{"id":36360,"date":"2018-04-29T12:00:55","date_gmt":"2018-04-29T10:00:55","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=36360"},"modified":"2022-09-08T20:57:54","modified_gmt":"2022-09-08T18:57:54","slug":"razones-para-jazz-un-disco-gene-harris-trio-plus-one-417","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-jazz-un-disco-gene-harris-trio-plus-one-417\/","title":{"rendered":"Razones para jazz: un disco. Gene Harris Trio Plus One [417]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-36361 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001-200x199.jpg\" alt=\"\" width=\"200\" height=\"199\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001-600x598.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001.jpg 640w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un disco. <strong>Gene Harris<\/strong>:\u00a0<em>Gene Harris Trio Plus One<\/em> (Groove Note Records, 1986)<\/p>\n<p>Seleccionado por<strong> Juanma Castro Medina<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco. Gene Harris:\u00a0Gene Harris Trio Plus One (Groove Note Records, 1986) Seleccionado por Juanma Castro Medina<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-jazz-un-disco-gene-harris-trio-plus-one-417\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":36361,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17859,20689,15517,1038],"tags":[1728,21299,7636],"class_list":["entry","author-pachi","post-36360","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juanma-castro-medina","category-razones-para-el-jazz","category-textos","category-contenidos","tag-gene-harris","tag-groove-note","tag-juanma-castro-medina"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/The-Gene-Harris-Trio-Plus-One-001.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29576,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-magnificent-thad-jones-thad-jones-1956-70\/","url_meta":{"origin":36360,"position":0},"title":"365 razones para amar el jazz: un disco. The Magnificent Thad Jones (Thad Jones, 1956) [70]","author":"Tomajazz","date":"11 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Thad Jones:\u00a0The Magnificent Thad Jones\u00a0(Blue Note, 1956) Seleccionado por\u00a0Juanma Castro Medina. Con Thad Jones, Billy Mitchell, Barry Harris, Percy Heath, Max Roach.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Thad-Jones_The-Magnificient-Thad-Jones_Blue-Note_1956.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":56907,"url":"https:\/\/tomajazz.com\/web\/jazzx5262-les-mccann-eddie-harris-compared-to-what-swiss-movement-atlantic-records-1969-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":36360,"position":1},"title":"JazzX5#262. Les McCann &#8211; Eddie Harris: \u00abCompared To What\u00bb [Swiss Movement (Atlantic Records, 1969)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"4 septiembre, 2021","format":false,"excerpt":"En JazzX5 el cl\u00e1sico \"Compared to What\" de Les McCann y Eddie Harris que aparec\u00eda en Swiss Movement (Atlantic, 1969), grabaci\u00f3n en directo en el Festival de Jazz de Montreaux y que fue un tremendo \u00e9xito.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_262.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_262.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_262.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_262.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":192,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-at-last-de-the-gene-harrisscott-hamilton-quintet-1990\/","url_meta":{"origin":36360,"position":2},"title":"Tomajazz recomienda\u2026 un disco: \u201cAt Last\u201d (The Gene Harris\/Scott Hamilton Quintet, 1990)","author":"Adolphus van Tenzing","date":"24 agosto, 2009","format":false,"excerpt":"El pianista Gene Harris y el saxofonista Scott Hamilton hab\u00edan tocado previamente juntos en clubs y festivales, pero este disco producido por Carl E. Jefferson para Concord es su primera sesi\u00f3n de grabaci\u00f3n juntos. Sin embargo, por la fluidez y la compenetraci\u00f3n que demuestran, cualquiera dir\u00eda que llevaban toda la\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2009\/08\/The-Gene-Harris-Scott-Hamilton-Quintet_At-Last.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":20044,"url":"https:\/\/tomajazz.com\/web\/swiss-movement-por-juanma-castro-medina\/","url_meta":{"origin":36360,"position":3},"title":"Swiss Movement. Por Juanma Castro Medina","author":"Tomajazz","date":"6 octubre, 2015","format":"image","excerpt":"Hola amigos, ten\u00edamos ganas de traer este directo a nuestra web. Se trata de un concierto grabado en 1969 desde el Festival de Jazz de Montreux, Suiza. En \u00e9l, se re\u00fanen tres magn\u00edficos m\u00fasicos. Un pianista: Les McCann. Un saxo tenor: Eddie Harris. Y un trompetista: Benny Bailey. Los dos\u2026","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Cover-Lee-Friedlander.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":33849,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-way-we-play-marquis-hill-344\/","url_meta":{"origin":36360,"position":4},"title":"365 razones para amar el jazz: un disco. The Way We Play (Marquis Hill) [344]","author":"Tomajazz","date":"10 diciembre, 2017","format":false,"excerpt":"Un disco. Marquis Hill: The Way We Play (Concord, 2016) Seleccionado por Juanma Castro Medina","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Marquis-Hill_The-Way-We-Play.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29545,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-j-r-monterose-j-r-monterose-1956-62\/","url_meta":{"origin":36360,"position":5},"title":"365 razones para amar el jazz: un disco. 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