{"id":35277,"date":"2018-02-23T12:00:41","date_gmt":"2018-02-23T11:00:41","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=35277"},"modified":"2022-09-24T18:08:40","modified_gmt":"2022-09-24T16:08:40","slug":"razones-para-el-jazz-una-efemeride-con-billie-holiday-388","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-efemeride-con-billie-holiday-388\/","title":{"rendered":"Razones para el jazz: una efem\u00e9ride&#8230; con Billie Holiday [388]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-35278 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Please-Dont-Talk-About-Me-When-Im-Gone-200x275.jpg\" alt=\"\" width=\"200\" height=\"275\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Please-Dont-Talk-About-Me-When-Im-Gone-200x275.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Please-Dont-Talk-About-Me-When-Im-Gone-437x600.jpg 437w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Please-Dont-Talk-About-Me-When-Im-Gone-40x55.jpg 40w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Please-Dont-Talk-About-Me-When-Im-Gone.jpg 441w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Tal d\u00eda como hoy &#8211; <strong>23 de febrero<\/strong> &#8211; pero de 1959, la vocalista <strong>Billie Holiday<\/strong> se personaba en el Chelsea Palace Theatre londinense para ofrecer un peque\u00f1o recital de tres canciones. Una de las elegidas fue \u00abPlease don\u2019t talk about me when I\u2019m gone\u00bb, una canci\u00f3n de 1930 escrita por <strong>Sam H. Stept<\/strong> (m\u00fasica) y\u00a0<strong>Sidney Clare<\/strong> (letra) y que la popularizara ese mismo a\u00f1o la cantante y bailarina <strong>Bee Palmer<\/strong>.\u00a0La actuaci\u00f3n de <strong>Billie Holiday <\/strong>la grab\u00f3 Granada TV para su programa <strong>Chelsea at Nine.<\/strong><\/p>\n<p>La cantante estuvo acompa\u00f1ada por la orquesta de <strong>Peter Knight.<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ny9C6fTMy6Q\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Seleccionado por <strong>Luis Escalante Ozalla<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tal d\u00eda como hoy &#8211; 23 de febrero &#8211; pero de 1959, la vocalista Billie Holiday se personaba en el Chelsea Palace Theatre londinense para ofrecer un peque\u00f1o recital de tres canciones. Una de las elegidas fue \u00abPlease don\u2019t talk about me when I\u2019m gone\u00bb, una canci\u00f3n de 1930 escrita<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-efemeride-con-billie-holiday-388\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35278,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,20689,15517,1038],"tags":[4784,12816,20938],"class_list":["entry","author-pachi","post-35277","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-razones-para-el-jazz","category-textos","category-contenidos","tag-billie-holiday","tag-luis-escalante-ozalla","tag-peter-knight"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Please-Dont-Talk-About-Me-When-Im-Gone.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":22985,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-iii-la-odisea-de-la-musica-afroamericana-045-podcast\/","url_meta":{"origin":35277,"position":0},"title":"Billie Holiday, una gigante del Jazz (III). La Odisea de la M\u00fasica Afroamericana (045) [Podcast]","author":"Tomajazz","date":"11 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El cap\u00edtulo n\u00famero 45 de La Odisea de la M\u00fasica Afroamericana es a su vez la tercera entrega dedicada a\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23772,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-y-v-la-odisea-de-la-musica-afroamericana-047-podcast\/","url_meta":{"origin":35277,"position":1},"title":"Billie Holiday, una gigante del Jazz (y V). La Odisea de la M\u00fasica Afroamericana (047) [Podcast]","author":"Tomajazz","date":"25 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Con la entrega n\u00famero 47 de La Odisea de la M\u00fasica Afroamericana, finaliza el recorrido que Luis Escalante ha realizado\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"Portrait of Billie Holiday, Carnegie Hall, New York, N.Y., between 1946 and 1948. Photography William P. Gottlieb","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Portrait_of_Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_LOC_5020400014-582x600.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Portrait_of_Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_LOC_5020400014-582x600.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Portrait_of_Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_LOC_5020400014-582x600.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":23607,"url":"https:\/\/tomajazz.com\/web\/especial-billie-holiday-en-la-odisea-de-la-musica-afroamericana-podcast\/","url_meta":{"origin":35277,"position":2},"title":"Especial Billie Holiday en La Odisea de la M\u00fasica Afroamericana [Podcast]","author":"Tomajazz","date":"12 junio, 2016","format":false,"excerpt":"\u00a0 Recopilamos en una \u00fanica entrada las cinco entregas que Luis Escalante Ozalla dedic\u00f3 a\u00a0Billie Holiday en el\u00a0podcast La Odisea de la Musica Afroamericana.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22780,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-la-odisea-de-la-musica-afroamericana-043-podcast\/","url_meta":{"origin":35277,"position":3},"title":"Billie Holiday, una gigante del Jazz (I). La Odisea de la M\u00fasica Afroamericana (043) [Podcast]","author":"Tomajazz","date":"28 marzo, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. 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La Odisea de la M\u00fasica Afroamericana (044) [Podcast]","author":"Tomajazz","date":"4 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. 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