{"id":35592,"date":"2018-03-11T11:00:05","date_gmt":"2018-03-11T10:00:05","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=35592"},"modified":"2022-09-08T21:54:18","modified_gmt":"2022-09-08T19:54:18","slug":"hdo-383-fats-domino-1949-1953-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-383-fats-domino-1949-1953-podcast\/","title":{"rendered":"HDO 383. Fats Domino 1949-1953 [Podcast]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-35593 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Fats-Domino_The-Indispensable-Fats-Domino-1949-1962-200x177.jpg\" alt=\"\" width=\"200\" height=\"177\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Fats-Domino_The-Indispensable-Fats-Domino-1949-1962-200x177.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Fats-Domino_The-Indispensable-Fats-Domino-1949-1962-768x679.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Fats-Domino_The-Indispensable-Fats-Domino-1949-1962-600x531.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Fats-Domino_The-Indispensable-Fats-Domino-1949-1962-62x55.jpg 62w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Fats-Domino_The-Indispensable-Fats-Domino-1949-1962.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><strong>Fats Domino<\/strong> (Antoine Dominique Domino -1928 &#8211; 2017) es el artista de color que m\u00e1s discos vendi\u00f3 en los a\u00f1os 50. \u00danicamente fue superado por el mism\u00edsimo Elvis Presley, que en m\u00e1s de una ocasi\u00f3n reconoci\u00f3 p\u00fablicamente su maestr\u00eda. La suya es una carrera de gran \u00e9xito, ya que a lo largo de ella vendi\u00f3 m\u00e1s de 60 millones de discos, llegando a publicar 90 sencillos. Adem\u00e1s de cantante, este artista de Nueva Orleans era un magn\u00edfico pianista de boogie-woogie. Reconocido como uno de los padres del rock&#8217;n&#8217;roll, algunos historiadores se\u00f1alan que el fue el primer artista que grab\u00f3 un tema de ese estilo en 1949, cinco a\u00f1os antes de que el rock cambiase de arriba abajo la m\u00fasica popular no s\u00f3lo en los Estados Unidos, sino en todo el mundo.<\/p>\n<p>En <strong>HDO 383<\/strong> escuchamos una selecci\u00f3n de temas incluidos en la caja de 6 CD<em> The Indispensable Fats Domino 1949 &#8211; 1962<\/em>, publicada por Fremeaux &amp; Associ\u00e9s. En los inicios de la carrera de Fats Domino su m\u00fasica es una sabrosa mezcla de boogie-woogie, blues, rhythm-n-blues y rock&#8217;n&#8217;roll primigenio, aderezado por algunas pizcas de m\u00fasica de su querida Nueva Orleans.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 Pachi Tapiz, 2018<\/p>\n<p>HDO es un podcast editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_24316442\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_24316442_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fats Domino (Antoine Dominique Domino -1928 &#8211; 2017) es el artista de color que m\u00e1s discos vendi\u00f3 en los a\u00f1os 50. \u00danicamente fue superado por el mism\u00edsimo Elvis Presley, que en m\u00e1s de una ocasi\u00f3n reconoci\u00f3 p\u00fablicamente su maestr\u00eda. La suya es una carrera de gran \u00e9xito, ya que a<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-383-fats-domino-1949-1953-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35593,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,20041,12814,15518,1038],"tags":[7410,21034,31],"class_list":["entry","author-pachi","post-35592","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-hdo-t04-2017-18","category-podcast","category-sonidos","category-contenidos","tag-fats-domino","tag-fremeaux-and-associes","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Fats-Domino_The-Indispensable-Fats-Domino-1949-1962.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":66742,"url":"https:\/\/tomajazz.com\/web\/samara-joy-linger-awhile-jazzx5\/","url_meta":{"origin":35592,"position":0},"title":"\u201c&#8217;Round Midnight\u201d [Samara Joy Linger Awhile (Verve, 2022)] Por Pachi Tapiz. JazzX5 #517 [Minipodcast de jazz]","author":"Tomajazz","date":"17 septiembre, 2022","format":false,"excerpt":"En JazzX5 suena la versi\u00f3n de \"'Round Midnight\" que aparece en la grabaci\u00f3n de Samara Joy Linger Awhile (Verve, 2022). El disco se ha publicado el 16 de septiembre de 2022. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"\u201c'Round Midnight\u201d [Samara Joy Linger Awhile (Verve, 2022)] Por Pachi Tapiz. 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La Odisea de la M\u00fasica Afroamericana (121) [Podcast]","author":"Tomajazz","date":"20 noviembre, 2017","format":false,"excerpt":"Vincent Rose, Johnny Green y Al Hoffman son los protagonistas de la entrega n\u00famero 28 dedicada a los compositores del Tin Pan Alley en la que es, a su vez, la entrega 121 de La Odisea de la M\u00fasica Afroamericana.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Johnny-Green.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Johnny-Green.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Johnny-Green.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Johnny-Green.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":21223,"url":"https:\/\/tomajazz.com\/web\/fats-waller-willie-the-lion-smith-ether-waters-la-odisea-de-la-musica-afroamericana-027-podcast\/","url_meta":{"origin":35592,"position":2},"title":"Fats Waller, Willie \u00abThe Lion\u00bb Smith, Ether Waters: La Odisea de la M\u00fasica Afroamericana (027) [Podcast]","author":"Tomajazz","date":"7 diciembre, 2015","format":"audio","excerpt":"La entrega n\u00famero 27 de La Odisea de la M\u00fasica Afroamericana se centra en las figuras de Fats Waller, Willie \"The Lion\" Smith, Anita O'Day y Ethel Waters. Estos son los artistas que se escuchan en el programa de Luis Escalante Ozalla, adem\u00e1s de Ella Fitzgerald y Duke Ellington. Lisa\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Fats_Waller_edit-e1449411082732.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28098,"url":"https:\/\/tomajazz.com\/web\/hdo-208-aeby-bassdrumbone-eskelin-y-cia-jass-webber-podcast\/","url_meta":{"origin":35592,"position":3},"title":"HDO 208. Aeby &#8211; BassDrumBone &#8211; Eskelin y cia &#8211; JASS &#8211; Webber [Podcast]","author":"Tomajazz","date":"14 diciembre, 2016","format":false,"excerpt":"Nada m\u00e1s descriptivo que titular un programa de HDO con los nombres de los m\u00fasicos y grupos que suenan en el programa... m\u00e1s o menos. En esta ocasi\u00f3n los protagonistas son Stefan Aeby Trio (Stefan Aeby, Andr\u00e9 Pousaz, Michi Stulz) y su to the light (Intakt, 2016); BassDrumBone (o lo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/BassDrumBone_The-Long-Road_Auricle-Records_2016-e1481744307738-200x201.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2044,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-fats-navarro-en-wail-bud-powell-1949\/","url_meta":{"origin":35592,"position":4},"title":"Tomajazz recomienda&#8230; un solo: Fats Navarro en \u00abWail\u00bb (Bud Powell), 1949","author":"Adolphus van Tenzing","date":"6 febrero, 2012","format":false,"excerpt":"Un solo coro. Veintiocho segundos. No se necesita m\u00e1s si se sabe qu\u00e9 decir y c\u00f3mo decirlo. \"Wail\" es un r\u00e1pido rhythm changes (tema de estructura arm\u00f3nica similar al \"I Got Rhythm\" de George Gershwin) en mi bemol, todo un quebradero de cabeza para muchos improvisadores. En esta sesi\u00f3n a\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/albumcoverAmazingBudPowellVolume1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":56256,"url":"https:\/\/tomajazz.com\/web\/jazzx5234-duke-ellington-solitude-masterpieces-by-ellington-columbia-1951-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":35592,"position":5},"title":"JazzX5#234. 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