{"id":35666,"date":"2018-03-21T11:00:02","date_gmt":"2018-03-21T10:00:02","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=35666"},"modified":"2022-09-08T21:44:52","modified_gmt":"2022-09-08T19:44:52","slug":"roscoe-mitchell-matthew-shipp-accelerated-projection-rogueart-2018-grabacion","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/roscoe-mitchell-matthew-shipp-accelerated-projection-rogueart-2018-grabacion\/","title":{"rendered":"Roscoe Mitchell – Matthew Shipp: Accelerated Projection (RogueArt, 2018) [Grabaci\u00f3n]"},"content":{"rendered":"

\"\"Hablar a estas alturas de una novedad discogr\u00e1fica (relativa, puesto que se grab\u00f3 en 2005), como paradigma de la improvisaci\u00f3n libre puede parecer una exageraci\u00f3n, as\u00ed que escribir\u00e9 que Accelerated Projection<\/em> de\u00a0Roscoe Mitchell\u00a0<\/strong>(incombustible representante de la Great Black Music<\/em> que en 2019 cumplir\u00e1 80 \u00aba\u00f1itos\u00bb), y\u00a0Matthew Shipp<\/strong> es un magn\u00edfico ejemplo de esa manera de entender la creatividad musical.<\/p>\n

Grabado en directo en el festival sardo Sant’Anna Arressi (una de las grandes citas veraniegas del jazz en Europa, con una programaci\u00f3n que unos cuantos quisi\u00e9ramos para algunos -\u00a1no para todos!… \u00a1para algunos!- de los muchos encuentros veraniegos en nuestro pa\u00eds), las siete partes en que est\u00e1 dividido el CD son -salvo la \u00faltima que sirve para dar paso al bis ante un p\u00fablico entusiasmado-, meros puntos de referencia. Y es que la m\u00fasica, la propuesta del d\u00fao, el planteamiento de la creatividad que atesoran se traduce en una \u00fanica pieza que es todo un universo creativo.<\/p>\n

Entendiendo que la m\u00fasica de un d\u00fao tambi\u00e9n se puede desarrollar por medio del silencio de uno de sus integrantes, hay momentos en solitario, y por supuesto, interacciones casi telep\u00e1ticas; pasajes de gran intensidad frente a otros de tranquila placidez; viajes de la ortodoxia a la heterodoxia sin soluci\u00f3n de continuidad guiados por un planteamiento de la improvisaci\u00f3n libre que sigue los dictados la Great Black Music<\/em> adaptados al jazz.<\/p>\n

El resultado es pura magia, partiendo de la base de que \u00e9sta est\u00e1 en los sentidos del receptor, m\u00e1s que en la habilidad de su(s) ejecutante(s). Accelerated Projection<\/em> plasma a la perfecci\u00f3n la chispa creativa de un encuentro (m\u00e1s) entre dos grandes, concentrada en una grabaci\u00f3n que no llega a los cincuenta minutos. Un deleite musical para los o\u00eddos y la imaginaci\u00f3n.<\/p>\n

\u00a9 Pachi Tapiz, 2018<\/p>\n

Roscoe Mitchell – Matthew Shipp<\/strong>: Accelerated Projection. Live At Sant’Anna Arressi<\/em><\/p>\n

Grupo: Roscoe Mitchell – Matthew Shipp
\nRoscoe Mitchell (saxos alto y soprano; flauta); Matthew Shipp (piano)<\/p>\n

Temas: \u00abAccelerated Projection\u00bb (Parts I-VII)<\/p>\n

Grabado en directo el 28 de agosto de 2005 en Sant’Anna Arressi, Cerde\u00f1a, Italia. Publicado en 2018 por RogueArt<\/p>\n","protected":false},"excerpt":{"rendered":"

Hablar a estas alturas de una novedad discogr\u00e1fica (relativa, puesto que se grab\u00f3 en 2005), como paradigma de la improvisaci\u00f3n libre puede parecer una exageraci\u00f3n, as\u00ed que escribir\u00e9 que Accelerated Projection de\u00a0Roscoe Mitchell\u00a0(incombustible representante de la Great Black Music que en 2019 cumplir\u00e1 80 \u00aba\u00f1itos\u00bb), y\u00a0Matthew Shipp es un magn\u00edficoContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35555,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[6200,31,8318,7743,21071],"class_list":["entry","author-pachi","post-35666","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-matthew-shipp","tag-pachi-tapiz","tag-rogueart","tag-roscoe-mitchell","tag-roscoe-mitchell-matthew-shipp"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Roscoe-Mitchell-matthew-shipp_accelerated-projection-e1520451674812.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":35550,"url":"https:\/\/tomajazz.com\/web\/hdo-381-the-ex-park-jiha-mitchell-shipp-donarier-quintans-bruo-duo-poll-macdonald-podcast\/","url_meta":{"origin":35666,"position":0},"title":"HDO 381: The Ex, Park Jiha, Mitchell – Shipp, Donarier – Quintans, Bruo Duo, Poll – MacDonald [Podcast]","author":"Tomajazz","date":"23 marzo, 2018","format":false,"excerpt":"Seis propuestas de aqu\u00ed y de all\u00e1 en\u00a0HDO 381. 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Matthew Shipp Trio (con Shipp, el baterista Whit Dickey y el bajista Michael Bisio) se lo pasan (y nos lo hacen pasar a los oyentes) muy bien -al menos esa es la sensaci\u00f3n que se se\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Matthew-Shipp-Trio_To-Duke_RogueArt_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2641,"url":"https:\/\/tomajazz.com\/web\/matthew-shipp-en-buenas-companias-cosmic-lieder-sama-live-in-moscow-the-hour-of-the-star\/","url_meta":{"origin":35666,"position":3},"title":"Matthew Shipp: en buena(s) compa\u00f1\u00eda(s): Cosmic Lieder \/ SaMa Live in Moscow \/ The Hour Of the Star","author":"Tomajazz","date":"15 abril, 2011","format":false,"excerpt":"Solo o acompa\u00f1ado, Matthew Shipp es uno de los pianistas m\u00e1s interesantes de la actualidad. 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Este\u00a0baterista ya hab\u00eda centrado su obra de\u00a02012 titulada\u00a0Motian Sickness\u00a0en\u00a0las composiciones de Motian. En esta ocasi\u00f3n incluye una \u00fanica versi\u00f3n del m\u00fasico estadounidense (la preciosa \"Victoria\"), aunque aumenta las muestras de respeto con el tema que\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Jeff-Cosgrove-Alterning-Current.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":19950,"url":"https:\/\/tomajazz.com\/web\/david-torn-the-convergence-quartet-roscoe-mitchell-quartet-lqpneeoelfdjcadqqvsvee-hdo-0014-audioblog\/","url_meta":{"origin":35666,"position":5},"title":"David Torn, The Convergence Quartet, Roscoe Mitchell Quartet: LQPNEEOELFDJCADQQVSVEE. 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Pero tan cierto como es esto, no es menos cierto que aunque un m\u00fasico grabe en uno de los sellos de jazz m\u00e1s prestigioso\u00a0y sea un reputado m\u00fasico de estudio\u00a0(David Torn), o que tenga un grupo con\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Roscoe-Mitchell-Quartet_Celebrating-Fred-Anderson.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Roscoe-Mitchell-Quartet_Celebrating-Fred-Anderson.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Roscoe-Mitchell-Quartet_Celebrating-Fred-Anderson.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Roscoe-Mitchell-Quartet_Celebrating-Fred-Anderson.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=35666"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35666\/revisions"}],"predecessor-version":[{"id":35752,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35666\/revisions\/35752"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/35555"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=35666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=35666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=35666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}