{"id":35198,"date":"2018-02-20T11:11:33","date_gmt":"2018-02-20T10:11:33","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=35198"},"modified":"2022-09-24T18:15:32","modified_gmt":"2022-09-24T16:15:32","slug":"hdo-372-nobusiness-records-novedades-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-372-nobusiness-records-novedades-podcast\/","title":{"rendered":"HDO 372. NoBusiness Records: novedades [Podcast]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-35199 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Martin-Blume-Tobias-Delius-Achim-Kaufmann-Dieter-Manderscheid_NoBusiness-Records_2018-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Martin-Blume-Tobias-Delius-Achim-Kaufmann-Dieter-Manderscheid_NoBusiness-Records_2018-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Martin-Blume-Tobias-Delius-Achim-Kaufmann-Dieter-Manderscheid_NoBusiness-Records_2018-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Martin-Blume-Tobias-Delius-Achim-Kaufmann-Dieter-Manderscheid_NoBusiness-Records_2018-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Martin-Blume-Tobias-Delius-Achim-Kaufmann-Dieter-Manderscheid_NoBusiness-Records_2018-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Martin-Blume-Tobias-Delius-Achim-Kaufmann-Dieter-Manderscheid_NoBusiness-Records_2018-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Martin-Blume-Tobias-Delius-Achim-Kaufmann-Dieter-Manderscheid_NoBusiness-Records_2018-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Martin-Blume-Tobias-Delius-Achim-Kaufmann-Dieter-Manderscheid_NoBusiness-Records_2018.jpg 2000w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-35200 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Kang-Tae-Hwan_Live-At-Cafe-Amores_NoBusiness-Records_2018-200x201.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Kang-Tae-Hwan_Live-At-Cafe-Amores_NoBusiness-Records_2018-200x201.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Kang-Tae-Hwan_Live-At-Cafe-Amores_NoBusiness-Records_2018-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Kang-Tae-Hwan_Live-At-Cafe-Amores_NoBusiness-Records_2018-768x771.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Kang-Tae-Hwan_Live-At-Cafe-Amores_NoBusiness-Records_2018-597x600.jpg 597w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Kang-Tae-Hwan_Live-At-Cafe-Amores_NoBusiness-Records_2018-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Kang-Tae-Hwan_Live-At-Cafe-Amores_NoBusiness-Records_2018-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Kang-Tae-Hwan_Live-At-Cafe-Amores_NoBusiness-Records_2018.jpg 1347w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-35201 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018-200x198.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-35202 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Barre-Phillips-Motoharu-Yoshizawa_oh-my-those-boys_Nobusiness-records_2018-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Barre-Phillips-Motoharu-Yoshizawa_oh-my-those-boys_Nobusiness-records_2018-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Barre-Phillips-Motoharu-Yoshizawa_oh-my-those-boys_Nobusiness-records_2018-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Barre-Phillips-Motoharu-Yoshizawa_oh-my-those-boys_Nobusiness-records_2018-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Barre-Phillips-Motoharu-Yoshizawa_oh-my-those-boys_Nobusiness-records_2018-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Barre-Phillips-Motoharu-Yoshizawa_oh-my-those-boys_Nobusiness-records_2018-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Barre-Phillips-Motoharu-Yoshizawa_oh-my-those-boys_Nobusiness-records_2018-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Barre-Phillips-Motoharu-Yoshizawa_oh-my-those-boys_Nobusiness-records_2018.jpg 2000w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>En HDO 370 suenan las cuatro \u00faltimas grabaciones publicadas por el sello lituano <strong>NoBusiness Records<\/strong>. <em>Oostum<\/em> de <strong>Gerry Hemingway<\/strong> &#8211; <strong>Samuel Blaser<\/strong>; <em>Live At Caf\u00e9 Amores<\/em> de <strong>Kang Tae Hwan<\/strong>; <em>Oh My, Those Boys!<\/em> de <strong>Barre Philips &#8211; Motoharu Yoshizawa<\/strong>; y <em>Frames &amp; Terrains<\/em> de <strong>Martin Blume &#8211; Tobias Delius &#8211; Achim Kaufmann &#8211; Dieter Manderscheid<\/strong>.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 Pachi Tapiz, 2018<\/p>\n<p>HDO es un podcast editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id='audio_23812689' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_23812689_4_1.html?c1=ff6600\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En HDO 370 suenan las cuatro \u00faltimas grabaciones publicadas por el sello lituano NoBusiness Records. Oostum de Gerry Hemingway &#8211; Samuel Blaser; Live At Caf\u00e9 Amores de Kang Tae Hwan; Oh My, Those Boys! de Barre Philips &#8211; Motoharu Yoshizawa; y Frames &amp; Terrains de Martin Blume &#8211; Tobias Delius<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-372-nobusiness-records-novedades-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35201,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,20041,12814,15518,1038],"tags":[8149,20921,20924,60,20919,20920,12052,20923,20922,2054,31,6834,8148],"class_list":["entry","author-pachi","post-35198","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-hdo-t04-2017-18","category-podcast","category-sonidos","category-contenidos","tag-achim-kaufmann","tag-barre-philips","tag-dieter-manderscheid","tag-gerry-hemingway","tag-gerry-hemingway-samuel-blaser","tag-kang-tae-hwan","tag-martin-blume","tag-martin-blume-tobias-delius-achim-kaufmann-dieter-manderscheid","tag-motoharu-yoshizawa","tag-nobusiness-records","tag-pachi-tapiz","tag-samuel-blaser","tag-tobias-delius"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Gerry-Hemingway-Samuel-Blaser_Oostum_NoBusiness-Records_2018.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":22675,"url":"https:\/\/tomajazz.com\/web\/improvisa-a-dos-i-rodriguez-rodeiro-oberg-eberhard-jun-y-gor-ullmann-kaufmann-cappozzo-lasserre-hdo-0087-podcast\/","url_meta":{"origin":35198,"position":0},"title":"Improvisa a dos II: Rodr\u00edguez \u2013 Rodeiro \/ Oberg \u2013 Eberhard \/ Jun y Gor \/ Ullmann \u2013 Kaufmann \/ Cappozzo &#8211; Lasserre. HDO 0087 [Podcast]","author":"Tomajazz","date":"19 marzo, 2016","format":false,"excerpt":"Cinco propuestas m\u00e1s en formato de d\u00fao en la segunda parte del especial Improvisa a dos. El saxofonista I\u00f1aki Rodr\u00edguez y el baterista Hilario Rodeiro han participado en algunos proyectos de improvisaci\u00f3n libre como The Big Free Tongue. Ambos han puesto disponible en descarga libre\u00a0su encuentro titulado 2nd Day. Aunque\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Gebhard-Ullmann-Achim-Kaufmann_Geode_Leo-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":38826,"url":"https:\/\/tomajazz.com\/web\/hdo-470-al-habla-con-samuel-blaser-early-in-the-morning-podcast\/","url_meta":{"origin":35198,"position":1},"title":"HDO 470. Al habla con&#8230; Samuel Blaser \u00abEarly In The Mornin'\u00bb [Podcast]","author":"Tomajazz","date":"25 septiembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. El trombonista suizo\u00a0Samuel Blaser\u00a0(integrante del Cuarteto Europa de Baldo Mart\u00ednez), ha publicado en septiembre de 2018\u00a0Early In The Mornin'\u00a0(Out There Music - Out Note Records).\u00a0Al igual que ocurre con alguna de sus grabaciones anteriores, esta obra est\u00e1 centrada en una tem\u00e1tica determinada, que en este caso es la\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/samuel_blaser_early_in_the_morning.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":20552,"url":"https:\/\/tomajazz.com\/web\/nobusiness-records-free-jazz-y-libre-improvisacion-desde-lituania-hdo-0027-audioblog\/","url_meta":{"origin":35198,"position":2},"title":"NoBusiness Records: free jazz y libre improvisaci\u00f3n desde Lituania. HDO (0027) [Audioblog]","author":"Tomajazz","date":"31 octubre, 2015","format":"audio","excerpt":"Nueva entrada en HDO dedicada a escuchar m\u00fasica de la \u00faltima tanda de novedades publicada por el sello lituano NoBusiness Records, cuya oferta estil\u00edstica se centra en el free jazz y la libre improvisaci\u00f3n, tanto en forma de nuevas grabaciones como recuperando obras descatalogadas.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151029_003-e1446230219813.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151029_003-e1446230219813.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151029_003-e1446230219813.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151029_003-e1446230219813.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28098,"url":"https:\/\/tomajazz.com\/web\/hdo-208-aeby-bassdrumbone-eskelin-y-cia-jass-webber-podcast\/","url_meta":{"origin":35198,"position":3},"title":"HDO 208. Aeby &#8211; BassDrumBone &#8211; Eskelin y cia &#8211; JASS &#8211; Webber [Podcast]","author":"Tomajazz","date":"14 diciembre, 2016","format":false,"excerpt":"Nada m\u00e1s descriptivo que titular un programa de HDO con los nombres de los m\u00fasicos y grupos que suenan en el programa... m\u00e1s o menos. En esta ocasi\u00f3n los protagonistas son Stefan Aeby Trio (Stefan Aeby, Andr\u00e9 Pousaz, Michi Stulz) y su to the light (Intakt, 2016); BassDrumBone (o lo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/BassDrumBone_The-Long-Road_Auricle-Records_2016-e1481744307738-200x201.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":45854,"url":"https:\/\/tomajazz.com\/web\/hdo-522-leo-records-simon-nabatov-the-last-taxi-ensemble-5-podcast\/","url_meta":{"origin":35198,"position":4},"title":"HDO 522. Leo Records&#8230; Simon Nabatov, The Last Taxi, Ensemble 5&#8230; [Podcast]","author":"Tomajazz","date":"20 septiembre, 2019","format":false,"excerpt":"Por Pachi Tapiz. \u00a0 En el primer especial de la sexta temporada de HDO, un programa en el que suena m\u00fasica de nueve referencias del sello Leo Records. En el programa suenan los siguientes CD: New Destinations (The Last Taxi con Pat Battstone, Chiara Liuzzi, Georgia Santorio, Adolfo La Volpe,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"HDO 522. Leo Records... Simon Nabatov, The Last Taxi, Ensemble 5... [Podcast]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Collage_programa-0522_Especial-Leo-Records.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Collage_programa-0522_Especial-Leo-Records.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Collage_programa-0522_Especial-Leo-Records.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Collage_programa-0522_Especial-Leo-Records.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":46832,"url":"https:\/\/tomajazz.com\/web\/hdo-525-de-nuevo-leo-records-simon-nabatov-the-last-taxi-ensemble-5-podcast\/","url_meta":{"origin":35198,"position":5},"title":"HDO 525. De nuevo Leo Records&#8230; Simon Nabatov, The Last Taxi, Ensemble 5&#8230; [Podcast]","author":"Tomajazz","date":"6 noviembre, 2019","format":false,"excerpt":"En HDO 525 volvemos con una selecci\u00f3n musical distinta a la que son\u00f3 enel programa HDO 522 dedicado a Leo Records.\u00a0","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Collage_programa-0525_Especial-Leo-Records_OK.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Collage_programa-0525_Especial-Leo-Records_OK.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Collage_programa-0525_Especial-Leo-Records_OK.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Collage_programa-0525_Especial-Leo-Records_OK.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=35198"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35198\/revisions"}],"predecessor-version":[{"id":35203,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35198\/revisions\/35203"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/35201"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=35198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=35198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=35198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}