{"id":36664,"date":"2018-05-14T11:11:29","date_gmt":"2018-05-14T09:11:29","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=36664"},"modified":"2022-09-04T13:36:39","modified_gmt":"2022-09-04T11:36:39","slug":"blues-clarence-gatemouth-brown-john-lee-hooker-blues-en-los-anos-40-y-50-viii-la-odisea-de-la-musica-afroamericana-145-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/blues-clarence-gatemouth-brown-john-lee-hooker-blues-en-los-anos-40-y-50-viii-la-odisea-de-la-musica-afroamericana-145-podcast\/","title":{"rendered":"Blues: Clarence \u00abGatemouth\u00bb Brown, John Lee Hooker. Blues en los a\u00f1os 40 y 50 (VIII). La Odisea de la M\u00fasica Afroamericana (146) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor de los libros <a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Nueva Orleans (1717-1917): Sexo, Raza y Jass<\/em><\/a> y <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">Contin\u00faa el especial dedicado al blues en los a\u00f1os 40 y 50 en\u00a0<em>La Odisea de la M\u00fasica Afroamericana<\/em>. El programa 146 de la saga de <strong>Luis Escalante Ozalla<\/strong> es la octava dedicada al blues, y en esta ocasi\u00f3n est\u00e1 centrada en las figuras de\u00a0<strong>Clarence \u00abGatemouth\u00bb Brown<\/strong> y\u00a0<strong>John Lee Hooker<\/strong>.<\/p>\n<p><iframe id=\"audio_25948843\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_25948843_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36665\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997-600x428.jpg\" alt=\"\" width=\"600\" height=\"428\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997-600x428.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997-200x143.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997-768x548.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997-77x55.jpg 77w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><center>John Lee Hooker.<br \/>\nFotograf\u00eda por Masahiro Sumori. Empleado con licencia\u00a0<a class=\"extiw\" title=\"w:en:Creative Commons\" href=\"https:\/\/en.wikipedia.org\/wiki\/en:Creative_Commons\" target=\"_blank\" rel=\"noopener\">Creative Commons<\/a>\u00a0<a class=\"external text\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/deed.en\" rel=\"nofollow noopener\" target=\"_blank\">Attribution-Share Alike 3.0 Unported<\/a><\/center><br \/>\nEn el programa 146 suenan:<\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abRigth here right now\u00bb Cassandra Wilson\u00bbBetter off with the blues\u00bb Clarence \u00abGatemouth\u00bb Brown<\/li>\n<li style=\"text-align: justify;\">\u00abTake the A train\u00bb Clarence \u00abGatemouth\u00bb Brown<\/li>\n<li style=\"text-align: justify;\">\u00abMidnight blues\u00bb Clarence \u00abGatemouth\u00bb Brown<\/li>\n<li style=\"text-align: justify;\">\u00abWe\u00b4re outta\u00bb Clarence \u00abGatemouth\u00bb Brown<\/li>\n<li style=\"text-align: justify;\">\u00abDimples\u00bb John Lee Hooker<\/li>\n<li style=\"text-align: justify;\">\u00abThis is hip\u00bb John Lee Hooker<\/li>\n<li style=\"text-align: justify;\">\u00abBoom boom\u00bb John Lee Hooker<\/li>\n<li style=\"text-align: justify;\">\u00abChillen boogie\u00bb John Lee Hooker<\/li>\n<li style=\"text-align: justify;\">\u00abI\u00b4m in the mood\u00bb John Lee Hooker<\/li>\n<li style=\"text-align: justify;\">\u00abI cover the waterfront\u00bb John Lee Hooker &amp; Van Morrison<\/li>\n<li style=\"text-align: justify;\">\u00abGood morning heartache\u00bb Terence Blanchard<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29002\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg\" width=\"300\" height=\"460\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg 326w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-196x300.jpg 196w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-36x55.jpg 36w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Contin\u00faa el especial dedicado al blues en los a\u00f1os 40 y<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/blues-clarence-gatemouth-brown-john-lee-hooker-blues-en-los-anos-40-y-50-viii-la-odisea-de-la-musica-afroamericana-145-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":36665,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,21473,13297,12814,15518,1038],"tags":[5017,15468,13142,21402,12817,12816,21401,10165,13044],"class_list":["entry","author-pachi","post-36664","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-el-blues-en-los-anos-40-y-50","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-cassandra-wilson","tag-clarence-gatemouth-brown","tag-john-lee-hooker","tag-john-lee-hooker-van-morrison","tag-la-odisea-de-la-musica-afroamericana","tag-luis-escalante-ozalla","tag-masahiro-sumori","tag-terence-blanchard","tag-van-morrison"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/JohnLeeHooker1997.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":36819,"url":"https:\/\/tomajazz.com\/web\/blues-john-lee-hooker-b-b-king-blues-en-los-anos-40-y-50-ix-la-odisea-de-la-musica-afroamericana-147-podcast\/","url_meta":{"origin":36664,"position":0},"title":"Blues: John Lee Hooker, B.B.King. Blues en los a\u00f1os 40 y 50 (IX). La Odisea de la M\u00fasica Afroamericana (147) [Podcast]","author":"Tomajazz","date":"21 mayo, 2018","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Novena entrega de La Odisea de la M\u00fasica Afroamericana de Luis\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/IMG_3506.JPG-BBKINGwm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/IMG_3506.JPG-BBKINGwm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/IMG_3506.JPG-BBKINGwm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":35796,"url":"https:\/\/tomajazz.com\/web\/las-cantantes-de-blues-en-los-anos-40-la-odisea-de-la-musica-afroamericana-139-podcast\/","url_meta":{"origin":36664,"position":1},"title":"Las cantantes de blues en los a\u00f1os 40 y 50 (I). La Odisea de la M\u00fasica Afroamericana (139) [Podcast]","author":"Tomajazz","date":"26 marzo, 2018","format":false,"excerpt":"Las cantantes de blues en los a\u00f1os 40 y 50 (I). La Odisea de la M\u00fasica Afroamericana (139) [Podcast]","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Memphis_Minnie.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Memphis_Minnie.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Memphis_Minnie.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Memphis_Minnie.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":21875,"url":"https:\/\/tomajazz.com\/web\/los-grandes-del-boogie-woogie-la-odisea-de-la-musica-afroamericana-033-podcast\/","url_meta":{"origin":36664,"position":2},"title":"Los grandes del Boogie-woogie. La Odisea de la M\u00fasica Afroamericana (033) [Podcast]","author":"Tomajazz","date":"18 enero, 2016","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El Boogie-woogie es un estilo de blues con un car\u00e1cter r\u00edtmico m\u00e1s acusado, que se ejecuta principalmente con el piano. 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Doble protagonismo en la entrega 75 de La Odisea de la M\u00fasica Afroamericana. Luis Escalante termina el repaso de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"benny_carter_apollo_theater_1946_photo-by-william-p-gottlieb","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Benny_Carter_Apollo_Theater_1946_Photo-by-William-P.-Gottlieb.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":23598,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-iv-la-odisea-de-la-musica-afroamericana-046-podcast\/","url_meta":{"origin":36664,"position":5},"title":"Billie Holiday, una gigante del Jazz (IV). La Odisea de la M\u00fasica Afroamericana (046) [Podcast]","author":"Tomajazz","date":"16 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En la entrega n\u00famero 46 de La Odisea de la M\u00fasica Afroamericana, la protagonista central sigue siendo Billie Holiday. 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