{"id":36476,"date":"2018-05-05T12:00:57","date_gmt":"2018-05-05T10:00:57","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=36476"},"modified":"2022-09-04T13:49:52","modified_gmt":"2022-09-04T11:49:52","slug":"razones-para-jazz-una-portada-spy-vs-spy-zorn-berne-dresse-vatcher-baron-419","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/razones-para-jazz-una-portada-spy-vs-spy-zorn-berne-dresse-vatcher-baron-419\/","title":{"rendered":"Razones para jazz: una portada. Spy vs Spy (Zorn \u2013 Berne \u2013 Dresse \u2013 Vatcher \u2013 Baron) [419]"},"content":{"rendered":"<p><center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-36477\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande.jpg\" alt=\"\" width=\"500\" height=\"500\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande-50x50.jpg 50w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/center><\/p>\n<p>Una portada (gloriosa) de\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Mark_Beyer_(comics)\" target=\"_blank\" rel=\"noopener\"><strong>Mark Beyer<\/strong><\/a>:\u00a0<em>Spy vs Spy<\/em>\u00a0(1988).\u00a0<strong>John Zorn, Tim Berne, Mark Dresser, Michael Vatcher &amp; Joey Baron<\/strong>, Play the Music of Ornette Coleman.<\/p>\n<p>Seleccionado por <strong>Se\u00f1or X<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una portada (gloriosa) de\u00a0Mark Beyer:\u00a0Spy vs Spy\u00a0(1988).\u00a0John Zorn, Tim Berne, Mark Dresser, Michael Vatcher &amp; Joey Baron, Play the Music of Ornette Coleman. Seleccionado por Se\u00f1or X<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/razones-para-jazz-una-portada-spy-vs-spy-zorn-berne-dresse-vatcher-baron-419\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":36477,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21328,13061,20689,15517,1038],"tags":[1869,6476,8292,4820,1200,21329,5583],"class_list":["entry","author-pachi","post-36476","post","type-post","status-publish","format-standard","has-post-thumbnail","category-senor-x","category-ornette-coleman-gracias-maestro","category-razones-para-el-jazz","category-textos","category-contenidos","tag-joey-baron","tag-john-zorn","tag-mark-dresser","tag-michael-vatcher","tag-ornette-coleman","tag-senor-x","tag-tim-berne"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":36471,"url":"https:\/\/tomajazz.com\/web\/razones-para-jazz-un-disco-spy-vs-spy-zorn-berne-dresse-vatcher-baron-418\/","url_meta":{"origin":36476,"position":0},"title":"Razones para jazz: un disco. Spy vs Spy (Zorn &#8211; Berne &#8211; Dresser &#8211; Vatcher &#8211; Baron) [418]","author":"Tomajazz","date":"4 mayo, 2018","format":false,"excerpt":"Un disco. Spy vs Spy (1988). John Zorn, Tim Berne, Mark Dresser, Michael Vatcher & Joey Baron, Play the Music of Ornette Coleman. Seleccionado por Trusqui & Jack Torrance.","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"Razones para jazz: un disco. Spy vs Spy (Zorn - Berne - Dresser - Vatcher - Baron) [418]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Trusqui-y-Spy-Vs.-Spy-e1525384572715.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Trusqui-y-Spy-Vs.-Spy-e1525384572715.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Trusqui-y-Spy-Vs.-Spy-e1525384572715.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Trusqui-y-Spy-Vs.-Spy-e1525384572715.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36481,"url":"https:\/\/tomajazz.com\/web\/razones-para-jazz-un-disco-de-perversiones-spy-vs-spy-zorn-berne-dresse-vatcher-baron-420\/","url_meta":{"origin":36476,"position":1},"title":"Razones para jazz: un disco de (per)versiones. Spy vs Spy (Zorn \u2013 Berne \u2013 Dresser \u2013 Vatcher \u2013 Baron) [420]","author":"Tomajazz","date":"6 mayo, 2018","format":false,"excerpt":"Un disco de gloriosas versiones de cl\u00e1sicos del jazz puestos al d\u00eda:\u00a0Spy vs Spy\u00a0(1988).\u00a0John Zorn, Tim Berne, Mark Dresser, Michael Vatcher & Joey Baron, Play the Music of Ornette Coleman. Seleccionado por Mister Flasker","rel":"","context":"En \u00ab*_Mister Flasker\u00bb","block_context":{"text":"*_Mister Flasker","link":"https:\/\/tomajazz.com\/web\/category\/_mister-flasker\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":58420,"url":"https:\/\/tomajazz.com\/web\/jazzx5325-john-zorn-blues-connotation-spy-vs-spy-the-music-of-ornette-coleman-elektra-musician-1989-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":36476,"position":2},"title":"JazzX5#325. John Zorn: \u00abBlues Connotation\u00bb [Spy vs. Spy: The Music of Ornette Coleman (Elektra Musician, 1989)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"6 noviembre, 2021","format":false,"excerpt":"En el JazzX5 de fin de semana, la revisi\u00f3n que John Zorn, Tim Berne, Mark Dresser, Joey Baron y Michael Vatcher, realizaban de \"Blues Connotation\", tema de Ornette Coleman que aparec\u00eda en el fenomenal Spy Vs. Spy (Elektra, 1989).","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29255,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-john-zorn-spy-vs-spy-52\/","url_meta":{"origin":36476,"position":3},"title":"365 razones para amar el jazz: un disco. John Zorn: Spy vs. Spy [52]","author":"Tomajazz","date":"21 febrero, 2017","format":false,"excerpt":"Un disco. John Zorn: Spy Vs. Spy. The Music Of Ornette Coleman (Nonesuch, 1988) Seleccionado por\u00a0Pachi Tapiz. Con John Zorn, Tim Berne, Joey Baron, \u00a0Michael Vatcher, Mark Dresser.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/John-Zorn_Spy-Vs.-Spy_Elektra_1988.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1569,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-spy-vs-spy-the-music-of-ornette-coleman-john-zorn-1989\/","url_meta":{"origin":36476,"position":4},"title":"Tomajazz recomienda\u2026 un cd: Spy Vs. Spy \u2013 The Music of Ornette Coleman (John Zorn, 1989)","author":"Adolphus van Tenzing","date":"25 julio, 2011","format":"image","excerpt":"Spy Vs. Spy de John Zorn es uno de los homenajes a la m\u00fasica de Ornette Coleman m\u00e1s sinceros y brutales que jam\u00e1s se han hecho.\u00a0Tim Berne, Mark Dresser, Joey Baron, Michael Vatcher y John Zorn dan una vuelta de tuerca al legado de Ornette llev\u00e1ndolo a los terrenos del\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/07\/spy-vs.-spy-the-music-of-ornette-coleman.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":54698,"url":"https:\/\/tomajazz.com\/web\/tres-discos-de-versiones-tom-rainey-obbligato-john-wolf-brennan-broken-shadows-grabaciones-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":36476,"position":5},"title":"Tres discos de versiones: Tom Rainey Obbligato \u2013 John Wolf Brennan \u2013 Broken Shadows [Grabaciones de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"19 mayo, 2021","format":false,"excerpt":"Pachi Tapiz repasa tres discos consistentes en versiones: \"Untucked In Hannover\" (Intakt) de Tom Rainey Obbligato, \"gritty ditties. nonsolopiano\" (Leo Records) de John Wolf Brennan, y \"broken shadows\" (Intakt) del grupo hom\u00f3nimo con Tim Berne, Chris Speed, Dave King y Reid Anderson.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/05\/Broken-Shadows.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/05\/Broken-Shadows.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/05\/Broken-Shadows.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/05\/Broken-Shadows.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/05\/Broken-Shadows.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=36476"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36476\/revisions"}],"predecessor-version":[{"id":36480,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/36476\/revisions\/36480"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/36477"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=36476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=36476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=36476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}