{"id":35857,"date":"2018-04-07T12:00:50","date_gmt":"2018-04-07T10:00:50","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=35857"},"modified":"2022-09-08T21:30:27","modified_gmt":"2022-09-08T19:30:27","slug":"razones-para-el-jazz-una-efemeride-con-lou-donaldson-george-benson-y-francis-wolff-394","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-efemeride-con-lou-donaldson-george-benson-y-francis-wolff-394\/","title":{"rendered":"Razones para el jazz: una efem\u00e9ride\u2026 con Lou Donaldson, George Benson y Francis Wolff [407]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-35858 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Lou-Donaldson_Alligator-Boogaloo-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Lou-Donaldson_Alligator-Boogaloo-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Lou-Donaldson_Alligator-Boogaloo-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Lou-Donaldson_Alligator-Boogaloo-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Lou-Donaldson_Alligator-Boogaloo-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Lou-Donaldson_Alligator-Boogaloo.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Tal d\u00eda como hoy, 7 abril, pero de 1967 el saxofonista <strong>Lou Donaldson <\/strong>al frente de los m\u00fasicos, <strong>Melvin Lastie<\/strong> (contrabajo), <strong>Lonnie Smith<\/strong> (\u00f3rgano), <strong>George Benson<\/strong> (guitarra), <strong>Leo Morris<\/strong> (bater\u00eda) entraban en el estudio que el ingeniero de sonido <strong>Rudy\u00a0Van Gelder <\/strong>ten\u00eda ubicado en la ciudad de Englewood Cliffs (New York). Su misi\u00f3n era grabar seis temas que formar\u00edan parte del trabajo titulado <em>Alligator Bogaloo.<\/em><em>\u00a0<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-35859 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/George-Benson-by-Francis-Wolff-200x203.jpg\" alt=\"\" width=\"200\" height=\"203\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/George-Benson-by-Francis-Wolff-200x203.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/George-Benson-by-Francis-Wolff-768x778.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/George-Benson-by-Francis-Wolff-592x600.jpg 592w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/George-Benson-by-Francis-Wolff-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/George-Benson-by-Francis-Wolff-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/George-Benson-by-Francis-Wolff.jpg 967w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>En un descanso de la grabaci\u00f3n el fot\u00f3grafo <strong>Francis Wollf <\/strong>se dedic\u00f3 a inmortalizar la sesi\u00f3n y entre las fotos que realiz\u00f3 se encuentra esta del guitarrista\u00a0 <strong>George Benson<\/strong>.<\/p>\n<p>Seleccionado y comentado por \u00a9 <strong>Luis Escalante Ozalla<\/strong>, 2018<br \/>\nFotograf\u00eda: \u00a9 Francis Wolff<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tal d\u00eda como hoy, 7 abril, pero de 1967 el saxofonista Lou Donaldson al frente de los m\u00fasicos, Melvin Lastie (contrabajo), Lonnie Smith (\u00f3rgano), George Benson (guitarra), Leo Morris (bater\u00eda) entraban en el estudio que el ingeniero de sonido Rudy\u00a0Van Gelder ten\u00eda ubicado en la ciudad de Englewood Cliffs (New<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-efemeride-con-lou-donaldson-george-benson-y-francis-wolff-394\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35859,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17834,20689,15517,1038],"tags":[12829,731,21128,21127,4904,12816,21126,2169],"class_list":["entry","author-pachi","post-35857","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-razones-para-el-jazz","category-textos","category-contenidos","tag-francis-wolff","tag-george-benson","tag-leo-morris","tag-lonnie-smith","tag-lou-donaldson","tag-luis-escalante-ozalla","tag-melvin-lastie","tag-rudy-van-gelder"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/George-Benson-by-Francis-Wolff.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=35857"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35857\/revisions"}],"predecessor-version":[{"id":35861,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35857\/revisions\/35861"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/35859"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=35857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=35857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=35857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}