{"id":36258,"date":"2018-05-01T11:11:22","date_gmt":"2018-05-01T09:11:22","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=36258"},"modified":"2022-09-08T20:56:40","modified_gmt":"2022-09-08T18:56:40","slug":"hdo-398-uno-dos-tres-y-cuatro-a-la-de-cinco-vasco-trilla-joelle-leandre-elisabeth-harnik-simon-nabatov-big-bold-back-bone-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-398-uno-dos-tres-y-cuatro-a-la-de-cinco-vasco-trilla-joelle-leandre-elisabeth-harnik-simon-nabatov-big-bold-back-bone-podcast\/","title":{"rendered":"HDO 401. Uno, dos, tres (y cuatro)\u2026 a la de cinco\u2026 Vasco Trilla, J\u00f6elle L\u00e9andre, Elisabeth Harnik, Simon Nabatov, Big Bold Back Bone [Podcast]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-36259 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Big-Bold-Back-Bone_Emerge_Wide-Ear-Records-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Big-Bold-Back-Bone_Emerge_Wide-Ear-Records-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Big-Bold-Back-Bone_Emerge_Wide-Ear-Records-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Big-Bold-Back-Bone_Emerge_Wide-Ear-Records-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Big-Bold-Back-Bone_Emerge_Wide-Ear-Records-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Big-Bold-Back-Bone_Emerge_Wide-Ear-Records-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Big-Bold-Back-Bone_Emerge_Wide-Ear-Records-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Big-Bold-Back-Bone_Emerge_Wide-Ear-Records.jpg 1500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-36260 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Elisabeth-Harnik-Ko\u00eblle-L\u00e9andre_Tender-Music_Trost-Records-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Elisabeth-Harnik-Ko\u00eblle-L\u00e9andre_Tender-Music_Trost-Records-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Elisabeth-Harnik-Ko\u00eblle-L\u00e9andre_Tender-Music_Trost-Records-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Elisabeth-Harnik-Ko\u00eblle-L\u00e9andre_Tender-Music_Trost-Records-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Elisabeth-Harnik-Ko\u00eblle-L\u00e9andre_Tender-Music_Trost-Records-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Elisabeth-Harnik-Ko\u00eblle-L\u00e9andre_Tender-Music_Trost-Records-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Elisabeth-Harnik-Ko\u00eblle-L\u00e9andre_Tender-Music_Trost-Records-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Elisabeth-Harnik-Ko\u00eblle-L\u00e9andre_Tender-Music_Trost-Records.jpg 1000w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-36261 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Simon-Nabatov-String-Trio_Situations_Leo-Records-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Simon-Nabatov-String-Trio_Situations_Leo-Records-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Simon-Nabatov-String-Trio_Situations_Leo-Records-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Simon-Nabatov-String-Trio_Situations_Leo-Records-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Simon-Nabatov-String-Trio_Situations_Leo-Records-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Simon-Nabatov-String-Trio_Situations_Leo-Records.jpg 354w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-36262 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Vasco-Trilla_The-Torch-in-myEar_Klopotec-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Vasco-Trilla_The-Torch-in-myEar_Klopotec-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Vasco-Trilla_The-Torch-in-myEar_Klopotec-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Vasco-Trilla_The-Torch-in-myEar_Klopotec-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Vasco-Trilla_The-Torch-in-myEar_Klopotec-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Vasco-Trilla_The-Torch-in-myEar_Klopotec.jpg 580w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>Una nueva entrega de la serie <em>Uno, dos, tres&#8230;<\/em> que en esta ocasi\u00f3n incluye cuatro grabaciones. Suenan el solo de\u00a0<strong>Vasco Trilla\u00a0<\/strong><em>The Torch In My Ear\u00a0<\/em>(Klopotec); el d\u00fao de\u00a0<strong>Jo\u00eblle L\u00e9andre &#8211; Elisabeth Harnik\u00a0<\/strong>titulado\u00a0<em>Tender Music\u00a0<\/em>(Trost Records);\u00a0<em>situations\u00a0<\/em>(Leo Records) del\u00a0<strong>Simon Nabatov String Trio<\/strong>; finalmente\u00a0<em>Emerge\u00a0<\/em>(Wide Ear Records) del cuarteto\u00a0<strong>Big Bold Back Bone<\/strong>.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 Pachi Tapiz, 2018<\/p>\n<p>HDO es un podcast de jazz e improvisaci\u00f3n (libre en mayor o menor grado) que est\u00e1 editado, presentado y producido por Pachi Tapiz.<\/p>\n<p><iframe id='audio_25707822' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_25707822_4_1.html?c1=ff6600\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una nueva entrega de la serie Uno, dos, tres&#8230; que en esta ocasi\u00f3n incluye cuatro grabaciones. Suenan el solo de\u00a0Vasco Trilla\u00a0The Torch In My Ear\u00a0(Klopotec); el d\u00fao de\u00a0Jo\u00eblle L\u00e9andre &#8211; Elisabeth Harnik\u00a0titulado\u00a0Tender Music\u00a0(Trost Records);\u00a0situations\u00a0(Leo Records) del\u00a0Simon Nabatov String Trio; finalmente\u00a0Emerge\u00a0(Wide Ear Records) del cuarteto\u00a0Big Bold Back Bone. Tomajazz: \u00a9 Pachi<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-398-uno-dos-tres-y-cuatro-a-la-de-cinco-vasco-trilla-joelle-leandre-elisabeth-harnik-simon-nabatov-big-bold-back-bone-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":36260,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,20041,12814,15518,1038],"tags":[21314,18822,13299,5363,21312,16305,31,12051,21313,7520,132,20401],"class_list":["entry","author-pachi","post-36258","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-hdo-t04-2017-18","category-podcast","category-sonidos","category-contenidos","tag-big-bold-back-bone","tag-elisabeth-harnik","tag-hdo","tag-joelle-leandre","tag-joelle-leandre-elisabeth-harnik","tag-klopotec","tag-pachi-tapiz","tag-simon-nabatov","tag-simon-nabatov-string-trio","tag-trost-records","tag-vasco-trilla","tag-wide-ear-records"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Elisabeth-Harnik-Ko\u00eblle-L\u00e9andre_Tender-Music_Trost-Records.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":93082,"url":"https:\/\/tomajazz.com\/web\/elisabeth-harnik-vasco-trilla-mixtur-2024\/","url_meta":{"origin":36258,"position":0},"title":"Elisabeth Harnik &#038; Vasco Trilla (13\u00e8 Mixtur \/ ESMUC, Sala d\u2019Orquestra, 2024-10-13. Barcelona) [y III] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"17 diciembre, 2024","format":false,"excerpt":"El d\u00fao Elisabeth Harnik & Vasco Trilla actu\u00f3 en el 13\u00e8 Mixtur de Barcelona, el 13 de octubre de 2024. Joan Cort\u00e8s los retrata en INSTANTZZ","rel":"","context":"En \u00ab13\u00e8 Mixtur 2024\u00bb","block_context":{"text":"13\u00e8 Mixtur 2024","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/13e-mixtur-2024\/"},"img":{"alt_text":"Elisabeth Harnik & Vasco Trilla (13\u00e8 Mixtur \/ ESMUC, Sala d\u2019Orquestra, 2024-10-13. Barcelona) [y III] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - El d\u00fao Elisabeth Harnik & Vasco Trilla actu\u00f3  en el 13\u00e8 Mixtur de Barcelona, el 13 de octubre de 2024. Joan Cort\u00e8s los retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/12\/destacada-04-Hrnk-Trll-Photo-By-Joan-Cortes-18ctb24-Mxtr-Sl-rquestra-smc-Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/12\/destacada-04-Hrnk-Trll-Photo-By-Joan-Cortes-18ctb24-Mxtr-Sl-rquestra-smc-Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/12\/destacada-04-Hrnk-Trll-Photo-By-Joan-Cortes-18ctb24-Mxtr-Sl-rquestra-smc-Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":33045,"url":"https:\/\/tomajazz.com\/web\/hdo-337-improvisando-aqui-y-alla-leandre-minton-freenetics-noble-silver-gallardo-podcast\/","url_meta":{"origin":36258,"position":1},"title":"HDO 337. Improvisando aqu\u00ed y all\u00e1&#8230; L\u00e9andre &#8211; Minton, Freenetics, Noble &#8211; Silver, Gallardo&#8230; [Podcast]","author":"Tomajazz","date":"2 noviembre, 2017","format":false,"excerpt":"La entrega 337 de HDO est\u00e1 centrada en propuestas cuyo factor com\u00fan es transitar por terrenos de la improvisaci\u00f3n. Suenan\u00a0L\u00e9andre - Minton\u00a0(Jo\u00eblle L\u00e9andre - Phil Minton; FOU Records, 2017);\u00a0Underground PM\u00a0(Freenetics: Ferr\u00e1n Besalduch, Joan Antoni Pich, Pep Mula; Discordian Records, 2017);\u00a0Home\u00a0(Steve Noble, Yoni Silver; Aural Terrains, 2017);\u00a0imatges\u00a0(Jes\u00fas Gallardo; Liquen Records, 2017);\u00a0Mein\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/J%C3%B6elle-L%C3%A9andre-Phil-Minton_L%C3%A9andre-Minton_FOU-Records_2017.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/J%C3%B6elle-L%C3%A9andre-Phil-Minton_L%C3%A9andre-Minton_FOU-Records_2017.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/J%C3%B6elle-L%C3%A9andre-Phil-Minton_L%C3%A9andre-Minton_FOU-Records_2017.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/J%C3%B6elle-L%C3%A9andre-Phil-Minton_L%C3%A9andre-Minton_FOU-Records_2017.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36430,"url":"https:\/\/tomajazz.com\/web\/algo-de-lo-mejor-que-escuche-en-2018-por-pachi-tapiz-articulo\/","url_meta":{"origin":36258,"position":2},"title":"(Algo de) lo mejor (que escuch\u00e9) en 2018 por Pachi Tapiz [Art\u00edculo]","author":"Tomajazz","date":"6 enero, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz Sin pretender ser una lista exhaustiva, puesto que el orden es simplemente la forma en que aparecen listados los discos, esta ha sido una entrada en progreso continuo realizada a lo largo de todo el a\u00f1o 2018. A continuaci\u00f3n est\u00e1n las portadas y la lista de algunas de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Algo-de-lo-mejor-que-escuch%C3%A9-en-2018.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Algo-de-lo-mejor-que-escuch%C3%A9-en-2018.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Algo-de-lo-mejor-que-escuch%C3%A9-en-2018.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Algo-de-lo-mejor-que-escuch%C3%A9-en-2018.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32270,"url":"https:\/\/tomajazz.com\/web\/hdo-311-nabatov-johnson-sarin-vonlanthen-audetat-peters-rose-bones-leo-records-agosto-2017-podcast\/","url_meta":{"origin":36258,"position":3},"title":"HDO 311. Nabatov &#8211; Johnson &#8211; Sarin \/ Vonlanthen &#8211; Audetat \/ Peters &#8211; Rose \/ Bones (Leo Records, Agosto 2017) [Podcast]","author":"Tomajazz","date":"19 septiembre, 2017","format":false,"excerpt":"Una de las caracter\u00edsticas del incansable sello\u00a0Leo Records, es su capacidad para dar cabida a propuestas en las que aparecen m\u00fasicos bien conocidos junto a otras propuestas que no por menos populares resultan menos interesantes. Es el caso del \u00faltimo lote de novedades publicadas hace unas semanas:\u00a0Free Reservoir\u00a0(Simon Nabatov,\u00a0Michael Sarin,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Simon-Nabatov-Max-Johnson-Michael-Sarin_Free-Reservoir_Leo-Records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24162,"url":"https:\/\/tomajazz.com\/web\/hdo-112-joelle-leandre-his-voice-and-his-music-podcast-english\/","url_meta":{"origin":36258,"position":4},"title":"HDO 112. Jo\u00eblle L\u00e9andre: her voice and her music [Podcast] [English]","author":"Tomajazz","date":"13 mayo, 2016","format":false,"excerpt":"The unique voice of Jo\u00eblle L\u00e9andre makes her one of the most important creative musician\u00a0in Europe. Pachi Tapiz interviews her in the HDO Tomajazz podcast.","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"Jo\u00eblle Leandre. Forteresse de Salses. 2010-10-16. \u00a9 Joan Cort\u00e8s, 2016","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Jll-Lndr-%C2%A9Joan-Cort%C3%A8s_16oct10_Frtrss-d-Slss.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29097,"url":"https:\/\/tomajazz.com\/web\/hdo-231-conexion-chicago-h-drake-s-kassap-ballister-dek-trio-podcast\/","url_meta":{"origin":36258,"position":5},"title":"HDO 231. Conexi\u00f3n Chicago: H.Drake &#8211; S.Kassap, Ballister, DEK Trio [Podcast]","author":"Tomajazz","date":"2 febrero, 2017","format":false,"excerpt":"En HDO 231 el leitmotiv\u00a0es la conexi\u00f3n con Chicago. Tres\u00a0grabaciones, con centro creativo en la improvisaci\u00f3n, suenan en el programa del d\u00eda 2 de febrero de 2017: \"Fauchard\" de\u00a0Slag (Aerophonic Records, 2017), que es la sexta grabaci\u00f3n de\u00a0Ballister (tr\u00edo en el que participan\u00a0Dave Rempis,\u00a0Fred Lonberg-Holm,\u00a0Paal Nilssen-Love), que se publicar\u00e1 oficialmente\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ballister_Slag_Aerophonic-Records_2017-e1485988454958.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ballister_Slag_Aerophonic-Records_2017-e1485988454958.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ballister_Slag_Aerophonic-Records_2017-e1485988454958.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=36258"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36258\/revisions"}],"predecessor-version":[{"id":36425,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36258\/revisions\/36425"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/36260"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=36258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=36258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=36258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}