{"id":35865,"date":"2018-04-08T12:00:35","date_gmt":"2018-04-08T10:00:35","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=35865"},"modified":"2022-09-08T21:30:43","modified_gmt":"2022-09-08T19:30:43","slug":"mas-razones-para-el-jazz-un-discazo-go-dexter-gordon-407","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/mas-razones-para-el-jazz-un-discazo-go-dexter-gordon-407\/","title":{"rendered":"M\u00e1s razones para el jazz: un discazo. Go (Dexter Gordon) [408]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-35866 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Dexter-Gordon_Go-200x197.jpg\" alt=\"\" width=\"200\" height=\"197\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Dexter-Gordon_Go-200x197.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Dexter-Gordon_Go-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Dexter-Gordon_Go-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Dexter-Gordon_Go.jpg 317w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un discazo.\u00a0<strong>Dexter Gordon<\/strong>:\u00a0<em>Go\u00a0<\/em>(Blue Note, 1962)<\/p>\n<p>Seleccionado por\u00a0<strong>Kuto<\/strong><\/p>\n<p>Con <strong>Dexter Gordon, Sonny Clark, Butch Warren, Billy Higgins<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un discazo.\u00a0Dexter Gordon:\u00a0Go\u00a0(Blue Note, 1962) Seleccionado por\u00a0Kuto Con Dexter Gordon, Sonny Clark, Butch Warren, Billy Higgins<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/mas-razones-para-el-jazz-un-discazo-go-dexter-gordon-407\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":35866,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17843,20689,15517,1038],"tags":[1472,1487,21129,7021,37,2224],"class_list":["entry","author-pachi","post-35865","post","type-post","status-publish","format-standard","has-post-thumbnail","category-don-kuto","category-razones-para-el-jazz","category-textos","category-contenidos","tag-billy-higgins","tag-blue-note","tag-butch-warren","tag-dexter-gordon","tag-kuto","tag-sonny-clark"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Dexter-Gordon_Go.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":56581,"url":"https:\/\/tomajazz.com\/web\/jazzx5249-herbie-hancock-driftin-takin-off-blue-note-1962-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":35865,"position":0},"title":"JazzX5#249. Herbie Hancock: \u00abDriftin'\u00bb [Takin&#8217; Off (Blue Note, 1962)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"22 agosto, 2021","format":false,"excerpt":"En el minipodcast de Pachi Tapiz, JazzX5, el tema \"Driftin'\" que aparec\u00eda en Takin' Off (Blue Note, 1962), el disco debut de Herbie Hancock y que en su momento seleccion\u00f3 Adolphus van Tenzing para la secci\u00f3n \"Tomajazz Recomienda\".","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"En el minipodcast de Pachi Tapiz, JazzX5, el tema \"Driftin'\" que aparec\u00eda en Takin' Off (Blue Note, 1962), el disco debut de Herbie Hancock y que en su momento seleccion\u00f3 Adolphus van Tenzing para la secci\u00f3n \"Tomajazz Recomienda\".","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_249.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_249.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_249.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_249.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":34669,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-disco-go-dexter-gordon-374\/","url_meta":{"origin":35865,"position":1},"title":"Razones para el jazz: un disco. Go (Dexter Gordon) [374]","author":"Tomajazz","date":"20 enero, 2018","format":false,"excerpt":"Un disco.\u00a0Dexter Gordon:\u00a0Go\u00a0(Blue Note, 1962) Seleccionado por\u00a0Arturo Mora Rioja","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Dexter-Gordon_Go.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Dexter-Gordon_Go.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/01\/Dexter-Gordon_Go.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":8236,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-manha-de-carnaval-dexter-gordon-1966\/","url_meta":{"origin":35865,"position":2},"title":"Tomajazz recomienda\u2026 un tema: \u201cManha de Carnaval\u201d (Dexter Gordon, 1966)","author":"Adolphus van Tenzing","date":"23 diciembre, 2013","format":false,"excerpt":"Ciertas interpretaciones tienen la virtud de abstraer al oyente de cualquier tarea que est\u00e9 realizando, por trascendente que sea. Ahora lo trascendente es la m\u00fasica. Dexter Gordon decidi\u00f3 abrir su Gettin\u2019 Around (qu\u00e9 portada m\u00e1s conseguida, por cierto) con una versi\u00f3n inolvidable de \u201cManha de Carnaval\u201d, bossa nova triste como\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dexter Gordon - Gettin' Around","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/recomienda1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101638,"url":"https:\/\/tomajazz.com\/web\/dexter-gordon-more-than-you-know-2025\/","url_meta":{"origin":35865,"position":3},"title":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon, Kirk Lightsey, David Eubanks, Edward Gladden","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon,  Kirk Lightsey (piano); David Eubanks (contrabajo); Edward Gladden","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13547,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-our-man-in-paris-dexter-gordon-1963\/","url_meta":{"origin":35865,"position":4},"title":"Tomajazz recomienda\u2026 un CD: Our Man in Paris (Dexter Gordon, 1963)","author":"Adolphus van Tenzing","date":"1 diciembre, 2014","format":false,"excerpt":"La interpretaci\u00f3n de Dexter Gordon en la pel\u00edcula Round Midnight fue tan extraordinaria que le nominaron al Oscar. A\u00fan as\u00ed ser\u00eda una pena que se le recordara m\u00e1s por su ocasional faceta de actor que por la de m\u00fasico. De muestra un bot\u00f3n: este Our Man in Paris es toda\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dexter Gordon :: OUR MAN IN PARIS","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":34945,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-una-portada-dexter-calling-380\/","url_meta":{"origin":35865,"position":5},"title":"Razones para el jazz: una portada. Dexter Calling [380]","author":"Tomajazz","date":"3 febrero, 2018","format":false,"excerpt":"Una portada.\u00a0Dexter Gordon:\u00a0Dexter Calling (Blue Note, 1961). Fotograf\u00eda por Francis Wolff Seleccionado por\u00a0Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dexter-Gordon_Dexter-Calling....jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dexter-Gordon_Dexter-Calling....jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dexter-Gordon_Dexter-Calling....jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=35865"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35865\/revisions"}],"predecessor-version":[{"id":36017,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/35865\/revisions\/36017"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/35866"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=35865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=35865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=35865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}