{"id":34926,"date":"2018-02-02T18:00:47","date_gmt":"2018-02-02T17:00:47","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=34926"},"modified":"2022-09-24T18:46:33","modified_gmt":"2022-09-24T16:46:33","slug":"hdo-365-una-hora-con-jimmy-raney-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-365-una-hora-con-jimmy-raney-podcast\/","title":{"rendered":"HDO 365. Una hora con&#8230; Jimmy Raney [Podcast]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-34927 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_A-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_A-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_A-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_A-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_A-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_A.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-34928 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_featuring-Bob-Brookmeyer-200x196.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_featuring-Bob-Brookmeyer-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_featuring-Bob-Brookmeyer-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_featuring-Bob-Brookmeyer-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>Para muchos expertos\u00a0<strong>Jimmy Raney<\/strong> es uno de los mejores guitarristas de la historia del jazz. Al hilo del art\u00edculo de <strong>Marcos Pin<\/strong>,\u00a0<a href=\"https:\/\/tomajazz.com\/web\/?p=32839\" target=\"_blank\" rel=\"noopener\"><em>El romance musical entre Raney y Brookmeyer<\/em><\/a>, en HDO la entrega 365 est\u00e1 dedicada a una hora de m\u00fasica de este gigante de las seis cuerdas con temas recogidos en las grabaciones <em>A<\/em> (1955), y <em>Featuring Bob Brookmeyer<\/em> (1956).<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 <strong>Pachi Tapiz<\/strong>, 2018<\/p>\n<p>HDO es un podcast editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id='audio_23504249' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_23504249_4_1.html?c1=ff6600\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Para muchos expertos\u00a0Jimmy Raney es uno de los mejores guitarristas de la historia del jazz. Al hilo del art\u00edculo de Marcos Pin,\u00a0El romance musical entre Raney y Brookmeyer, en HDO la entrega 365 est\u00e1 dedicada a una hora de m\u00fasica de este gigante de las seis cuerdas con temas recogidos<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-365-una-hora-con-jimmy-raney-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":34928,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,13298,12814,15518,1038,19730],"tags":[8243,31],"class_list":["entry","author-pachi","post-34926","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-hablando-de-oidas-hdo","category-podcast","category-sonidos","category-contenidos","category-una-hora-con","tag-jimmy-raney","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney_featuring-Bob-Brookmeyer.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":35086,"url":"https:\/\/tomajazz.com\/web\/hdo-368-una-hora-con-jimmy-raney-ii-podcast\/","url_meta":{"origin":34926,"position":0},"title":"HDO 368. Una hora con\u2026 Jimmy Raney (II) [Podcast]","author":"Tomajazz","date":"9 febrero, 2018","format":false,"excerpt":"Nueva entrega en HDO de los especiales \"Una hora con...\". El segundo programa dedicado al guitarrista Jimmy Raney (el primero fue HDO 365), est\u00e1 dedicado a dos grabaciones de este gigante de las seis cuerdas: Jimmy Raney Visits Paris (1954), y Two Guitars (de 1957, obra coliderada por Raney y\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney-Visits-Paris.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney-Visits-Paris.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Jimmy-Raney-Visits-Paris.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29367,"url":"https:\/\/tomajazz.com\/web\/hdo-240-especial-stan-getz-i-the-roost-recordings\/","url_meta":{"origin":34926,"position":1},"title":"HDO 240. Especial Stan Getz (I): The Roost Recordings","author":"Tomajazz","date":"18 febrero, 2017","format":false,"excerpt":"La edici\u00f3n 240 de HDO\u00a0del 18 de febrero de 2017, es la correspondiente al primero de los programas sabatinos especiales dedicados al saxofonista Stan Getz. El programa se centra en parte de sus grabaciones para el sello Roost, realizadas entre 1950 y 1952, y registradas tanto en estudio como en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Stan-Getz_Yesterdays_Roost_1951-200x206.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":32839,"url":"https:\/\/tomajazz.com\/web\/el-romance-musical-entre-raney-y-brookmeyer-articulo\/","url_meta":{"origin":34926,"position":2},"title":"El romance musical entre Raney y Brookmeyer [Art\u00edculo]","author":"Marcos Pin","date":"30 octubre, 2017","format":false,"excerpt":"\u00a0 \u00a0 \u00a0 Conclu\u00eda mi \u00faltimo (y primer) art\u00edculo recomendando y animando a la escucha del muchas veces desapercibido Tal Farlow y quisiera comenzar esta segunda entrega mensual para la revista haciendo lo propio con otro genial guitarrista (un poco si se me ve el plumero, \u00bfverdad...?) Jimmy Raney (James\u2026","rel":"","context":"En \u00ab*_Marcos Pin\u00bb","block_context":{"text":"*_Marcos Pin","link":"https:\/\/tomajazz.com\/web\/category\/_marcos-pin\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Jimmy-Raney-featuring-Bob-Brookmeyer.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Jimmy-Raney-featuring-Bob-Brookmeyer.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Jimmy-Raney-featuring-Bob-Brookmeyer.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":62736,"url":"https:\/\/tomajazz.com\/web\/hoe-down-oliver-nelson-full-nelson-verve-1963-por-pachi-tapiz-jazzx5-478-minipodcast-de-jazz\/","url_meta":{"origin":34926,"position":3},"title":"\u00abHoe Down\u00bb [Oliver Nelson: Full Nelson (Verve, 1963)] Por Pachi Tapiz. JazzX5 #478 [Minipodcast de jazz]","author":"Tomajazz","date":"9 abril, 2022","format":false,"excerpt":"En JazzX5 (edici\u00f3n fin de semana), suena el tema \"Hoe Down\" de Oliver Nelson que aparec\u00eda en Full Nelson (Verve, 1963), y que no hay que confundir con el que aparec\u00eda en The Blues And The Abstract Truth (Impulse!, 1961). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"\"Hoe Down\" [Oliver Nelson: Full Nelson (Verve, 1963)] Por Pachi Tapiz. JazzX5 #478 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0478.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0478.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0478.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0478.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":67691,"url":"https:\/\/tomajazz.com\/web\/candid-records-2-hdo-551\/","url_meta":{"origin":34926,"position":4},"title":"Candid Records #2: reeditando joyas. Por Pachi Tapiz. HDO 551 [Podcast]","author":"Tomajazz","date":"25 octubre, 2022","format":false,"excerpt":"En HDO 551 escuchamos diez temas, dos por cada una de las grabaciones del segundo lote de reediciones del cat\u00e1logo hist\u00f3rico de Candid Records con discos liderados por Cecil Taylor, Pee Wee Russell - Coleman Hawkins, Clark Terry, Booker Ervin y Booker Little.\u00a0 HDO es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abHDO\u00bb","block_context":{"text":"HDO","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/hablando-de-oidas-hdo\/"},"img":{"alt_text":"Candid Records #2: reeditando joyas. Por Pachi Tapiz. HDO 551 [Podcast]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32363,"url":"https:\/\/tomajazz.com\/web\/hdo-314-una-hora-con-jimmy-rushing-podcast\/","url_meta":{"origin":34926,"position":5},"title":"HDO 314. Una hora con&#8230; Jimmy Rushing [Podcast]","author":"Tomajazz","date":"23 septiembre, 2017","format":false,"excerpt":"Cuatro grabaciones de\/con\u00a0Jimmy Rushing\u00a0entre 1959 y 1961 suenan en la entrega 314 de\u00a0HDO:\u00a0Rushing Lullabies (1959), Jimmy Rushing And The Smith Girls - Bessie - Clara - Mamie & Trixie (The Songs They Made Famous) (1960), The Dave Brubeck Quartet Featuring Jimmy Rushing - Brubeck & Rushing (1960), y\u00a0Basie's Basement\u00a0(1959). Como\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Count-Basie-Orchestra-and-Jimmy-Rushing_Basies-Basement-200x197.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=34926"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34926\/revisions"}],"predecessor-version":[{"id":34932,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/34926\/revisions\/34932"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/34928"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=34926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=34926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=34926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}