{"id":35208,"date":"2018-02-17T12:00:44","date_gmt":"2018-02-17T11:00:44","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=35208"},"modified":"2022-09-24T18:21:49","modified_gmt":"2022-09-24T16:21:49","slug":"razones-para-el-jazz-un-disco-spiritual-unity-albert-ayler-386","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-spiritual-unity-albert-ayler-386\/","title":{"rendered":"Razones para el jazz: un disco. Spiritual Unity (Albert Ayler) [386]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-35209 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco.\u00a0<strong>Albert Ayler<\/strong>:\u00a0<em>Spiritual Unity<\/em> (ESP, 1965)<\/p>\n<p>Seleccionado por\u00a0<strong>Juan Antonio Serrano Cervantes<\/strong><\/p>\n<p>Con <strong>Albert Ayler, Gary Peacock, Sunny Murray<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco.\u00a0Albert Ayler:\u00a0Spiritual Unity (ESP, 1965) Seleccionado por\u00a0Juan Antonio Serrano Cervantes Con Albert Ayler, Gary Peacock, Sunny Murray<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-spiritual-unity-albert-ayler-386\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35209,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17844,20689,15517,1038],"tags":[5322,6781,8991],"class_list":["entry","author-pachi","post-35208","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juan-antonio-serrano-cervantes","category-razones-para-el-jazz","category-textos","category-contenidos","tag-albert-ayler","tag-gary-peacock","tag-sunny-murray"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Albert-Ayler-Trio_Spiritual-Unity_ESP.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":62338,"url":"https:\/\/tomajazz.com\/web\/ghosts-first-variation-albert-ayler-trio-spiritual-unity-esp-1964-por-pachi-tapiz-jazzx5464-minipodcast-de-jazz\/","url_meta":{"origin":35208,"position":0},"title":"\u00abGhosts: First Variation\u00bb [Albert Ayler Trio Spiritual Unity (ESP, 1964)] Por Pachi Tapiz. JazzX5#464 [Minipodcast de jazz]","author":"Tomajazz","date":"26 marzo, 2022","format":false,"excerpt":"En JazzX5 edici\u00f3n de fin de semana, un cl\u00e1sico del Free Jazz, Alber Ayler, con un tema cl\u00e1sico \"Ghosts\", incluido en el cl\u00e1sico Spiritual Unity (ESP, 1964). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0464.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0464.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0464.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0464.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1930,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-ghosts-second-variation-albert-ayler-trio-1964\/","url_meta":{"origin":35208,"position":1},"title":"Tomajazz recomienda&#8230; un tema \u00abGhosts: Second Variation\u00bb (Albert Ayler Trio, 1964)","author":"Adolphus van Tenzing","date":"29 noviembre, 2010","format":false,"excerpt":"En estos d\u00edas en que se cumple el 40\u00ba aniversario del enigm\u00e1tico fallecimiento de Albert Ayler (el 25 de noviembre de 1970 su cuerpo aparec\u00eda flotando en las aguas del East River neoyorkino), no me puedo resistir a recomendar encarecidamente \"Gosts: Second Variation\", el tema que cerraba la cara B\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Albert-Ayler-Trio_Spiritual-Unity_esp_1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1951,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-voices-gary-peacock-1971\/","url_meta":{"origin":35208,"position":2},"title":"Tomajazz recomienda\u2026 un disco: Voices (Gary Peacock, 1971)","author":"Adolphus van Tenzing","date":"4 febrero, 2011","format":false,"excerpt":"Voices es un disco asombroso. Asombroso por su m\u00fasica. Arte en estado puro que te agarra con las primeras notas de \u201cIshi\u201d y que no te suelta hasta el \u00faltimo instante de \u201cAe.Ay.\u201d Asombroso tambi\u00e9n por los m\u00fasicos que all\u00ed aparecen. Gary Peacock: un contrabajista que tiene un historial impresionante\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31329,"url":"https:\/\/tomajazz.com\/web\/hdo-284-reediciones-albert-ayler-quartet-elton-dean-quintet-idrees-sulieman-quartet\/","url_meta":{"origin":35208,"position":3},"title":"HDO 284: reediciones. Albert Ayler Quartet, Elton Dean Quintet, Idrees Sulieman Quartet [Podcast]","author":"Tomajazz","date":"6 julio, 2017","format":false,"excerpt":"Tres reediciones en HDO 284: Albert Ayler Quartet\u00a0Copenhagen Live 1964 (HatOlogy, 2017; con Don Cherry, Gary Peacock, Sunny Murray); Elton Dean Quintet\u00a0Welcomet (Ogun, 2017; con Harry Beckett, Paul Rutherford, Marcio Mattos, Liam Genockey); Idrees Sulieman Quartet feat. Oscar Dennard\u00a0The 4 American Jazz Men In Tangier (Groovin' High Records - Sunnyside,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Albert-Ayler-Quartet_Copenhagen-Live-1964_HatOlogy_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Albert-Ayler-Quartet_Copenhagen-Live-1964_HatOlogy_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Albert-Ayler-Quartet_Copenhagen-Live-1964_HatOlogy_2017.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2748,"url":"https:\/\/tomajazz.com\/web\/hoy-no-puedo-dejar-de-escuchar-new-ghosts-albert-ayler-1968\/","url_meta":{"origin":35208,"position":4},"title":"Hoy no puedo dejar de escuchar&#8230; &quot;New Ghosts&quot; (Albert Ayler, 1968)","author":"Tomajazz","date":"1 diciembre, 2010","format":false,"excerpt":"Espoleado por la recomendaci\u00f3n de Adolphus van Tenzing en Tomajazz Recomienda\u00a0he vuelto compulsivamente a la versi\u00f3n que Albert Ayler hizo del tema \"Ghosts\" en su disco New Grass (Impulse!) cuatro a\u00f1os despu\u00e9s de grabarlo en Spiritual Unity (ESP). Aunque este disco est\u00e1 entre los menos celebrados del saxofonista, ya que\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":50276,"url":"https:\/\/tomajazz.com\/web\/marc-ribots-spiritual-unity-xxv-festival-de-jazz-san-juan-evangelista-la-libertad-y-la-improvisacion-en-el-jazz-moderno-2006-11-06-conciertos\/","url_meta":{"origin":35208,"position":5},"title":"Marc Ribot&#8217;s Spiritual Unity (XXV Festival de Jazz San Juan Evangelista \u00abLa libertad y la improvisaci\u00f3n en el jazz moderno\u00bb. 2006-11-06) [Conciertos]","author":"Tomajazz","date":"6 noviembre, 2006","format":false,"excerpt":"Por\u00a0Arturo Mora y\u00a0Sergio Cabanillas Marc Ribot's Spiritual Unity XXV Festival de Jazz San Juan Evangelista \"La libertad y la improvisaci\u00f3n en el jazz moderno\" Fecha:\u00a05 de noviembre de 2006. Lugar:\u00a0Colegio Mayor Universitario San Juan Evangelista Grupo: Marc Ribot's Spiritual Unity Marc Ribot: guitarra el\u00e9ctrica. 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