{"id":34669,"date":"2018-01-20T12:00:44","date_gmt":"2018-01-20T11:00:44","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=34669"},"modified":"2022-09-24T19:03:19","modified_gmt":"2022-09-24T17:03:19","slug":"razones-para-el-jazz-un-disco-go-dexter-gordon-374","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-go-dexter-gordon-374\/","title":{"rendered":"Razones para el jazz: un disco. Go (Dexter Gordon) [374]"},"content":{"rendered":"

\"\"Un disco.\u00a0Dexter Gordon<\/strong>:\u00a0Go\u00a0<\/em>(Blue Note, 1962)<\/p>\n

Seleccionado por\u00a0Arturo Mora Rioja<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Un disco.\u00a0Dexter Gordon:\u00a0Go\u00a0(Blue Note, 1962) Seleccionado por\u00a0Arturo Mora RiojaContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":34670,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,20689,15517,1038],"tags":[260,1487,7021],"class_list":["entry","author-pachi","post-34669","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-razones-para-el-jazz","category-textos","category-contenidos","tag-arturo-mora-rioja","tag-blue-note","tag-dexter-gordon"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Dexter-Gordon_Go.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":35865,"url":"https:\/\/tomajazz.com\/web\/mas-razones-para-el-jazz-un-discazo-go-dexter-gordon-407\/","url_meta":{"origin":34669,"position":0},"title":"M\u00e1s razones para el jazz: un discazo. Go (Dexter Gordon) [408]","author":"Tomajazz","date":"8 abril, 2018","format":false,"excerpt":"Un discazo.\u00a0Dexter Gordon:\u00a0Go\u00a0(Blue Note, 1962) Seleccionado por\u00a0Kuto Con Dexter Gordon, Sonny Clark, Butch Warren, Billy Higgins","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Dexter-Gordon_Go-200x197.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":101638,"url":"https:\/\/tomajazz.com\/web\/dexter-gordon-more-than-you-know-2025\/","url_meta":{"origin":34669,"position":1},"title":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon, Kirk Lightsey, David Eubanks, Edward Gladden","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon, Kirk Lightsey (piano); David Eubanks (contrabajo); Edward Gladden","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":34945,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-portada-dexter-calling-380\/","url_meta":{"origin":34669,"position":2},"title":"Razones para el jazz: una portada. Dexter Calling [380]","author":"Tomajazz","date":"3 febrero, 2018","format":false,"excerpt":"Una portada.\u00a0Dexter Gordon:\u00a0Dexter Calling (Blue Note, 1961). Fotograf\u00eda por Francis Wolff Seleccionado por\u00a0Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dexter-Gordon_Dexter-Calling....jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dexter-Gordon_Dexter-Calling....jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dexter-Gordon_Dexter-Calling....jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":13547,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-our-man-in-paris-dexter-gordon-1963\/","url_meta":{"origin":34669,"position":3},"title":"Tomajazz recomienda\u2026 un CD: Our Man in Paris (Dexter Gordon, 1963)","author":"Adolphus van Tenzing","date":"1 diciembre, 2014","format":false,"excerpt":"La interpretaci\u00f3n de Dexter Gordon en la pel\u00edcula Round Midnight fue tan extraordinaria que le nominaron al Oscar. A\u00fan as\u00ed ser\u00eda una pena que se le recordara m\u00e1s por su ocasional faceta de actor que por la de m\u00fasico. De muestra un bot\u00f3n: este Our Man in Paris es toda\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dexter Gordon :: OUR MAN IN PARIS","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":33167,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-live-at-the-montmartre-jazzhus-dexter-gordon-312\/","url_meta":{"origin":34669,"position":4},"title":"365 razones para amar el jazz: un disco. 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Dexter Gordon (El \u00abJohnny\u00bb, Madrid. 1982) [375]","author":"Tomajazz","date":"21 enero, 2018","format":false,"excerpt":"Un concierto. Dexter Gordon Quartet (CMU San Juan Evangelista, Madrid. 1982-04-23) Seleccionado por Enrique Farelo Dexter Gordon Quartet: Dexter Gordon: saxo tenor Kirk Lightsey: piano David Eubanks: contrabajo Eddie Gladden: bater\u00eda \u00a0","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Concierto-Dexter-Gordon-1982-400x600.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=34669"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34669\/revisions"}],"predecessor-version":[{"id":34671,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34669\/revisions\/34671"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/34670"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=34669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=34669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=34669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}