{"id":35857,"date":"2018-04-07T12:00:50","date_gmt":"2018-04-07T10:00:50","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=35857"},"modified":"2022-09-08T21:30:27","modified_gmt":"2022-09-08T19:30:27","slug":"razones-para-el-jazz-una-efemeride-con-lou-donaldson-george-benson-y-francis-wolff-394","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-efemeride-con-lou-donaldson-george-benson-y-francis-wolff-394\/","title":{"rendered":"Razones para el jazz: una efem\u00e9ride\u2026 con Lou Donaldson, George Benson y Francis Wolff [407]"},"content":{"rendered":"

\"\"Tal d\u00eda como hoy, 7 abril, pero de 1967 el saxofonista Lou Donaldson <\/strong>al frente de los m\u00fasicos, Melvin Lastie<\/strong> (contrabajo), Lonnie Smith<\/strong> (\u00f3rgano), George Benson<\/strong> (guitarra), Leo Morris<\/strong> (bater\u00eda) entraban en el estudio que el ingeniero de sonido Rudy\u00a0Van Gelder <\/strong>ten\u00eda ubicado en la ciudad de Englewood Cliffs (New York). Su misi\u00f3n era grabar seis temas que formar\u00edan parte del trabajo titulado Alligator Bogaloo.<\/em>\u00a0<\/em><\/p>\n

\"\"En un descanso de la grabaci\u00f3n el fot\u00f3grafo Francis Wollf <\/strong>se dedic\u00f3 a inmortalizar la sesi\u00f3n y entre las fotos que realiz\u00f3 se encuentra esta del guitarrista\u00a0 George Benson<\/strong>.<\/p>\n

Seleccionado y comentado por \u00a9 Luis Escalante Ozalla<\/strong>, 2018
\nFotograf\u00eda: \u00a9 Francis Wolff<\/p>\n","protected":false},"excerpt":{"rendered":"

Tal d\u00eda como hoy, 7 abril, pero de 1967 el saxofonista Lou Donaldson al frente de los m\u00fasicos, Melvin Lastie (contrabajo), Lonnie Smith (\u00f3rgano), George Benson (guitarra), Leo Morris (bater\u00eda) entraban en el estudio que el ingeniero de sonido Rudy\u00a0Van Gelder ten\u00eda ubicado en la ciudad de Englewood Cliffs (NewContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35859,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,20689,15517,1038],"tags":[12829,731,21128,21127,4904,12816,21126,2169],"class_list":["entry","author-pachi","post-35857","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-razones-para-el-jazz","category-textos","category-contenidos","tag-francis-wolff","tag-george-benson","tag-leo-morris","tag-lonnie-smith","tag-lou-donaldson","tag-luis-escalante-ozalla","tag-melvin-lastie","tag-rudy-van-gelder"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/George-Benson-by-Francis-Wolff.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":42716,"url":"https:\/\/tomajazz.com\/web\/lou-donaldson-y-ii-don-byas-i-la-odisea-de-la-musica-afroamericana-188-podcast\/","url_meta":{"origin":35857,"position":0},"title":"Lou Donaldson (y II) – Don Byas (I). La Odisea de la M\u00fasica Afroamericana (188) [Podcast]","author":"Tomajazz","date":"1 abril, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 188 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/03\/Don-Byas_Walkin.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":18678,"url":"https:\/\/tomajazz.com\/web\/telmo-fernandez-organ-trio-the-soul-jazz-beat-vol-1-freecode-jazz-records-2015-cd\/","url_meta":{"origin":35857,"position":1},"title":"Telmo Fern\u00e1ndez Organ Trio: The Soul Jazz Beat Vol. 1 (Freecode Jazz Records, 2015; CD)","author":"Tomajazz","date":"5 junio, 2015","format":"image","excerpt":"La publicaci\u00f3n del primer trabajo del\u00a0guitarrista\u00a0lucense\u00a0Telmo Fern\u00e0ndez, The Soul Jazz Beat Vol. 1 supone un fuerte impulso de aire fresco al jazz nacional. Recuperar el \u00f3rgano Hammond B3 nos hace retrotraernos a gloriosas \u00e9pocas del jazz y acordarnos de personajes no menos significativos del mencionado instrumento como W.B. Davis, Brother\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"souljazz","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/souljazz-200x201.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":42556,"url":"https:\/\/tomajazz.com\/web\/budddy-de-franco-y-ii-lou-donaldson-la-odisea-de-la-musica-afroamericana-187-podcast\/","url_meta":{"origin":35857,"position":2},"title":"Budddy De Franco (y II) – Lou Donaldson (I). La Odisea de la M\u00fasica Afroamericana (187) [Podcast]","author":"Tomajazz","date":"25 marzo, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 187 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/03\/Lou-Donaldson.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/03\/Lou-Donaldson.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/03\/Lou-Donaldson.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":54431,"url":"https:\/\/tomajazz.com\/web\/dr-lonnie-smith-breathe-blue-note-2021-grabacion-de-jazz-por-rudy-de-juana\/","url_meta":{"origin":35857,"position":3},"title":"Dr. Lonnie Smith: Breathe (Blue Note, 2021) [Grabaci\u00f3n de jazz] Por Rudy de Juana","author":"Tomajazz","date":"21 abril, 2021","format":false,"excerpt":"Rudy de Juana repasa \"Breathe\", la nueva grabaci\u00f3n del organista Dr. Lonnie Smith en el sello Blue Note.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Dr.-Lonnie-Smith_Breathe.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Dr.-Lonnie-Smith_Breathe.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Dr.-Lonnie-Smith_Breathe.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Dr.-Lonnie-Smith_Breathe.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Dr.-Lonnie-Smith_Breathe.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/Dr.-Lonnie-Smith_Breathe.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1548,"url":"https:\/\/tomajazz.com\/web\/varios-one-night-with-blue-note\/","url_meta":{"origin":35857,"position":4},"title":"Varios – One night with Blue Note","author":"Autor1","date":"21 mayo, 2011","format":false,"excerpt":"A mediados de los a\u00f1os 80 el sello Blue Note sufri\u00f3 un resurgir de mano de nuevos fichajes y un radical cambio de orientaci\u00f3n, en busca de retomar la calidad y prestigio que la marca atesorara hace unas d\u00e9cadas. El concierto reeditado en este DVD no es sino una declaraci\u00f3n\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/blue_note_dvd.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18293,"url":"https:\/\/tomajazz.com\/web\/richard-havers-blue-note-uncompromising-expression-blume-2014-libro\/","url_meta":{"origin":35857,"position":5},"title":"Richard Havers: Blue Note. Uncompromising Expression (Blume, 2014) [Libro]","author":"Tomajazz","date":"5 mayo, 2015","format":false,"excerpt":"En 2014, coincidiendo con el 75 aniversario de Blue Note (uno de los sellos de jazz por antonomasia), Blume publica el lujoso Blue Note. Uncompromising Expression (Blue Note Records. 75 a\u00f1os de lo mejor del jazz) de Richard Havers. A lo largo de cuatrocientas p\u00e1ginas se realiza un exhaustivo repaso\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"blue-note-uncompromising-expression","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/blue-note-uncompromising-expression-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=35857"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35857\/revisions"}],"predecessor-version":[{"id":35861,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35857\/revisions\/35861"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/35859"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=35857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=35857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=35857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}