01-21T11:00:36","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=34666"},"modified":"2022-09-24T19:03:09","modified_gmt":"2022-09-24T17:03:09","slug":"razones-para-el-jazz-un-concierto-dexter-gordon-el-johnny-madrid-1982-375","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-concierto-dexter-gordon-el-johnny-madrid-1982-375\/","title":{"rendered":"Razones para el jazz: un concierto. Dexter Gordon (El \u00abJohnny\u00bb, Madrid. 1982) [375]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-34667 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Concierto-Dexter-Gordon-1982-400x600-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Concierto-Dexter-Gordon-1982-400x600-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Concierto-Dexter-Gordon-1982-400x600.jpg 400w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Concierto-Dexter-Gordon-1982-400x600-37x55.jpg 37w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un concierto. <strong>Dexter Gordon Quartet<\/strong> (CMU San Juan Evangelista, Madrid. 1982-04-23)<\/p>\n<p>Seleccionado por <strong>Enrique Farelo<\/strong><\/p>\n<p>Dexter Gordon Quartet:<\/p>\n<ul>\n<li>Dexter Gordon: saxo tenor<\/li>\n<li>Kirk Lightsey: piano<\/li>\n<li>David Eubanks: contrabajo<\/li>\n<li>Eddie Gladden: bater\u00eda<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un concierto. Dexter Gordon Quartet (CMU San Juan Evangelista, Madrid. 1982-04-23) Seleccionado por Enrique Farelo Dexter Gordon Quartet: Dexter Gordon: saxo tenor Kirk Lightsey: piano David Eubanks: contrabajo Eddie Gladden: bater\u00eda &nbsp;<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-concierto-dexter-gordon-el-johnny-madrid-1982-375\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":34667,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,20689,15517,1038],"tags":[20750,7021,20748,20751,304,20749],"class_list":["entry","author-pachi","post-34666","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-razones-para-el-jazz","category-textos","category-contenidos","tag-david-eubanks","tag-dexter-gordon","tag-dexter-gordon-quartet","tag-eddie-gladden","tag-enrique-farelo","tag-kirk-lightsey"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Concierto-Dexter-Gordon-1982-400x600.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":101638,"url":"https:\/\/tomajazz.com\/web\/dexter-gordon-more-than-you-know-2025\/","url_meta":{"origin":34666,"position":0},"title":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon, Kirk Lightsey, David Eubanks, Edward Gladden","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon,  Kirk Lightsey (piano); David Eubanks (contrabajo); Edward Gladden","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":35865,"url":"https:\/\/tomajazz.com\/web\/mas-razones-para-el-jazz-un-discazo-go-dexter-gordon-407\/","url_meta":{"origin":34666,"position":1},"title":"M\u00e1s razones para el jazz: un discazo. Go (Dexter Gordon) [408]","author":"Tomajazz","date":"8 abril, 2018","format":false,"excerpt":"Un discazo.\u00a0Dexter Gordon:\u00a0Go\u00a0(Blue Note, 1962) Seleccionado por\u00a0Kuto Con Dexter Gordon, Sonny Clark, Butch Warren, Billy Higgins","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Dexter-Gordon_Go-200x197.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":34669,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-go-dexter-gordon-374\/","url_meta":{"origin":34666,"position":2},"title":"Razones para el jazz: un disco. Go (Dexter Gordon) [374]","author":"Tomajazz","date":"20 enero, 2018","format":false,"excerpt":"Un disco.\u00a0Dexter Gordon:\u00a0Go\u00a0(Blue Note, 1962) Seleccionado por\u00a0Arturo Mora Rioja","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Dexter-Gordon_Go.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Dexter-Gordon_Go.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Dexter-Gordon_Go.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":67724,"url":"https:\/\/tomajazz.com\/web\/maxine-gordon-dexter-gordon-biografia-2022\/","url_meta":{"origin":34666,"position":3},"title":"Maxine Gordon: Dexter Gordon (Turner Noema, 2022) Por Pachi Tapiz [Libro de jazz]","author":"Tomajazz","date":"24 octubre, 2022","format":false,"excerpt":"Pachi Tapiz repasa Dexter Gordon (Turner Noema, 2022), la biograf\u00eda del saxofonista escrita por Maxine Gordon.","rel":"","context":"En \u00abLibros...\u00bb","block_context":{"text":"Libros...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/libros\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Maxine-Gordon-Dexter-Gordon-Turner-Noema-2022WEB.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":34945,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-portada-dexter-calling-380\/","url_meta":{"origin":34666,"position":4},"title":"Razones para el jazz: una portada. 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Fotograf\u00eda por Francis Wolff Seleccionado por\u00a0Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dexter-Gordon_Dexter-Calling....jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dexter-Gordon_Dexter-Calling....jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dexter-Gordon_Dexter-Calling....jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":41225,"url":"https:\/\/tomajazz.com\/web\/dexter-gordon-ii-la-odisea-de-la-musica-afroamericana-178-podcast\/","url_meta":{"origin":34666,"position":5},"title":"Dexter Gordon (II). La Odisea de la M\u00fasica Afroamericana (178) [Podcast]","author":"Tomajazz","date":"21 enero, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 178 de\u00a0La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Dexter-Gordon_Stable-Mates.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Dexter-Gordon_Stable-Mates.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Dexter-Gordon_Stable-Mates.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=34666"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34666\/revisions"}],"predecessor-version":[{"id":34668,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34666\/revisions\/34668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/34667"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=34666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=34666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=34666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}