{"id":35577,"date":"2018-03-09T12:00:01","date_gmt":"2018-03-09T11:00:01","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=35577"},"modified":"2022-09-08T21:55:31","modified_gmt":"2022-09-08T19:55:31","slug":"razones-para-el-jazz-una-efemeride-con-charles-mingus-394","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-efemeride-con-charles-mingus-394\/","title":{"rendered":"Razones para el jazz: una efem\u00e9ride&#8230; con Charles Mingus [394]"},"content":{"rendered":"<p>Tal d\u00eda como hoy, 9 de marzo, pero de 1977 el contrabajista <strong>Charles Mingus<\/strong> al frente de los m\u00fasicos <strong>Jack Walrath<\/strong> (trompeta), <strong>Ricky Ford<\/strong> (saxo tenor), <strong>George Coleman<\/strong> (saxos alto y tenor), <strong>Bob Neloms<\/strong> (piano), <strong>Philip Catherine<\/strong> y <strong>Larry Coryell<\/strong> (guitarra), <strong>George Mraz<\/strong> (contrabajo), <strong>Dannie Richmond<\/strong> (bater\u00eda) y <strong>Paul Jeffrey <\/strong>(arreglos) entraban en los estudios de la compa\u00f1\u00eda Atlantic Records de Nueva York para grabar los tres primeros temas \u2013de un total de cinco\u2013, que iban a formar el \u00e1lbum titulado <em>Three or Four Shades of the Blues<\/em>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-35578 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/019-herman-leonard-theredlist-200x249.jpg\" alt=\"\" width=\"200\" height=\"249\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/019-herman-leonard-theredlist-200x249.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/019-herman-leonard-theredlist-768x958.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/019-herman-leonard-theredlist-481x600.jpg 481w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/019-herman-leonard-theredlist-44x55.jpg 44w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/019-herman-leonard-theredlist.jpg 962w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-35580 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Charles-Mingus_Three-Or-Four-Shades-Of-Blues-200x196.jpg\" alt=\"\" width=\"200\" height=\"196\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Charles-Mingus_Three-Or-Four-Shades-Of-Blues-200x196.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Charles-Mingus_Three-Or-Four-Shades-Of-Blues.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Charles-Mingus_Three-Or-Four-Shades-Of-Blues-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Charles-Mingus_Three-Or-Four-Shades-Of-Blues-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Uno de ellos fue el titulado \u00ab<strong>Goodbye Pork Pie Hat\u00bb (Adi\u00f3s Sombrero Pork Pie) <\/strong>que Mingus compuso y grab\u00f3 en el a\u00f1o 1959 siendo uno de los cortes de su trabajo titulado <em>Mingus Ah Um<\/em>.<\/p>\n<p>Esta preciosa melod\u00eda fue escrita en homenaje al saxofonista <strong>Lester Young<\/strong> que hab\u00eda fallecido dos meses antes de la citada grabaci\u00f3n.<\/p>\n<p><strong>Lester Young<\/strong> gustaba de ataviarse con un sombrero que los norteamericanos llaman <strong>\u201cPork Pie\u201d <\/strong>debido a la anchura de su ala (y su parecido con el pastel de cerdo), de ah\u00ed que <strong>Mingus<\/strong> titulara la canci\u00f3n dedicada a su amigo de la forma en que lo hizo.<\/p>\n<p>Seleccionado y comentado por \u00a9 Luis Escalante Ozalla, 2017<br \/>\nFotograf\u00eda: \u00a9 Herman Leonard (1948)<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/N0pfgDH7a9c\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tal d\u00eda como hoy, 9 de marzo, pero de 1977 el contrabajista Charles Mingus al frente de los m\u00fasicos Jack Walrath (trompeta), Ricky Ford (saxo tenor), George Coleman (saxos alto y tenor), Bob Neloms (piano), Philip Catherine y Larry Coryell (guitarra), George Mraz (contrabajo), Dannie Richmond (bater\u00eda) y Paul Jeffrey<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-efemeride-con-charles-mingus-394\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35578,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,78,15504,24822,9,20689,15517,1038],"tags":[21020,1556,1618,7830,2031,21019,9538,2377,12816,21021,887,14961],"class_list":["entry","author-pachi","post-35577","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-afondo","category-articulos-afondo","category-articulos","category-perfiles","category-razones-para-el-jazz","category-textos","category-contenidos","tag-bob-neloms","tag-charles-mingus","tag-dannie-richmond","tag-george-coleman","tag-mraz-george","tag-jack-walrath","tag-larry-coryell","tag-young-lester","tag-luis-escalante-ozalla","tag-paul-jeffrey","tag-philip-catherine","tag-ricky-ford"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/019-herman-leonard-theredlist.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100194,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-at-monterey-2025\/","url_meta":{"origin":35577,"position":0},"title":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) de Charles Mingus se ha reeditado en distintos formatos, incluyendo la de doble LP. Pachi Tapiz repasa la grabaci\u00f3n. Actuaron Charles Mingus, Jaki Byard, Dannie Richmond, Charles McPherson, John Handy III, Jack Nimitz, Buddy Collette, Lonnie Hillyer, Bobby Bryant, Melvin Moore, Lou\u2026","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30115,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-goodbye-pork-pie-hat-charles-mingus-1959-101\/","url_meta":{"origin":35577,"position":1},"title":"365 razones para amar el jazz: un tema. \u00abGoodbye Pork Pie Hat\u00bb (Charles Mingus, 1959) [101]","author":"Tomajazz","date":"11 abril, 2017","format":false,"excerpt":"Un tema.\u00a0\"Goodbye Pork Pie Hat\" (Charles Mingus, 1959) Seleccionado por\u00a0Luis Escalante Ozalla. Charles Mingus: Mingus Ah Um (Columbia, 1959) Charles Mingus, Horace Parlan, Dannie Richmond, John Handy, Booker Ervin","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Mingus_Ah_Um_-_Charles_Mingus-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1861,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-city-gates-george-adamsdon-pullen-quartet-1983\/","url_meta":{"origin":35577,"position":2},"title":"Tomajazz recomienda&#8230; un CD: City Gates (George Adams\/Don Pullen Quartet, 1983)","author":"Adolphus van Tenzing","date":"16 noviembre, 2009","format":false,"excerpt":"Integrantes de una de las \u00faltimas bandas del mism\u00edsimo Charles Mingus en los setenta, el saxofonista George Adams y el pianista Don Pullen comandaron un inolvidable cuarteto completado por el contrabajista Cameron Brown y el bater\u00eda, tambi\u00e9n habitual de Mingus, Dannie Richmond. Una se\u00f1a de identidad de la banda fue\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"George Adams\/Don Pullen Quartet - City Gates","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2009\/11\/recomienda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":98607,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-mingus-mingus-mingus-lp-2023\/","url_meta":{"origin":35577,"position":3},"title":"Charles Mingus: Mingus Mingus Mingus Mingus Mingus (Impulse!; 1964. Reedici\u00f3n LP: Elemental Music; 2023) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 septiembre, 2025","format":false,"excerpt":"Mingus Mingus MIngus MIngus Mingus es una de las obras cl\u00e1sicas de Charles Mingus. Pachi Tapiz repasa la reedici\u00f3n en vinilo del cl\u00e1sico","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Charles Mingus: Mingus Mingus Mingus Mingus Mingus (Impulse!; 1964. 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Seis a\u00f1os despu\u00e9s","author":"Tomajazz","date":"27 diciembre, 2008","format":false,"excerpt":"(Ornette Coleman) \"no trabaja mucho. Pero si quiere hablar de m\u00fasica free, grab\u00e9 para Candid un disco de m\u00fasica completamente free, Charles Mingus Presents Charles Mingus, con Eric Dolphy, Ted Curson y Dannie Richmond\". Entrevista por Mike Hennessey realizada en 1971 y publicada originalmente en Jazz Magazine. Entrevista traducida al\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1925,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-ysabels-table-dance-charles-mingus-1957\/","url_meta":{"origin":35577,"position":5},"title":"Tomajazz recomienda\u2026 un tema: \u201cYsabel\u2019s Table Dance\u201d (Charles Mingus, 1957)","author":"Adolphus van Tenzing","date":"10 diciembre, 2010","format":false,"excerpt":"En 1957 Charles Mingus grab\u00f3 Tijuana Moods, evocaci\u00f3n de sus recuerdos alcoh\u00f3licos-prostibulario-musicales de la localidad \u201cde la perdici\u00f3n\u201d mexicana, fronteriza con el vecino del norte. En un disco magn\u00edfico, \u201cYsabel\u2019s Table Dance\u201d destaca por su fuerza y por ser un perfecto ejemplo de la m\u00fasica de Mingus: cambios de ritmo,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cYsabel\u2019s Table Dance\u201d (Charles Mingus, Tijuana Moods, 1957)","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/11\/mingus_tijuanamoods.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=35577"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35577\/revisions"}],"predecessor-version":[{"id":35581,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35577\/revisions\/35581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/35578"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=35577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=35577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=35577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}