![\"\"](\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg\" "\\"\\"")
<\/center><\/p>\nUn club de jazz: Minton\u2019s Playhouse<\/strong>. Harlem. New York.<\/p>\nSeleccionado por\u00a0Luis Escalante Ozalla<\/strong><\/p>\nFotograf\u00eda de Thelonious Monk, Howard McGhee, Roy Eldridge y Teddy Hill en\u00a0Minton’s Playhouse, New York, N.Y. ca. Sept. 1947.
\nFotogaf\u00eda por\u00a0\u00a9\u00a0William P. Gottlieb<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Un club de jazz: Minton\u2019s Playhouse. Harlem. New York. Seleccionado por\u00a0Luis Escalante Ozalla Fotograf\u00eda de Thelonious Monk, Howard McGhee, Roy Eldridge y Teddy Hill en\u00a0Minton’s Playhouse, New York, N.Y. ca. Sept. 1947. Fotogaf\u00eda por\u00a0\u00a9\u00a0William P. GottliebContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11822,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,20689,15517,1038],"tags":[9053,12816,21187,1666,9054,2015,20939,9050],"class_list":["entry","author-pachi","post-36018","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-razones-para-el-jazz","category-textos","category-contenidos","tag-howard-mcghee","tag-luis-escalante-ozalla","tag-mintons-playhouse","tag-eldridge-roy","tag-teddy-hill","tag-monk-thelonious","tag-william-gottlieb","tag-william-p-gottlieb"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":11820,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1965\/","url_meta":{"origin":36018,"position":0},"title":"Tomajazz recupera\u2026 Thelonious Monk en Jazz Magazine 1965","author":"Tomajazz","date":"1 mayo, 2014","format":false,"excerpt":"\u00a0 Me hubiera gustado tocar el tromb\u00f3n. Pero ya es suficientemente dif\u00edcil tocar el piano, \u00bfentiende? Leer:\u00a0Thelonious Monk en Jazz Magazine 1965.\u00a0Entrevista realizada por Jean-Louis Noames","rel":"","context":"En \u00ab*_Juan Carlos Hern\u00e1ndez\u00bb","block_context":{"text":"*_Juan Carlos Hern\u00e1ndez","link":"https:\/\/tomajazz.com\/web\/category\/juan-carlos-hernandez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11815,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1963\/","url_meta":{"origin":36018,"position":1},"title":"Tomajazz recupera… Thelonious Monk en Jazz Magazine 1963","author":"Tomajazz","date":"30 abril, 2014","format":false,"excerpt":"\u00a0 \u00a0 Cada d\u00eda oigo a un mont\u00f3n de pianistas que utilizan procedimientos que son m\u00edos. Leer: Thelonious Monk en Jazz Magazine 1963. Entrevista por\u00a0\u00a0Jean Clouzet y Michel Delomme.\u00a0","rel":"","context":"En \u00ab*_Juan Carlos Hern\u00e1ndez\u00bb","block_context":{"text":"*_Juan Carlos Hern\u00e1ndez","link":"https:\/\/tomajazz.com\/web\/category\/juan-carlos-hernandez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11855,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1970\/","url_meta":{"origin":36018,"position":2},"title":"Tomajazz recupera\u2026 Thelonious Monk en Jazz Magazine 1970","author":"Tomajazz","date":"2 mayo, 2014","format":false,"excerpt":"Si no fuera m\u00fasico, seguramente me habr\u00eda convertido en un vagabundo. Leer: Thelonious Monk en Jazz Magazine 1970. Entrevista realizada por \u00a0Paul Slaughter.","rel":"","context":"En \u00ab*_Juan Carlos Hern\u00e1ndez\u00bb","block_context":{"text":"*_Juan Carlos Hern\u00e1ndez","link":"https:\/\/tomajazz.com\/web\/category\/juan-carlos-hernandez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11824,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-en-jazz-magazine-1965\/","url_meta":{"origin":36018,"position":3},"title":"Thelonious Monk en Jazz Magazine 1965","author":"Tomajazz","date":"30 septiembre, 2002","format":false,"excerpt":"\u00a0 Entre la siguiente entrevista (publicada en el n\u00ba 124 de Jazz Magazine, en noviembre de 1965), en la que Jean-Louis Noames intenta proseguir la\u00a0realizada en 1963 por Jean Clouzet y Michel Delorme, se produjo un acontecimiento medi\u00e1tico bastante infrecuente: la aparici\u00f3n de Thelonious Monk en la portada de la\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11858,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-en-jazz-magazine-1970\/","url_meta":{"origin":36018,"position":4},"title":"Thelonious Monk en Jazz Magazine 1970","author":"Tomajazz","date":"30 septiembre, 2002","format":false,"excerpt":"\u00a0 \u00a0 1970. Paul Slaughter toma el relevo y se lanza tambi\u00e9n al asalto del Maestro. Monk vuelve a tratar algunos puntos, se contradice... Thelonious genio y figura. Thelonious Monk, si no tocase el piano, \u00bfqu\u00e9 instrumento hubiera escogido? Probablemente la trompeta. \u00bfPor qu\u00e9? Cuando era cr\u00edo quer\u00eda tocar la\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":37329,"url":"https:\/\/tomajazz.com\/web\/el-jazz-moderno-iii-bebop-151-podcast\/","url_meta":{"origin":36018,"position":5},"title":"El jazz moderno (III): BeBop (151) [Podcast]","author":"Tomajazz","date":"18 junio, 2018","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Ir a descargar Tras el repaso a los estilos predominantes en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Charlie-Parker.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Charlie-Parker.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Charlie-Parker.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=36018"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36018\/revisions"}],"predecessor-version":[{"id":36144,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36018\/revisions\/36144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11822"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=36018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=36018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=36018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}